Forbi en autorisert kulturarvsdiskurs? Autentisitet og samskaping av kulturarv i den norske metalscenen by Solveig Isaksen

“…Through a case study of the Midgardsblot festival and interviews with key figures in the scene, it engages with debates on the relevance and understanding of authenticity, framed by the concept of an "Authorized Heritage Discourse" as defined by Laurajane Smith.  …”
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Concilier diversité des recherches sur l’histoire de Toulouse de 1680 à 1830 et unité d’un système d’information géographique : le cas d’UrbanHist by Nicolas Marqué, Thomas Gauthier

“…Establishing a structure that is both efficient in answering researchers' questions and flexible enough to embrace the diversity of research is a real challenge, but produces interesting results, as demonstrated by the study of crime in Toulouse during the carnival festival in early-modern times.…”
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Jane Eyre de Michael Berkeley et de David Malouf : La transposition opératique d’un grand classique de la littérature anglaise by Jean-Philippe Heberlé

“…Premiered on June 30, 2000 by Music Theatre Wales at the Cheltenham International Festival of Music, this opera is based on the novel by Charlotte Brontë and the libretto is written by the Australian poet, novelist, playwright and librettist, David Malouf. …”
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Contraintes organisationnelles et gestion des risques en milieu ouvert : l’activité des monteurs installateurs de structures de fête by Valérie Zara-Meylan

“…In this article, we analyze the work activity of festival equipment erectors and installers in a large city local authority. …”
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Dasaĩ and dual power among the Yakthumba by Philippe Sagant

“…Dasaĩ is a Yakthumba popular festival. The cult of Durgā legitimates the authority of the political headmen, the subbā, who appeared after the Gurkha conquest (having been delegated by the “kings”, called hang). …”
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L’ermite et le virtuose by Denis Laborde

“…Frambourg which he turned into his foundation after having built the famous Festival de La Chaise-Dieu and having devoted a virtuoso lifetime to these concert halls and television studios that welcomed him worldwide. …”
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The Head-Mounted Displays (HMDs): Towards a Playful Approach to Architectural Space by Sami Kamoun

“…The research is based on an in-depth literature review of this project and the art of gardens, particularly in the context of the Métis International Garden Festival, which serves as the backdrop for this creation. …”
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Músicos, productores y audiencias, cercanía desde la mediación social y tecnológica en Colombia by Sandra Velásquez, Tatiana López, Fabián Valverde

“…In the second part, it presents two cases related to the interaction using social and technological networks: the perception of El Festival de la Bandola and its impact on cultural development and also the support from cultural management in order to strengthen musicians linked with the platform Así Suena in four departments of Colombia.…”
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Lieux et milieux dans le Théâtre de Béziers (XVIIe siècle) by Jean-François Courouau

“…The Theatre of Béziers brings together an ensemble of 24 published plays, performed in Béziers for the festival of Ascension between 1616 and 1647. These plays, composed entirely in Occitan or in a mix of Occitan and French, offer an ideal source of material for the analysis of interlanguage relationships. …”
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Liturgiese afleidings uit die kontinuïteit en diskontinuïteit van die Pasga en die Nagmaal by B. de Klerk

“…Liturgical deductions are amongst other things made regarding both festivals as celebration of the great acts of redemption in history, the eating of bread and the drinking of wine during both festivals, the eschatological elements in both festivals and the elements of commemoration, proclamation and expectation in both festivals. …”
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Entretien avec Claude Yersin, Alain Libolt et Christian Cloarec by Jean-Michel Déprats

“…Quatre mises en scène seront ainsi évoquées au cours de ces deux journées, soit dans l’ordre chronologique : la mise en scène en langue anglaise de Stéphane Braunschweig créée au cinquantième Festival Officiel d’Édimbourg en 1997 reprise en tournée notamment en France au Théâtre des Amandiers de Nanterre, la mise en scène en langue française de Claude Yersin créée à Angers en 1998 au Nouveau Théâtre d’Angers (Centre Dramatique National) reprise à Paris au Théâtre de l’Est Parisien, celle en langue française toujours de Jacques Nichet au Théâtre National de Toulouse en 2002, et celle, en français également, de Jean-Yves Ruf à la Maison de la Culture de Bobigny en 2008.…”
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Le jardin du présent intensément by Nicolas Fiévé, Florence Mercier, Frank Salama, Manuel Tardits

