Identités de la guitare électrique by Anne Sèdes

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Notations pour la guitare électrique by Martin Laliberté

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Composed for Solo Guitar or String Orchestra? The Fluid Incarnations and Pedagogical Opportunities of Wallace Stevens’s The Man with the Blue Guitar by Bart Eeckhout

“…This article elaborates the critical, editorial, and pedagogical challenges and opportunities raised by Wallace Stevens’s The Man with the Blue Guitar (both the book and the title poem). It ranges from a consideration of the title poem’s unpublished autograph and the preliminary appearance of a selection of cantos in Twentieth Century Verse and Poetry to the book published by Knopf in 1937, its subsequent repackaging in 1952, and the different ways in which especially the title poem has been integrated in selected, collected, and artistically augmented volumes for the English-speaking market, as well as in translation. …”
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Traitements audionumériques pour la guitare électrique amplifiée by Benoît Courribet

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Fondling Breasts and Playing Guitar. Textual and Contextual Expressions of a Sociomusical Conflict in Accra by Tobias Robert Klein

“…Its violation by charismatic churches sparked off a fierce debate on the freedom of worship, in which traditional religion quarrels with Africanised congregations, for whom electric guitars, dances and tongue-speaking form part and parcel of their services. …”
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Design and Manufacturing of a Custom Guitar Amplifier: Optimizing Materials for Acoustic Performance and Durability by Andrada Elena KUBASZKY, Patricia Isabela BRĂILEANU

Subjects: “…custom guitar amplifier…”
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AirStrum: A virtual guitar using real-time hand gesture recognition and strumming technique by Beulah ARUL, Shashank PANDA, Tushar NAIR

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La guitare électrique comme moyen de création au sein d’un réseau d’outils compositionnels by Santiago Quintans

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Accords et désaccords. Pratiques et représentations de la guitare à Madrid et en Andalousie de 1883 à 1922 by Vinciane Trancart

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La guitare électrique augmentée : cadre de travail et stratégies pour la conception d’un instrument augmenté by Otso Lähdeoja

Subjects: “…guitare électrique…”
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Guitarist Fingertip Tracking by Integrating a Bayesian Classifier into Particle Filters by Chutisant Kerdvibulvech, Hideo Saito

“…We propose a vision-based method for tracking guitar fingerings made by guitar players. We present it as a new framework for tracking colored finger markers by integrating a Bayesian classifier into particle filters. …”
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Sistem Bantu untuk Pengrajin dalam Menentukan Kayu Terbaik Terbaik untuk Bahan Gitar dengan Menggunakan Matode Moora by Tundo Tundo, Wisnu Dwi Nugroho

“…Proving the results of the MOORA method, the respondents directly gave the results of the method to guitar-making experts. Of the 15 expert guitar makers, 13 said they agreed with the third largest ranking, and 2 said they disagreed. …”
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Investigation of kevlar application in baglama soundboard and its effects on sound properties by Ümit Çiçekçioğlu, Ali Maruf Alaskan

“…In order to solve the same problem in the guitar, double tops were applied and this problem was largely solved. …”
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Na rota dos festivais: uma tradição que se renova by Andréa Betânia da Silva

“…In this aim, the present article looks at a trajectory established in Northeast Brazil’s improvised singing, more specifically the universe of poetic match, coming from the “pés de parede” (simple matches) to the festivals of guitar players that spread themselves through Northeast Brazil, aiming to realize that cultural contexts gave birth, if not to invention, at least the renewal of a tradition.…”
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La réplique d’expérience en musique : la question de la jouabilité des instruments au musée de la Musique by Marie-Anne Loeper-Attia

“…The question will be treated here using a variety of modern and contemporary musical instruments, including a Fender Stratocaster electric guitar, Martenot Waves and a Max Mathews aluminium violin.…”
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Effects of spectral manipulations of music mixes on musical scene analysis abilities of hearing-impaired listeners. by Aravindan Joseph Benjamin, Kai Siedenburg

“…The target that was to be detected in the mixes was from the instrument categories Lead vocals, Bass guitar, Drums, Guitar, and Piano. Our results show that both hearing loss and target category affected performance, but there were no main effects of EQ-transform. yNH performed consistently better than oHI in all target categories, irrespective of the spectral manipulations. …”
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SELF-SIMILARITY IN PITCH ORGANIZATION by Adrian BORZA

“…Also, we will investigate the author’s self-similar, non-octave-based, and full-chromatic mode of twenty-three notes, which led to the author’s compositions, such as Chaconne for guitar solo (1999), Fractus III for percussion and computer (2001), and Point. …”
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From Pablo Honey to A Moon Shaped Pool: Radiohead’s Experimental, Political Journey by Guillaume Clément

“…Radiohead are often credited as one of the most avant-garde rock bands in Britain, having both bent and expanded the boundaries of this genre beyond its traditional definition as guitar-based music. While their first two LPs largely stuck to existing trends in the rock music of the time, OK Computer (1997), a more experimental effort met with commercial success, is often singled out as their career-defining album. …”
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« Can't repeat the past? Well maybe not... » A Doomed Trip Down Memory Lane, in Francis Scott Fitzgerald's Southern Stories by Pascal Bardet

“…The fictional town of Tarleton is found in four short-stories: «The Ice Palace», «The Jelly-Bean», «Dice, Brass Knuckles and Guitar» and «The Last of the Belles». In each story, the American South is never analyzed or described per se but always in comparison to northern places that put each character to the test and make them long for the land of their lost youth and innocence. …”
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Vous avez dit rock arabe ? Retour sur la trajectoire du groupe Carte de séjour (1980-1989) by Philippe Hanus

“…This group, which incorporates electric guitar, bass and drums established a core rock sound that was “orientalised” by the use of the oud, and North African percussions. …”
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