TEI P5 and Special Characters Outside Unicode by Joel Fredell, Charles Borchers IV, Terri Ilgen

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Erken Cumhuriyet Döneminde Atatürk ve CHP’nin Sinema Politikası by Yalçın Lüleci

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Dijital Kamusal Alan Bağlamında The Great Hack: Büyük Veri Odaklı Bir Analiz by Aytunç Erçifci, Onur Tos

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Bellek Mekânı Olarak Belgesel Sinema: Kapalıçarşı’da Kırk Bin Adım Filminde İnsan, Mekân ve Eşya by Ayşe Gül Toprak Ökmen

Subjects: “…documentary cinema…”
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Una comunidad de melancólicos: Cartografías afectivas en dos documentales de Raúl Ruiz y Patricio Guzmán by Irene Depetris Chauvin

“…This article examines the way in which, through the construction of spaces, two Chilean documentaries address diverse problems linked to recent history, at the same time that, from a melancholic affection, make it possible the participation of new generations in a collective processes of repair. …”
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Le film de mobilisation centrasiatique by Valérie Pozner

“…This little set of motives was recycled in various genra (feature shorts, musicals, documentaries) which are analyzed here on the example of the production of the main Soviet studio during the World War II, that of Alma-Ata.…”
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Le webdoc, laboratoire d’une historiographie connectée by Fanny Lautissier

“…From the early 2000’s to the mid-2010’s, multimedia productions identified as « interactive documentary » or « web documentary » became an integral part of cultural industries. …”
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Galicia ¿escuela de subalternidad? by Marta Álvarez, Laureano Montero

“…The circumstances and events related to these periods are questioned in her documentaries La memoria interior (2002) and Plan Rosebud (2006-2008), to which we will devote special attention in the following pages, as well as in her latest project, Las reglas del juego (2022).…”
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Bolívar par l’image ou les travestissements de l’histoire by Frédérique Langue

“…The images of the nation's founder in the broad sense, that is the medias that portray him (all kinds of representations such as feature films or documentaries for the cinema), are part of a national imaginary reinterpreted by Hugo Chávez. …”
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Carmen Castillo et Catalina Villar : l’entre-deux du lieu d’énonciation du « latino-américain » by Amanda Rueda

“…What are the distinctive features of the documentaries of this inter-land of the « Latin-American » ? …”
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Los estereotipos de la identidad vasca a través del cine documental by Santiago de Pablo

“…In this paper we analyse the representation of Basque stereotypes in documentary films until 1968. In these documentaries, the Basque Country was identified with its Atlantic area, focusing on the coast and the rural world. …”
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Ein Leben für den Fels: Den Körper seinen Gebrauch anpassen by Susann Winsel

“…For this purpose, the documentaries El Capitan (Fred Padula und Glen Denny, USA 1978) and The Dawn Wall (Josh Lowell and Peter Mortimer, USA 2017) are discussed, partially through the lens of Marcel Mauss’ “techniques of the body” and the issue of “toughening up.” …”
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Construcciones visuales y memorias de la dictadura de Pinochet a través de películas y reportajes extranjeros (1973-2013) by Marcy Campos Pérez

“…This paper analyzes the relation between images and the representation of history throughout a set of movies and documentaries describing the Chilean dictatorship that were produced outside the country. …”
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Representación del indígena en el cine venezolano: Contrastando estereotipos: entre ficciones y realidades by Emperatriz  Arreaza  Camero

“…This paper presents a preliminary film inventory of this filmography, as a representative example of fictional films and documentaries, with indigenous theme, to know the representation of this population in the current Venezuelan “audiovisual imagery”, during this particular time.…”
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La religiosité des sans papiers mexicains de Deer Canyon, États-Unis by Philippe Schaffhauser

“…Based on a couple of documentaries of an investigative reporter, John Carlos Frey, this article poses to discuss modalities of this form of religiosity and its impact on the lives of these migrants on the understanding that the Centre of gravity is the question on the modalities of believing. …”
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La Première Guerre mondiale et les jeux vidéo by Antoine Maillard

“…Since the beginning of the Centenary of the First World War, we see a lot of production around this event: movies, books, documentaries…The Great War, which was the least represented in video games, begin to be used more and more by developers in their productions: Valiant Hearts: The Great War in 2014, Verdun 1914-1918 in 2015, Battlefield 1 in 2016… To create those worlds based on history, developers must learn some historical knowledge about those eras. …”
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Filming Up: Brazilian Elites Through an Ethnographic Lens by Alex Vailati, Walter Andrade

“…Abstract This article is based on the idea of filming up, contextualizing it in both visual anthropology and documentary history. We will first offer a brief analysis of audiovisual production concerning elites to reflect on how they are pictured and how this is of interest to anthropological studies. …”
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Estrategias narrativas en las plataformas de streaming en el Perú by Giuliana Cassano, James A. Dettleff, Guillermo Vásquez

“…The first Peruvian content that entered some of these platforms were cultural documentaries and fiction feature films, inscribing themselves in the dynamics of local-global tension, distinctive of these technologies. …”
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Historiography Survey of Aghkoyunlular Era by Reza Taherkhani, Mohammad sepehri

“…The histories of this era are complementary of one another and its historiography is based on personal observations and documentaries of that era. Therefor, It is so important, so the main question of the present study is to see what the strong and weak points of Aghkoyunlulars historians works are. …”
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La tradition de la cueillette du miel est-elle un frein au développement de l’apiculture dans l’Aire de Conservation de l’Annapurna (Népal) ? by Samuel Perichon, Chet Bhatta

“…The honey gathering from the colonies of the giant Himalayan honeybee (Apis laboriosa) in the Annapurna mountains of Nepal has been the subject of many reports and documentaries. Suspended in the void, brave Gurung gather gigantic comb of wax using long bamboo stems. …”
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