THE USE OF FEATURE FILMS IN THE TRAINING PROCESS OF FUTURE JOURNALISTS by Oleg Semeniuk

Subjects: Get full text

Cultural Signs in Multilingual Drama Feature Films: Rendition Strategies by Homa Tavousi, Azadeh Eriss

Get full text

The role of product placement in feature films and broadcast television programme by De la Rey van der Waldt

“…However, evidence exists that as early as the 1940s product placement was used in feature films to brand products and services. The initial use of product placements in feature films received new opportunities through the introduction of new electronic media, such as video, DVD, mobile messaging, electronic billboards, Internet clips and websites. …”
Get full text

From the Banned Telefilm to the Feature Film: the Two Versions of Alan Clarke’s Scum (1977-1979) by Nicole Cloarec

Get full text

EVOLUTION OF THE CONCEPT OF «WHITE MAN'S BURDEN» IN THE BRITISH CINEMA OF 20TH CENTURY by E. E. Ibrayev

“…The first feature films dedicated to the colonial subjects, by chance came the period of the ideological crisis of the empire in 1930, carried a powerful message of world film audience, the essence of which was the fact that Britain bears colonies only "good and justice" that without imperial province will remain forever languish in "darkness and ignorance." …”
Get full text

L’image de « la Maghrébine » dans le cinéma français (1970-2007) by Tiphaine Manac’h

“…From 1970 to 2007, one hundred and thirty-four French feature films depict a female character from North Africa whether this origin is supposed or clearly specified. …”
Get full text

Archétypes du corps cinématographique du narcotrafiquant mexicain by Magali Kabous

“…This paper explores three Mexican fiction feature films internationally released in 2011: Miss Bala, Days of grace and El Infierno. …”
Get full text

Le film de mobilisation centrasiatique by Valérie Pozner

“…Far from the full-length feature films generally studied in the works dedicated to war propaganda on the screen, this article examines film production specifically launched for Centrasiatic population on the home front, or for the soldiers from these republics. …”
Get full text

Sorcières, Marâtres, Tyrans : Personnages de méchantes dans les longs-métrages d’animation Disney 1937-1989, ou l’incursion en dystopie masculiniste by Ariane Temkine

“…This study maps violence, seen through the prism of gender, in the animated feature films produced by Disney Studios between 1937 and 1989. …”
Get full text

Bolívar par l’image ou les travestissements de l’histoire by Frédérique Langue

“…The images of the nation's founder in the broad sense, that is the medias that portray him (all kinds of representations such as feature films or documentaries for the cinema), are part of a national imaginary reinterpreted by Hugo Chávez. …”
Get full text

How Tourism Imaginary has been Updated in the New Spanish Sun-and-Beach Comedy: Fin de curso, Atasco en la nacional and Benidorm, mon amour by Salvador Martínez Puche, Antonio Martínez Puche

“…An analysis of three feature films, Fin de curso (School’s Out, 2005), Atasco en la nacional (Traffic Jam, 2007)and Benidorm, mon amour (2015), shows how the stereotypical representation of sun-and-beach tourism, rather superfluous in the twenty-first century, has been influenced by deeply rooted imaginaries that previously served to promote the country’s commodified offerings.…”
Get full text

Un Éros de celluloïd : l’érotisation cinématographique de Paris (1945-1975) by Frédéric Hervé

“…They are short or feature films – including fiction, documentary, and even hybrids – that mainly proliferated during the 1950’s. …”
Get full text

Powidoki twórczości Federica Felliniego w "Mieście Snu" Krystiana Lupy by Katarzyna Gołos-Dąbrowska

“…He also adapts scenes from Fellini’s feature films and commercials. The purpose of the text is to highlight, analyze, and interpret the intertextual references found in the play.…”
Get full text

« Je m’en souviens comme si c’était hier : sur l’écran, la silhouette de l’aigle allemand… » by Dmitri Titarenko

“…The film programs are analysed in detail in the article, with an emphasis on feature films, propaganda films and on releases of the ‘Deutsche Wochenschau’. …”
Get full text

Spanish cities as filming locations: analysis and spatial distribution by Agustín Gámir Orueta, Patricia Montecino Huedo, Sergio Reyes Corredera

“…For this purpose, a sample consisting of 178 feature films was selected. After viewing each of them, 3,071 exterior clips from these movies were geo-localized. …”
Get full text

Intermedial Practices as Reflections on Media and the Arts. What Do Kinema-Sketches Teach Us about Screenlife Movies? by Izabella Füzi

“…The kinema-sketch, a pivotal moment in the history of moving images in Hungary, illustrates the transition from early cinema to feature films. By integrating cinematic scenes into theatrical performances, the kinema-sketch contrasted the perception of moving images with the live performance alternating between screen and stage. …”
Get full text

Estrategias narrativas en las plataformas de streaming en el Perú by Giuliana Cassano, James A. Dettleff, Guillermo Vásquez

“…The first Peruvian content that entered some of these platforms were cultural documentaries and fiction feature films, inscribing themselves in the dynamics of local-global tension, distinctive of these technologies. …”
Get full text

De Falkenau aux ruines de Verboten! (1959), les dialectiques formelles de Samuel Fuller by Vincent Souladié

“…The confrontation within the same sensible space between the normalized mendacity of the city and the horrors of the concentration camp, which the 16 mm footage explicitly reveals, seems to have had repercussions throughout his feature films, notably though a poetics of heterogeneity and contradiction. …”
Get full text

King Solomon’s Mines on film: modernity in reverse? by Stephen COAN

“…There have been four feature films made under the title King Solomon’s Mines, each of them crediting H. …”
Get full text