Authenticity through VR-based documentation of cultural heritage. A theoretical approach based on conservation and documentation practices by Jesús Muñoz Morcillo, Franziska Schaaf, Ralf H. Schneider, Caroline Y. Robertson-von Trotha

“…In line  with  this  approach,  two  case studies will be commented: the multimodal 3D-documentation of the Jupiter Column(2AD) in Ladenburg, and the VR-based  re-enactment of  a  modern  work  of  art,  the  audio-kinetic  sculpture Kaleidophonic  Dog(1967)  by  Stephan  von Huene. …”
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Conceptualism of Sculpture Films of the 1970s–1980s in the Experimental Field of “Expanded Cinema” by Anhelina Anhelova

“…The analysis of projects significant for sculpture cinema in the 1970s–1980s reveals a few conceptual creative approaches: video documentation of the process of creating a sculpture, and presenting an audiovisual work as an independent art object; filming the transformation and destruction of sculpture works for the purpose of provocative statements on current topics; use of cinematographic equipment as a material for creating sculptures; expanded interpretation of the concept of “sculpture” as a form, the construction of which is not limited to solid materials or inanimate objects; fixation on film of kinetic sculptures, the contemplation of which is inseparable from the surrounding environment. …”
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