Melville’s Obsessional Form: Disjunction and Refusal in “Benito Cereno” by Matthew Scully

“…“Benito Cereno” offers an exemplary text to consider obsession in relation to narrative form. Melville’s tale operates on at least two levels: the first part, a third-person narration that exhausts itself when “Melville’s ultimate dupe” (Ngai 61), Captain Delano, finally realizes there has been a slave revolt on Cereno’s ship, and the second part, transcripts from legal depositions in the court case that makes a sovereign judgment on Babo and the events of the preceding narrative. …”
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Reading Philemon with Onesimus in the postcolony: exploring a postcolonial runaway slave hypothesis by Obusitswe Tiroyabone

“… For centuries, the Philemon narrative has been read as the story of a slave that ran away from his master and must now be reconciled to him, and continue their master-slave relationship. …”
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'n Narratiewe pastorale terapie met depressiewe persone by JD Crafford, DJ Kotzé

“…From the first impressions in early childhood, narratives are formed which becomes the dominant discourses of a person's life. …”
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Interdistance et instabilité au sein des chaînes de référence : indices textuels ? by Lucie Rousier-Vercruyssen, Frédéric Landragin

“…With regard to these measures, our results show the independence between the narrative genre and the non narrative genre. There is less interdistance and more stability in narrative texts than in non narrative texts. …”
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Design formation of a transmedia project by A. М. Arakelyan, Yu. V. Vorontsova

“…The recommendations demonstrate the need for narrative knowledge within the framework of a transmedia narrative, allowing users to engage and be motivated by a transmedia narrative, rather than simply distributing content through media channels. …”
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The "conquest" of historical space in the 21st century Russia: negative historical identity? by Aurimas Švedas

“…Despite the peculiarities of this historical narrative on the Russian past, present, and future, its creators managed to ensure major public support for the narrative, which became a very important part of social mentality in contemporary Russia. …”
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Zabawa narracyjna jako strategia sprzyjająca autentycznemu uczeniu się dzieci by Joanna Szymczak

“…A narrative play is a strategy which was used while creating educational situations for children aged 6 to 9, in the Narrative Environments for Play and Learning research project. …”
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Horizontes de la narrativa colombiana de las últimas décadas en el ámbito latinoamericano by Carmen Alemany Bay

“…The aim of this article is to elaborate a survey of Colombian narrative for the last twenty years of the 20th century. …”
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The Fake History: Soviet Totalitarianism and the Memory of the Guerrilla War by Bernardas Gailius

“…The key element of historical culture is historical narrative. J. Riisen distinguishes four types of narratives: the traditional narrative, the exemplary narrative, the critical narrative, and the genetic narrative. …”
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The "first Deborah" - Genesis 35:8 in the literary and theological context by F. Olojede

“… Exegetes consider Genesis 35:8 an intrusive verse in the narrative of Genesis 35:1-15 because of its isolated mention of the death and burial of Deborah, Rebekah’s nurse. …”
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'n Narratologiese verkenning van die grufilm- en riller- subgenres by Ian Saunderson

“…Wigston used the narrative model of Vladimir Propp to analyse the news content of Radio Moscow and Voice of America. …”
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Narrativas del conflicto y construcciones del pasado entre los q’eqchi’es: del relato de vida al mito by Agnès Bergeret

“…This article studies how the Q’eqchi’ of Cahabón (Alta Verapaz, Guatemala) relate to different past times, by examining the dynamics of two broad categories of narrative genre: established “stories” about ancestors and more autobiographical narratives about individual “suffering” experienced in recent times. …”
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L’Amérique des temps profonds : jalons pour une géo-logique des récits, de John McPhee (Annals of the Former World, 1998) à Herman Melvillle (Pierre, 1852) by Bruno Monfort

“…This article tries to show that what is meant by “narrative” should be specified, depending on whether we are dealing with a retrospective personal narrative or a work of fiction. …”
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Когнитивная семантика и нарративные функции парентезы „кажется” в разных контекстах художественного дискурса... by Елена Чернцова

“…The semantics and narrative functions of the parenthesis кажется are identified within such parameters as ‘communicative logic of the cognitively active subject’, ‘subjective structure of context’, along with a ‘communicative register’ — ‘reproductive’ or ‘informative’ — and a ‘narrative strategy’.…”
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تقنيات السير الذاتي في " تقرير إلى غريكو "لـ نيكوس كازانتزاكيس أنموذجا by Feghrour Hala

“…Kazantzakis structures his narrative with binary oppositions, blending poetic language, symbolism, and allusions to create a unique artistic style. …”
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Walking With the Ghost: Sodomy, Sanity and the Secular in Charles Brockden Brown’s Edgar Huntly by Kyle Joseph Campbell

“…Kate Ward Sugar engages with this narrative in a different way, exploring the dynamic of sleepwalking as a way to address male homosocial bonds. …”
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Reading John 11:1-45 from a post-normal times perspective by J. Thomaskutty

“…The article attempts to explore the complexities, chaotic situations, and contradictions embedded within the narrative master plan of the story. In order to suggest a new way forward, the narrator develops her/his arguments by focusing on the three tomorrows of the story, as s/he provides several narrative clues about the extended present, the familiar futures, and the unthought futures. …”
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تقنيات السير الذاتي في " تقرير إلى غريكو "لـ نيكوس كازانتزاكيس أنموذجا by Feghrour Hala

“…Kazantzakis structures his narrative with binary oppositions, blending poetic language, symbolism, and allusions to create a unique artistic style. …”
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Arnold Bennett’s Naturalistic and Democratic Interiors in The Old Wives’ Tale (1908) by Laurent Mellet

“…Interiors in this novel should be read in spatial, physical, and narrative terms, since Bennett invents new modes of dwelling in order to endow his characters with new ways of narrating themselves. …”
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