RETRACTION Palacio, E. S. (2024). Biomecánica de la cadera. Danza clásica técnica en Dehors. Revisión bibliográfica (Biomechanics of the hip. Classical technical dance in Dehors. Bibliographic review). Retos, 60, 1244–1259. https://doi.org/10.47197/retos.v60.108790 by RETOS RETOS

“…Revisión bibliográfica (Biomechanics of the hip. Classical technical dance in Dehors. Bibliographic review). Retos, 60, 1244–1259. https://doi.org/10.47197/retos.v60.108790 Retraction of the article by the editor of the journal. …”
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Überlieferte Tempoangaben im 17. und 18. Jahrhundert und ihre mögliche Übertragung auf Bachs ›Goldberg-Variationen‹ by Michael Hell

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„Trwały tańce długo w noc” – w poszukiwaniu opisów tańca w diariuszu Stefana Paca. XVII-wieczne pamiętnikarstwo wobec problemu opisu rzeczywistości niematerialnej by Agnieszka Zgraja

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Unity in Diversity: the Interaction of Literature and Art of the Major Religious and Cultural Systems of India by O. G. Ultsiferov

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Mexican Pointy Boots and the Tribal Scene: Global Appropriations of Local Cultural Practices in the Virtual Age by Helena Simonett, César Burgos Dávila

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0318 "Oh, what sights to behold in this church turned upside down" by Eva L.E. Janssens

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Zur Artikulation von Tonfeldern bei Brahms, Debussy und Stockhausen by Michael Polth

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Ankara İl Merkezindeki Anasınıflarında Görev Yapan Öğretmenlerin Müzik Eğitimi Kapsamında Yaptıkları Uygulamaların İncelenmesi by Özlem ERSOY, Zeynep DERE

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Danser et être dansé by Maria Acselrad

“…I dance, she dances, we dance: an agentive dimension characterises the act of dancing. …”
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“Itai Amen Satani Abhoikane” by Princess Sibanda

“… On a typical Sunday afternoon, while roaming around the streets of TikTok, a social media application, my eyes landed on a video in which a female preacher was dancing vigorously on the pulpit. The comment section was abuzz with both words of admiration and notes of displeasure. …”
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There is techne and phronesis in movement: A beautiful combination for health and well-being! by Maria Kosma

“…This process is exemplified in performing arts, including dancing, aerial dancing, and physical theater. Lastly, implications for movement programming are offered, emphasizing the importance of a strong physical culture to achieve the techne of movement and thus wisdom in decision making about living the good life. …”
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Balance, Sensorimotor, and Cognitive Performance in Long-Year Expert Senior Ballroom Dancers by Jan-Christoph Kattenstroth, Tobias Kalisch, Izabela Kolankowska, Hubert R. Dinse

“…This raises the question of whether an even more extensive schedule of dancing, including competitive tournaments, would further enhance these positive effects. …”
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Maenad Terracotta Antefix Returned to Italy by Jaimee Uhlenbrock

“…An Etruscan terracotta antefix in the form of a dancing maenad that had been looted from Veii was returned to Italy.…”
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Promoting Moderate-Vigorous Physical Activity in Overweight Minority Girls by Norma Olvera, Marilynn Graham, Jessica McLeod, Stephanie F. Kellam, Nancy F. Butte

“…Traditional fitness sessions elicited the highest percent of MVPA (mean time spent in MVPA=32%), followed by dancing and games (mean time spent in MVPA=21%), sports skills (mean time spent in MVPA=18%), and flexibility (mean time spent in MVPA=7%). …”
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Quando as ruas abrigam a arte: a cena hip hop no Recife (1980-2014) by Cristiano Nunes Alves

“…Break dancing gatherings serve as an opportunity for individuals to meet and articulate. …”
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Film music and construction of tourist imaginaries in Hollywood blockbusters by Marie-Hélène Chevrier, Chloé Huvet

“…This paper aims to show how the music composed for these movies contributes to the creation of topoi by promoting exoticism and orientalism, notably through the use of local instruments and musical motifs and through the representation, on screen, of traditional musical and artistic practices (singing, dancing, etc.). We analyze the music that accompanies the hero's travels to emblematic “exotic” places, by studying the tourist imaginaries that they convey, help to reinforce or reconfigure.…”
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The cultural and historical significance of malopo ritual: a Pedi perspective by M. E. K. Lebaka

“… Indeed, the implicit hypothesis that “there is little possibility, if any, for the Pedi traditional healers to experience the supernatural form of healing without performing music and dancing to it” raises the issue of “What makes the dance potent as a healing therapy?” …”
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Performing rustics: pastoral moments and masques in Henry Purcell’s King Arthur (1691) and Benjamin Britten’s Gloriana (1953) by Catherine HOFFMANN

“…The conventions of the masque and the pastoral combine in performances involving singing and dancing by rustics and shepherds. In both works, the pastoral masques or moments are spectacles within the spectacle, offered as gifts to the character(s) on stage. …”
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Cielesność dywergencyjna – komponent integralnej edukacji wychylonej w przyszłość by Katarzyna Krasoń

“…Each element of art (music, dancing as a system of signs may change its code, as the same symbols may be conveyed in another semiotic code, for example: a system of sounds in kinetic-spatial exemplification. …”
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Votian Village Feasts in the Context of Russian Orthodoxy by Ergo-Hart Västrik

“…This phenomenon of celebrating collectively certain days of church calendar, which included ritual activities in village chapels or other local sanctuaries, common meals and heavy drinking as well singing and dancing in the course of 3–4 days, was a part of common Russian Orthodox tradition shared by several ethnic groups throughout North-West Russia in the second half of the 19th century and the beginning of the 20th century. …”
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