Britten et l’art de la parabole by Gilles Couderc

“…Auden, the British documentary filmmaker John Grierson and the ideals of the American New Deal to become a "musician for an occasion," a composer whose mission is to educate his audience. …”
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The politics of subterranean atmospheres in China: a study of contemporary chinese mining art by Marijn Nieuwenhuis

“…I analyse this “geologic politics” (Clark, 2013) through the artwork of filmmaker Zhao Liang and the painter Yang Shaobin, both contemporary artists working on subterranean lives, bodies, emotions and atmospheres. …”
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Naître vers la fin : circularités dans Alumbramiento de Víctor Erice by Miguel Rodrigo

“…Paradoxically, Erice's most narrative film, the one that relies most heavily on the linear and irreversible nature of time, is at the same time the one in which the poetics of circularity, present in the filmmaker's work since his first feature-length film, takes up the most space and achieves its most accomplished expression. …”
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Cultural Signs in Multilingual Drama Feature Films: Rendition Strategies by Homa Tavousi, Azadeh Eriss

“…The contemporary international landscape is more accurately portrayed in the works of filmmakers who increasingly choose to incorporate multiple languages. …”
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Tongues Untied (Marlon Riggs, 1989) et Paris is Burning (Jennie Livingston, 1990) : les documentaires du New Queer Cinema by Camille Bui

“…By analyzing the documentary poetics of the two films, this paper intends to show how the filmmakers develop different strategies of resistance against the “technologies of gender.”…”
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Research of organisation specifics of shooting process in the creation of an audiovisual product by Yu. V. Vorontsova, A. Yu. Mazur

“…This article presents a study of the organisation of the shooting process, taking into account the authentic features of five films by the Spanish filmmaker and photographer Carlos Saura, where the principle of “photography” was the basis for the construction of the frame. …”
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A Digital Trail of Rupture. The German Film Exile 1933-1945 in the Data of Günter Peter Straschek by Imme Klages

“…This contribution concerns a list of film exiles collected by the exile researcher and filmmaker Günter Peter Straschek (1942-2009), whose collection of files belongs to the _German National Library, German Exile Archive 1933-1945, Frankfurt am Main_ and was inventoried according to their Normdata. …”
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Who Owns AI? by Amy Whitaker

“…This work adds to research in arts entrepreneurship because copyright and shared value is so vital to the livelihood of working artists, including writers, filmmakers, and others in the creative industries. Sarah Silverman’s lawsuit against OpenAI is used as the main case study. …”
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Powrót do ruin. O atrakcyjności niemieckiego powojnia by Jakub Gortat

“…This is because the purpose of the analysis is to present the changing attitudes of filmmakers representing nations hostile to Germany until 1945 to the civilian population of ruined German cities. …”
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Quantum-inspired framework for big data analytics: evaluating the impact of movie trailers and its financial returns by Jaiteg Singh, Kamalpreet Singh Bhangu, Farman Ali, Ahmad Ali AlZubi, Babar Shah

“…It would offer valuable insights for filmmakers and marketers to optimize audience engagement and financial returns.…”
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D’un jardin, l’autre : jardins collectifs, espaces intimes by Sylvaine Dampierre

“…I am a filmmaker and my first four documentary films were all shot in gardens and in the company of gardeners. …”
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Authorial Narratives in the Work of Middle Eastern Directors by Галина Погребняк

“…The scientific novelty of the research lies in the fact that the problem of intercultural cooperation in the production and distribution of films in Middle Eastern countries in the context of the functioning of international support programs became the subject of a particular study for the first time; the work of filmmakers whose films were created as international projects and presented at international film festivals is singled out and characterised; the practicality of using the systematic method in the study of new narratives of films of the Middle Eastern region is proven. …”
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“The World is Cursed”: Studio Ghibli’s Radical Environmental Philosophy by Claire Patzner

“…In contrast to American major animation studios who may only touch upon these issues thematically or allegorically to appeal to the masses, the Japanese filmmakers at Studio Ghibli are unafraid to continuously and directly depict war and human greed. …”
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A comparative study of the concept of time in The Blind Owl and its film adaptation based on the viewpoints of Henri Bergson and Gilles Deleuze by Ghazaleh Heydari Abkenar, Asgar Salahi, Hassan Akbari Beyragh

“…To this end, the author and filmmaker have used a variety of internal time techniques, including diurnal cycles, intuition, reminiscences, time interferences, and time crystal components. …”
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« There are kisses for all » : Le defilé des jeunes hommes by Luc Bouvard

“…Through a constant reference to the table concerned with the diegetic elements that the filmmaker chose to transfer or not to transfer, conflate or dilate, displace or suppress, I have endeavoured to systematize Brian McFarlane’s methodology. …”
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Almodóvar’s Baroque Transitions in the Early Films (1980–1995) by Frederic Conrod

“…Spanish film director Pedro Almodóvar has been detected early on by film critics as a Baroque filmmaker, a qualification to which he has agreed in interviews. …”
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Gender (im)balance in the Russian cinema: on the screen and behind the camera by Xenia Leontyeva, Olessia Koltsova, Deb Verhoeven

“…Although Russia exemplifies a large non-Western cinema market, the trends we identify, particularly the “gatekeeping” effect of male filmmakers, is notably in line with those observed in Western democracies.…”
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New Orleans as the city of misfit women in Jezebel (William Wyler, 1938) and The Flame of New Orleans (René Clair, 1941) by Taïna TUHKUNEN

“…Viewed as a strikingly un-American city where cultural codes mingle and mix without, however, engendering a “melting pot”, New Orleans offers an engaging backdrop for filmic fictions challenging the archetypal romantic image of the “Old South”.This article explores two such fictional female figures who defy the vision of the pastoral South rooted in 19th century plantation novels in William Wyler’s Jezebel (1938) and The Flame of New Orleans (1941), a movie made by the French filmmaker René Clair during his exile in the United States during the Second World War. …”
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Intersemiotic Translation: From Medieval Poetry to Modern Movie by Leila Nik Nasab

“…In this adaptation, the filmmaker did not aim for complete fidelity to the original text, nor was its originality fully preserved. …”
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Amazon Journeys and Poetic Re-Discoveries in Jan Conn’s 'Jaguar Rain' and Malu de Martino’s 'Margaret Mee e a Flor da Lua' by Magali Sperling Beck, Anelise R. Corseuil

“…A few years later, in 2012, the documentary Margaret Mee e a Flor da Lua, directed by Brazilian filmmaker Malu de Martino, was premiered. In the film, Martino reconstructs Mee’s final journey to the Amazon in search of the moonflower while also reinstating the artist’s important contributions as an artist, environmentalist, and contemporary explorer. …”
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