Contingente Henry Reeve, a quince años de su fundación by Luis Alberto Bestard Pavón, Laura Barrero Viera

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Thomas Henry Huxley et la Bible by Christophe Duvey

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İngiliz Konsolos James Henry Monahan’ın Raporlarında Bitlis Vilayeti (1896-1898) by Emel DEMİR GÖRÜR

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Porównanie do donatystów w nowożytnych polemikach wyznaniowych by Stanisław Adamiak

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New perspectives on H.R. Haggard: from South Africa to the Imperial Dream by Patricia CROUAN-VÉRON

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The Egyptian Museum in Fiction: The Mummy’s Eyes as the ‘Black Mirror’ of the Empire by Nolwenn Corriou

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Henry Rider Haggard’s Nordicism? When Black Vikings fight alongside White Zulus in South Africa by Gilles TEULIÉ

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“Lived religion” in Henry's Reformation: the evidence from mass books by Aude DE MÉZERAC-ZANETTI

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Performing rustics: pastoral moments and masques in Henry Purcell’s King Arthur (1691) and Benjamin Britten’s Gloriana (1953) by Catherine HOFFMANN

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Henry James’s Spectral Archaeology by Stefano Evangelista

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Cudworth and More on Immaterial Extension: A New Text with Analysis by Matthew A. Leisinger

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Henry Clay et la South American Question. by Monica Henry

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Trollope, Liberalism and Scripture by Hervé Picton

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Distorted Dreams: Peter Ibbetson from Illustration to Adaptation by Maxime Leroy

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Advances in Henry Gas Solubility Optimization: A Physics-Inspired Metaheuristic Algorithm With Its Variants and Applications by Mohammed A. El-Shorbagy, Anas Bouaouda, Hossam A. Nabwey, Laith Abualigah, Fatma A. Hashim

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Robert of Torigni’s Liber Chronicorum: The Chronography as a textual project in Avranches, Bibliothèque patrimoniale, ms 159 by Gabriele Passabì

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Eternal City or the Stuff of Nightmares? The Characterisation of Rome in Portrait of a Lady and Middlemarch by Hannah Hunt

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“We have botched them and patched them”: Modernity and Restoration in Henry James’s Italian Hours by Monica MANOLESCU-OANCEA

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The Myth of Don Juan Onstage up to and through Victorian Times by Rocío G. Sumillera

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Material Turns of the Screw: The Collier’s Weekly Serialization of The Turn of the Screw (1898) by Kirsten MacLeod

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