Régionalisme et modernisme au Brésil : dialogues entre fléaux anciens et localismes modernes by André Tessaro Pelinser

“…We discuss, then, how Brazilian literature produced modern art before reaching Modernism, conscious that this fact is frequently ignored.…”
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Vicissitudes do intelectual público: um estudo de caso sobre Mário Pedrosa (1944-1968) by Josnei Di Carlo

“…After returning from exile in 1945, Mario Pedrosa (1900-1981) became a specialist in modern art. Concomitantly with his professionalization as an art critic, he became a public intellectual, because of political intervention in the disputes through the big press. …”
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ArtApki w edukacji plastycznej uczniów w wieku wczesnoszkolnym by Dorota Sobierańska

“…An important problem of the present is the preparation of young people to live among an increasing number of visual messages that come from the world of traditional and modern art and among visual messages from the media environment. …”
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Speculative Revisions of Film History: A Curator’s Notes by Rasha Salti

“…The three installments (2010-2012) of Mapping Subjectivity: Experimentation in Arab Cinema from the 1960s to Now, presented at the Museum of Modern Art in New York were an embodiment of such an exercise. …”
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Spectral Telepathy: the Late Style of Susan Howe by Marjorie Perloff

“…Two books recently published—The Quarry (New Directions, 2015) and Tom Tit Tot (Museum of Modern Art, 2015) illustrate this point. Whereas Howe’s earlier books of critical prose—for example, My Emily Dickinson (1985)—used scholarship to buttress Howe’s critical positions and arguments, her new “essays” in The Quarry are more properly understood as poems. …”
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À la Recherche de Yankee Art by Dimitrios S. Latsis

“…In 1938 the Museum of Modern Art organized a US government-funded, multi-disciplinary exhibition in Paris, entitled “Three Centuries of American Art.” …”
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« Une constellation dans la nuit de l'histoire, une tache lumineuse devant les ténèbres de la mort » : l'œuvre d'Ernst Wilhelm Nay vue par Werner Haftmann by Vincenza Benedettino

“…Through the analysis of correspondence, the modern art encyclopedia Malerei im 20. Jahrhundert, published by Haftmann in 1954, and exhibitions catalogues, this study retraces the fundamental stages of the path to the consecration of Nay’s abstract painting undertaken by the art historian in Germany and internationally. …”
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Re-imagining the History of British Abolition: The New Historical Consciousness in Winsome Pinnock’s Rockets and Blue Lights by Xiting Qiao

“…Examining Winsome Pinnock’s Rockets and Blue Lights through a new-historical lens, this study aims to shed light on the theatrical intervention in the historical narrative of the British abolition, and to evaluate Pinnock's contribution to modern art and its interpretation through her attempt to highly fictionalize history. …”
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Conservation problems with paintings containing fluorescent layers of paint by Stefanie De Winter

“…In modern art we can see that artists are breaking with traditional techniques. …”
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THE TRANSLATION SHIFT AND ACCURACY ANALYSIS OF MUSEUM MACAN’S CAPTION by Deny Deny

“… Museum MACAN is the first museum that exhibit modern art. Museum MACAN has Indonesia-English caption in their Instagram account in order to promote their collection. …”
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Faouzi Laatiris : fugues chimériques dans la mondialisation by Morad Montazami

“…Torn between his interest for Western modern art and his intimate relation to the Moroccan land, its traditions and vernacular knowledge, he ends up constructing objects and installations demonstrating – as he puts it himself –a kind of “cultural schizophrenia”. …”
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Ben Tilghman and the philosophy of art: in defense of the «last of the mohicans» by I. N. Nekhaeva

“…The article considers the view on the art of one of the most prominent figure of antiessentialism in modern art philosophy — Ben Tilghman. The radicality of his view lies in the denial of all art theories. …”
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Gina Pane and Krzysztof Jung: Queer Love in European Performance Art of the 1970s by Paweł LESZKOWICZ

“…The significant actions of Pane were performed in Italy, in the European South, an area marginalized in the canonical story of post-war modern art. …”
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Dorothy C. Miller, Chase Manhattan and American Banking: Investing Art? by Christine Zumello

“…As a curator working for the Museum of Modern Art (MoMA), she played a growing, and pivotal role in the Art Committee at Chase Manhattan Bank. …”
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W kierunku dizajnu: o projektowaniu (historii) mody by Piotr Szaradowski

“…przygotowana przez nowojorskie Museum of Modern Art (MoMA), drugą zaś Fast Fashion: Dark Side of Fashion zorganizowana przez Museum für Kunst und Gewerbe w Hamburgu. …”
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BROOM: An International Magazine of the Arts (1921-1924) : une revue d’avant-garde américaine by Ambre Gauthier

“…Eliot and Kenneth Burke and that of surrealists Louis Aragon, Philippe Soupault and Blaise Cendrars, juxtaposing the works of Joseph Stella and Charles Sheeler with those of the biggest names in European modern art, such as Pablo Picasso, Henri Matisse, Juan Gris and George Grosz.…”
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THE ROLE OF CROWDFUNDING IN THE FUTURE OF UKRAINE: PROBLEMS AND PROSPECTS by Natalia Grebeniuk, Mariana Shvayko, Kateryna Tykhomyrova

“…Each of them reveals the value of crowdfunding as a tool for supporting modern art, innovative technologies, charitable gatherings and organizations, political ideas in the form of projects. …”
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Innovative Application of Nano-Organic Photochromic New Materials in Hakka Traditional Decorative Pattern Design by HuiJuan Lai

“…At the same time, it is also the essence of artists accumulated through life in the past dynasties, which has a certain impact on the integration of modern art design and traditional culture. Photochromic materials have the characteristics of reversible color change under the action of light. …”
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Digital Biomimetic Architecture between Art and Dynamic Structure: Case Study—Wings in Flight by Shi-Yen Wu, Felicia Wagiri, Yen-Fen Huang, Shen-Guan Shih

“…This idea also summarizes many aspects of modern art such as portrayal of body movements by futurists, space-time continuum, cinematic freeze frame, and time-lapse photography. …”
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Victorian Arts and the Challenge of Modernity: Analogy, the Grid, and Chemical Transformations by Francesca Orestano

“…My article has its point of departure among the artists of the 20th-century avant-garde, who worked with a distinct awareness of their modernity and yet adopted an intellectual vantage point that enlarged their vision, to the extent of allowing them to embrace at once modern art and the art of the Neolithic age. Among them T. …”
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