„Mała Wiera” (1988) – „czegoś tak obrzydliwego w naszym kraju jeszcze nie było…”. Оburzeni przeciw oświeconym. Przyczynek do studium nad mentalnością „homo sovieticus” u progu nowe... by Maria Natalia Kistowska

“…The basic material for the author were letters written by the audience to a movie screenwriter, Maryia Khmielik, and published as the last chapter of a film-based novel, both with the same title – Little Vera. …”
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Al-Ghâlibûn Le Hezbollah et la mise en récit de la « société de la résistance » au Liban by Erminia Chiara Calabrese

“…After the liberation of South Lebanon in 2000, the Hezbollah party leadership understood the importance of audiovisual tools over movie-going, and used television as their key device to influence public opinion and mobilize the Lebanese Shiite community to join what the party calls the “society of resistance”. …”
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A Geography of Cultures: Or, Why New York’s Lower East Side Is an Important Case Study by Mario MAFFI

“…During the 19th century, but especially in the crucial turn-of-the-century decades, the quarter—an immigrant ghetto of appalling living and working conditions as well as a hotbed of radical politics—also functioned as a sort of cultural laboratory, a key factor in the development of such diverse but distinctive American arts such as the realist and naturalist novel, the budding movie making, the Ash Can School of painting, theatre, etc.…”
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« L'État de tous les spectateurs » by Irina Tcherneva

“…The authorities justify these new political axes by spectators’ denunciation of the aesthetic and economic ineffectiveness of the Soviet cinema of the late Stalinist period. The movie theatres’ and the studios’ financial plans are based on the absolute number of spectators and screenings. …”
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Rugged Resonances: From Music in McCarthy to McCarthian Music by Julius Greve, Markus Wierschem

“…It teases out the stylistic idiosyncrasies of McCarthy’s fiction in terms of a sonic register, by tracing its connections to the film scores of movie adaptations like All the Pretty Horses (2000) and The Road (2009), and to the works of a diverse set of musicians and bands directly inspired by McCarthy’s fiction, including acts like Buddy and the Huddle, Horatio Clam, Ben Nichols, Earth, and Neurosis. …”
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Subjective affective experience under threat is shaped by environmental affordances. by Song Qi, Dylan M Nielson, Daniele Marcotulli, Daniel S Pine, Argyris Stringaris

“…For this purpose, we introduce a novel behavioral paradigm using horror movie stimuli to simulate threats. The study illustrates that affordances, specifically items present in the environment, are instrumental in modulating both behavioral choices (approach or avoidance) and emotional expressions of anger and fear. …”
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Alexandre Parkhomenko (Leonid Loukov, 1942) : la guerre civile en Ukraine revue et corrigée by Eric Aunoble

“…This could be felt also in movies. Hence, how the original revolutionary history would be linked with the new patriotic discourse? …”
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Asymmetric representation of symmetric semantic information in the human brain by Jiaxin Wang, Kiichi Kawahata, Antoine Blanc, Naoya Maeda, Shinji Nishimoto, Satoshi Nishida

“…We addressed this question in a data-driven manner by using the voxelwise modeling of movie-evoked cortical response measured by functional magnetic resonance imaging. …”
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De la poésie au collage, du cinéma au graffiti by Sophie Dannenmüller

“…Letters applied onto the film strip in his movie Untitled/Aleph (1956-1966) infuse the moving images with subliminal messages, whereas a meticulous calligraphy gives a transcendent and sacred iconic quality to his esoteric graffitis. …”
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Kitsch, classes sociales et multiculturalisme dans My Beautiful Laundrette (Stephen Frears, 1985) by Lionel Souquet

“…In 1985, My Beautiful Laundrette was the movie which earned Stephen Frears full recognition as a filmmaker. …”
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Filmowy Poemat pedagogiczny: między Makarenką a wymogami kultury totalitarnej by Jakub Sadowski

“…It requires not only the adaptation of the novel to the linguistic requirements of the movie. The typological distinctions between the language of literary and cinematic Poems concern not only two spheres of the functioning of these works, but also two types of culture in which they were brought to life. …”
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Le Transperceneige et Snowpiercer : figuration, sas et espaces de transit(ion) by Tessa Sermet

“…The graphic novel The Transperceneige and the movie Snowpiercer depicts societies forced to find refuge in a train after a climatic disaster. …”
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Cinephemera Round Trip. Postcards for and by Anselmo Ballester by Stefania Babboni, Sara Martin

“…Comparing cine-postcards, preparatory sketches, and posters from the Ballester collection, spanning a period of fifty years, we will focus on how photographic postcards of national and international movie stars, represented the main models for the painter, aimed at creating an iconography consistent, and adaptable to multiple cinematographic genres. …”
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Rock and roll et violence en Italie en 1956 by Jacopo Tomatis

“….: rock’n’roll records, rock’n’roll movie soundtracks, etc.) was made available in Italy. …”
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Crimson Tide: Hans Zimmer, Subliminal Harmony, and Submerged Voices by Donald Greig

“… Crimson Tide (Tony Scott, 1995) is a signal example of Hollywood action-adventure movies of the past forty years and in particular of the “high-concept” movie. …”
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Confronting Race Head-on in 12 Years a Slave (Steve McQueen, 2013): Redefining the Contours of the Classic Biopic? by Anne-Marie Paquet-Deyris

“…By reconsidering the classic biopic/historical film, this article examines how the movie relocates America’s problems with race at the very heart of the national debate and offers a “post-post-racial” screen model that directly confronts race history.…”
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AN INTRODUCTION TO FACTORIZATION TECHNIQUE FOR BUILDING RECOMMENDATION SYSTEMS by Nguyen Thai Nghe

“…For instance, RS has been used in many areas such as in e-commerce (for online shopping), in entertainments (music/movie/video clip... recommendation), and in education (learning resource recommendation). …”
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Myra Breckinridge et le passager clandestin. Kitsch, camp et inconscient hollywoodien by Grégoire Halbout

“…It was later rehabilitated as a cult movie thanks to a cultural reevaluation which has considered this narrative experimentation as a pioneering camp film of mainstream culture. …”
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Mythologies of American violence in Alan Ball's True Blood series by Anne-Marie PAQUET-DEYRIS

“…To capture their extreme violence, the showrunner uses the conventions of the horror genre. Vampire, werewolf movie codes and motifs are very often recycled in various episodes of the series to problematize current problems in American society such as the women’s liberation movement, the gay and lesbian rights, the civil rights movement etc. …”
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El Madrid de la Bestia : l’apocalypse urbaine d’Álex de la Iglesia by Diane Bracco

“…This article proposes an analysis of the variations on the apocalyptic theme, cornerstone of contemporary Madrid’s cinematographical portrait that the director paints in his movie. Through the deployment of strategies of grotesque distortion, de la Iglesia invites us to see in his filmic re-elaboration of the metropolis the metonymy of a Spain that has lost all its points of reference: while taking possession of the urban landscape, integrated into a spectacular production, de la Iglesia lifts the veil on the paradoxes of a postindustrial society which longs for modernization, at the dawn of the third millennium, although it still harbours the residues of a dictatorial past that the advent of democracy has not enabled to eradicate.…”
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