Presentism, Empire, and Nineteenth-Century Music by Brian C. Thompson

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Renegotiating the Borders of National Culture: Polish Émigré Composers and National Music Histories in the Twentieth Century by Lisa Cooper Vest

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Centering Orality in the Music History Classroom by Elizabeth Elmi

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Presentism and History in Music Education: What Content for What Future? – Position papers by Giuseppina La Face, Paolo Somigli

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Lʼorgue italien de la Renaissance (1400-1550). Commandes artistiques, savoirs pratiques et usages liturgiques by Hugo Perina

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Opera “Grozovan”: a landmark in the history of Moldovan music by Aglaia MUDREA

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Changing Life: Historical Musicology as a Strategic Tool in the Italian Community Music Perspective. A Case Study by Antonella Coppi, Johann van der Sandt

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A Review, Translation, and Analysis on Kitāb al- Nagham: Yahaya ibn alMunajjim’s Account on Isḥāq alMawșilī by Ehsan Zabihifar, Seyed Shahin Mohseni

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Apprendere al museo la musica come storia: didattica museale e costruzione delle conoscenze storico-musicali by Maria Rosa De Luca

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Policing the Stones: Music and Violence in Berlin. The Transnational Debates of the 1960s. by Bodo Mrozek

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Surveiller les Stones : musique et violence à Berlin. Les débats transnationaux des années 1960 by Bodo Mrozek

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Sex, Dr(a)gs and Rock’n’Roll: Diverse Masculinities of Glam Metal, Sleaze Metal and Hair Metal by Celina Jeray

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Musikkselskapets portrettmedaljonger by Annabella Skagen, Daniela Pawel

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Zu Dahlhaus’ Historiographie der Musiktheorie im 19. Jahrhundert by Jan Philipp Sprick

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Fāṭımīler Dönemi Musiki Kültürü Üzerine Bir Değerlendirme by Muhammet Sevinç

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Dare agli eventi una «istorica forma»: padre Martini e i primordi della storiografia musicale by Maria Semi

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