Showing 21 - 29 results of 29 for search '"guitar"', query time: 0.05s Refine Results
  1. 21

    Creative personality in V.S. Vysotsky's individual worldview by D.A. Cheremohina

    Published 2021-02-01
    “…The lexemes struna (‘string’) and gitara (‘guitar’) representing the concept of creation function as the leitmotifs in V.S. …”
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  2. 22

    The Power of Folk Music: City Branding, Musical Imaginaries, and Tourism-induced Placemaking in Yulin, Chengdu (China) by Shuyue Chen

    Published 2023-07-01
    “…In 2017, a folk musician, Zhao Lei, performed his song, Chengdu, on Hunan TV. Using guitar, piano, and children’s voices, the song depicts a romantic story on the street of Yulin and reinforces the imaginaries of Chengdu as a leisure city. …”
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  3. 23

    A bolu: costruzioni patrimoniali in Sardegna by Ignazio Macchiarella

    Published 2024-10-01
    “…Emphasis is placed on the significant initiatives undertaken by groups of Canto a tenore in collaboration with representatives of other traditional practices (canto a cuncordu, launeddas, improvised poetry, guitar-accompanied singing) who have promoted original actions of self-heritagization, culminating, in 2015, in the creation of an association made up of musicians from different traditional practices. …”
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  4. 24

    A bolu : constructions patrimoniales en Sardaigne by Ignazio Macchiarella

    Published 2024-10-01
    “…Emphasis is placed on the significant initiatives undertaken by groups of Canto a tenore in collaboration with representatives of other traditional practices (canto a cuncordu, launeddas, improvised poetry, guitar-accompanied singing) who have promoted original actions of self-heritagization, culminating, in 2015, in the creation of an association made up of musicians from different traditional practices. …”
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  5. 25

    Investigation of the Acoustic Properties of Chemically Impregnated Kayu Malam Wood Used for Musical Instrument by Md. Faruk Hossen, Sinin Hamdan, Md. Rezaur Rahman

    Published 2018-01-01
    “…The results suggested that the chemically impregnated Kayu Malam wood polymer nanocomposite (WPNC) is suitable for making soundboards of violin and guitar instruments to be played longer without losing tone quality.…”
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  6. 26

    Initial approach to Epidermal Growth Factor in SARS-CoV-2 infection by Héctor José Pérez Hernández

    Published 2024-10-01
    “…Methods: Controlled exploratory study with quota sampling, in patients with COVID-19 admitted at the "Saturnino Lora Hospital", and 23 apparently healthy subjects, active donors of Blood Bank "Renato Guitar Rosell". For EGF determinations, the commercial UMELISA EGF kit from the Cuban Immunoassay Center was used. …”
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  7. 27

    Deep Ensemble Learning for Human Action Recognition in Still Images by Xiangchun Yu, Zhe Zhang, Lei Wu, Wei Pang, Hechang Chen, Zhezhou Yu, Bin Li

    Published 2020-01-01
    “…Numerous human actions such as “Phoning,” “PlayingGuitar,” and “RidingHorse” can be inferred by static cue-based approaches even if their motions in video are available considering one single still image may already sufficiently explain a particular action. …”
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  8. 28

    La notion d’appareil empruntée à W. Benjamin, appliquée à la création musicale en studio électroacoustique, et à sa diffusion by Anne Sèdes

    Published 2013-09-01
    “…On évoque Pierre Schaeffer et la musique concrète, la guitare électrique en tant qu’appareillage, le recours aux espaces composables, ainsi que les perspectives d’une approche systémique notamment pour ce qui concerne l’industrie musicale, avec le cas de Joy Division.…”
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  9. 29

    Des mains à la bouche dans l'épouillage mutuel des chimpanzés sauvages de Fongoli : Latéralité, synchronisation mains‑lèvres et origine du langage by Adrien Meguerditchian, Marie Plouvier, Mélissa Berthet, Jill Pruetz, William D Hopkins

    Published 2014-01-01
    “…De tels liens entre la main et la bouche ne semblent donc pas exclusivement liés au langage et s'étendent même au système moteur : Par exemple, il n'est pas rare de produire des mouvements de lèvres ou de langue involontaires lorsque nous réalisons des activités manuelles précises (comme jouer de la guitare ou dessiner par exemple). Ses observations soulignent les connexions neuromusculaires potentielles entre les systèmes moteurs oro-faciaux et manuels qui pourraient favoriser les liens entre les gestes et la parole. …”
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