Temas rituales en la cerámica « tipo códice » del estilo mixteca-puebla by Gilda Hernández Sánchez

“…This iconography is similar to that on the Borgia Group and Mixtec codices. …”
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Représenter le passage dans l’au‑delà : les images de rites funéraires sur les tombeaux (xiii e‑xiv e siècles) by Haude Morvan

“…They display a relatively standardised iconography that focuses on a few elements, in particular the absolution and elevatio animae, which both mark the passage from the world of the living to that of the dead. …”
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Dialogues d’époux sur les stèles funéraires attiques by Élise Pampanay

“…Most of the iconography and inscriptions of the Classical Attic tombstones are conventional when honoring the dead. …”
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Les Jésuites et la dévotion à saint Louis au xviie siècle : la célébration du Roi très chrétien by Géraldine Lavieille

“…Both the worshiping and the iconography praise the royal patron and they commemorate and make public the favor of the King, against the virulent critics that the Jesuits are confronted to. …”
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L’apport des sources anciennes de la Renaissance à l’étude des collections by Julie Labregère

“…Research in ancient documentation and in the corpus of Hellenistic urns of Volterra allows us to compare the description of 1466 to an urn preserved in the Volterra Guarnacci Museum (inv. 108). Its iconography, composition and material correspond perfectly to Ivani’s notes. …”
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Quand les textes et les sols se taisent : le cas de Cencelle (Tarquinia, Italie, ixe-xve siècles) by Francesca Romana Stasolla, Sara Nardi Combescure

“…The results of archaeological excavations, when compared with iconography and medieval texts, provide multiple intersections that facilitate a better understanding of material civilization, with the perspective of obtaining a comprehensive and evolving vision. …”
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Les interactions entre la dramaturgie et la conception des images au Moyen Âge. by Claire Bonnotte

“…With the exception of images taken from rare illustrated theatre manuscripts, the iconography is most of the time quite different from the corresponding dramatic texts.…”
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Cross-Gendering the Racial Memory by Marlon B. Ross

“…In European-American iconography, there is a drive to materialize this gigantic feminine figure not only by super-sizing her but also by casting her in the hardest stones—again the Statue of Liberty providing a perfect instance. …”
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Nepomucká sousoší v Olomouci a v Žarošicích a jejich východočeské paralely. Příspěvek k poznání barokního sochařství na Moravě by Pavel Panoch

“…John of Nepomuk´s iconography in the baroque sculpture of Bohemia and Moravia: martyr´s dropping from the Prague´s Charles Bridge to the river and St. …”
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David Lynch’s Los Angeles: Control and Liberation through the Cinematic Image by Jakob Jurisch

“…Arguably, one of America’s greatest cinematic surrealists, David Lynch, boasts a filmography concerned with iconography, the nature of kitsch, and what dark underbellies such images veil. …”
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Renesanční epitaf jako médium „konfesijní identity“ v prostředí předbělohorské Chrudimi. Památník Tomáše Lvíka Domažlického (†1616) a Salomeny Francové z Liblic (†1619) jako histo... by Ondřej Jakubec

“…The central scene of the epitaph represents very rare iconography – Allegorical Crucifixion. We can find similar allegorical scenes especially at Silesian protestant epitaphs around 1600. …”
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Iron Age Terracotta Figurines from the Southern Levant in Context by Erin D. Darby, Izaak J. de Hulster

“…The volume deals with the iconography, typology, and find context of female, male, animal, and furniture figurines and discusses their production, appearance, and provenance, including their identification and religious functions.…”
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Aportaciones al estudio de la gestualidad en la iconografía románica hispana by Alicia Miguélez Cavero

“…The aim of this paper is to set a series of general aspects related to the graphic representations of gestures in the Romanesque iconography of the Iberian Peninsula. This approach is based on the prior configuration of a gestural corpus, formed by attitudes, gestures and postures portrayed in the Romanesque Art of the Spanish kingdoms. …”
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Le jaguar, sujet et objet du sacrifice maya by Claude-François Baudez

“…The jaguar, subject and object in Maya sacrifice. In Maya iconography, the role of the jaguar as a predator associated with all kinds of violence such as war, sacrifice, torture and self-sacrifice, is well-known. …”
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La problématique de la représentation des paysages brésiliens dans les manuels scolaires français by Leonardo Moreira Ulhôa, Vânia Rúbia Farias Vlach

“…This text proposes a number of ideas to raise the issue of the representations of Brazilian landscapes in French textbooks,especially the used in the  iconography of geography textbooks. This is a research still in progress, but it is already possible to extract elements for decoding the meanings attributed retrospectively to Brazil's  landscapes in France.…”
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Archaic Votive Figurines from the Sanctuary of Demeter at Corinth by Susan Langdon

“…The broadly varied assemblage documents the introduction of figurines into Corinthian votive practice and the development of cult iconography.…”
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The Terracottas from the Sanctuary of Artemis Limnatis at Messene by Maria Spathi

“…The assemblage includes mostly Artemis figurines of a type similar to the iconography of Artemis Bendis in Attica, but also of Hekate and Enodia in Thessaly. …”
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Světec, kříž a zbožný krab. Divertimento z barokní hagiografie mezi Západem a Východem by Pavel Panoch

“…Francis Xavier and pious crab monitors examples of Baroque graphics (university theses), painting and sculpture in Central Europe. Older symbolic iconography crab in the European tradition of the West while confronted with moralizing reflection of crab motif in the context of early modern emblematics. …”
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La Revolución ilustrada: la guerra civil mexicana en la literatura juvenil by Marion Gautreau

“…In this article we shall study the scarce books for the youth published in Mexico about the theme of the Revolution, in order to show how their authors have apprehended their own history and iconography to be able to restore it to 21st century children. …”
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Osobnost a dílo Matouše Radouše a tvorba renesančních epitafů v Chrudimi by Ondřej Jakubec, Radka Milotová

“…In some cases, a very original iconography of these epitaphs (e.g. the motif of Allegoric Crucifixion) proves that the commissioners of this monument were non-Catholics. …”
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