“…The Garden of the Intensely Present is an original and temporary work created as part of the 27th International Garden Festival of Chaumont-sur-Loire, which took place from May to October 2018. …”
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Ritual objects for the feast of sukkot: Theoretical analysis of the Talmudic prescriptions and some of their ethnographical achievements in the Balkans by Vartejanu-Joubert Madalina

“…This article aims to support this reflection by studying two ritual objects related to the festival of Sukkot: the skhakh, the roof of the sukka hut, and the lulav, the bouquet of the four species. …”
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Necroadministración y juventudes: aniquilamiento penitenciario documentado por medios hemerográficos en El Salvador by Ricardo Carlos Ernesto González, Alfredo Nateras-Domínguez

“…Así, con el fin de dilucidar su continuum en la consolidación de las políticas de exterminio institucional y legitimadas por el Estado punitivo, se realizó una revisión documental de las notas periodísticas respecto al estado de excepción y agravamiento de las violaciones a los derechos humanos en las cárceles de El Salvador, articulando este esfuerzo con categorías como necropolíticas, olvido-abandono social y festival de las violencias.…”
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Iterativity, agency, and feminism in the Hindu Tij songs of Nepal by Basanti Timalsina, Victoria L. Bergvall

“…We study the iterative discursive forms of language (word choice, syntax, and semantics) and multimodal displays (as modern media spread audiovisuals in songs and dances) arising around the Nepali Hindu festival of Tij, where women gather, feast, then fast, sing, and dance to honor the union of goddess Parvati and god Shiva. …”
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Humdrum Tasks of the Salaried Men: Edwin Williams, a London County Council Architect at War by Nick Beech

“…Working at the London County Council Architects’ Department through the 1930s to 1950s, and known (if at all) as a member of the design team for the Royal Festival Hall, Edwin Williams is usually presented as a regressive figure, his design work marked by his Beaux Arts training. …”
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Patron-client and Lindu lake tourism development by Hasan Muhamad, Moh Saleh, Andi Mascunra

“…The results showed, as follows: (1) The relationship between financiers and local fishermen in Lindu Lake is nothing more than borrowing business capital; (2) Fishermen's support for the arrangement of their settlement as a homestay, this is due to the large number of tourists at the festival but the benefits are not felt; (3) The integration model of fishing settlement space with ecological-based coastal tourism with consideration of the development of marine tourism in Lindu Lake is integrated between mountain and lake panoramas with customs into one unit.…”
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Directing Dramas is Returning Hometown: Reading Lin Zhaohua’s The Cherry Orchard from the Perspective of the Taoist Freedom, Xiaoyao by Chengyun Zhao

“…His adaptation of Anton Chekhov’s The Cherry Orchard premiered at the Northern Theatre of The Central Academy of China in 2004, rehearsed again in 2009, and was subsequently invited to the 2009 Singapore International Festival of Arts. The paper aims to add a footnote to Lin Zhaohua’s contemporary adaptation of The Cherry Orchard from the Chinese philosophical arguments of the Taoist freedom, xiaoyao. …”
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AJAGBO: A TRADO-MUSICOLOGICAL DIMENSION TO CONFLICT MANAGEMENT SYSTEM IN INFRASTRUCTURE PLANNIG AMONG THE AKOKO SPEAKING PEOPLE OF SOUTH-WESTERN NIGERIA by Usman Umar Jimoh, Bolanle Wahab

“…It examined the trado-musical approach to managing conflict amongthe Akoko people of Nigeria and reviewed its relevance within the annual yam festival, the opportunities and challenges. The study also analysed the issues of musical style, context, and content, dressing, timing, and the selection of the drum. …”
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The End of Carnivalism, or The Making of the Corpus Lucianeum by Markus Hafner

“…En un pasaje clave para entender la obra de Luciano, Piscator 25–27, el filósofo Diógenes de Sinope se queja de que Parresíades, una figura de autoría parecida a Luciano, no se burla de los filósofos dentro de los límites carnavalescos del festival, como lo hacía la Comedia Vieja, a la que tanto debe la obra de Luciano, sino mediante constantes publicaciones de escritos. …”
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