« Je la regarde et je danse » by Elena Nesti

“…In this article, I analyse the onstage danced movements of a singer-songwriter who is a non-dancer. …”
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Multiselfing in Music Education by Radio Cremata

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Fugitive Plots: Adaptation, Storytelling, and Choreography in Cabin in the Sky and Stormy Weather by Elena Igartuburu

“…Using the concept of maroonage and the theories of image circulation proposed by Christina Sharpe (2016) and Sylvia Wynter (2016), I analyze the production history of the films, their origin in multiple adaptations, and their use of music and dance to illuminate the existence of micro agency within the film. …”
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Music Segmentation Algorithm Based on Self-Adaptive Update of Confidence Measure by Jianhua Li

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En mode REC[ORD]  by Jean-Jacques Castéret

“…The wave of sound recordings of traditional music and dance that spread throughout France and Europe from the 1960s onwards led to the creation of documentary collections, often decades after the collections were made, and we are now seeking to gain a clearer understanding of their origins and scope. …”
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Finding a rhythm within by Jan-Albert van den Berg

“…Four idiomatic soundtracks, namely tonedeaf, rhythm, polyphonic narratives, and dance determine the structure of the article. Although each of these soundtracks represents a unique story, together they create a harmonious melody, as in the central metaphor of polyphony. …”
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Accompagner les élèves dans leurs expériences artistiques : des milieux rythmiques ? by Sylvain Fabre

“…The paper is based on an observation carried out in a “Dance” workshop. It reports on changes in a student's behavior, from an attitude of withdrawal towards a first adhesion. …”
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DIE PRÄSENZ DER WERTLICHEN CHARAKTERISTIK MACABRE-OBSTINÉ IN DEN SPÄTEN KLAVIERWERKEN VON FRANZ LISZT by Miklós FEKETE

“…The analyzed opuses are four piano dances, dating from Liszt’s late composition period. …”
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La notion de parenté épistémique : une modélisation des savoirs entre la pratique des élèves et celle des savants, l’exemple de la danse au collège by Monique Loquet

“…The study chooses as an example the teaching of dance in a college which aims the "meeting of oeuvres and artists" in accordance with French school programs. …”
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“EQUINOXES” BY TIBERIU OLAH by Răzvan METEA

“…He thoroughly researched and applied very well the expressive means of popular and classical instruments, as well as those of the human voice, but he especially explored Romanian folk dances and mainly their rhythm, suggestively expressed by the hidden language of modern percussion. …”
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Yorùbá Coastal Christian Communities: From the Evangelist Band Mission to the Zion and Holy Apostles Communities by Adégbọlá Tolú Adéfì

“…While the different conditions of the periods in which these movements operated, and the different conditions in which these religious activities were organized, matter, both movements offered their converts a new understanding of the world in which existing practices, were re-examined through an engagement with education and ‘modernity’ in a more general sense, and through existing forms of spiritual expression such as music, dance, and dress. …”
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Le Regard de Cartier-Bresson sur les Anglais by Nicole Cloarec

“…In particular, the artist seems fascinated by the formal compositions that emerge from the “social dance” of the upper class, but he also dramatises the accidental meeting of different social classes as being worlds completely apart.…”
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La question du solipsisme somatique. Pragmatisme, soma-esthétique et utopies du corps by David Zerbib

“…These processes can be observed in many types of experience, from meditation to dance, including various psychological and neuroscientific experiments. …”
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Taming Eschatology: The Case of Silja Walter OSB by Bernard Łukasz Sawicki, Chiara Tacchinardi

“… This paper examines the eschatological themes in the series of poems, The Dance of Obedience or the Straw Carpet, written by the Benedictine nun Silja Walter (1919–2011) — Sr. …”
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A Case Study of MasterMind Chess: Comparing Mouse/Keyboard Interaction with Kinect-Based Gestural Interface by Gabriel Alves Mendes Vasiljevic, Leonardo Cunha de Miranda, Erica Esteves Cunha de Miranda

“…Despite being mainly used in dance and sports games, little use was made of gestural interaction in more slow-paced genres, such as board games. …”
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“De Moelijike Middenweg”: Association Politics between the Dutch East Indie and the Netherlands through Indische Toneel, 1913-1933 by Khairana Zata Nugroho, Singgih Tri Sulistiyono, Dhanang Respati Puguh

“…Through historical method, this anomaly is examined through the performances of two Indische toneel namely Karina Adinda and Boeddhakind, Indische toneel that combined West dramaturgy with Javanese performances such as gamelan and traditional dances. The performances were produced in cooperation with organizations such as Vereeniging Oost en West, Het Nederlandsch-Indonesisch Verbond van Jongeren-Organisaties (NIVJO), and other Indonesian students in the Dutch East Indies and the Netherlands. …”
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Transcultural transformation in cinema by Yu. V. Vorontsova

“…This concept was the basis for a study of the organisational practices of director Carlos Saura, who in his last phase of his career focused on making films that offer samples of music, dance and unusual storytelling (based on the principle of “photography”) associated to the Iberian and Latin American space. …”
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Ethnographie associative vs ethnographie instituée : un rapport dialectique ? by François Gasnault

“…At the end of the 1960s, young promoters of revivalism in oral music and dance burst into the field of ethnomusicology in France, shaking up the scientific and museographical bodies where research had been confined until then. …”
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Leroy Clarke entre poésie et peinture, Chantre de la spiritualité et de la liberté by Patricia Donatien-Yssa

“…But Leroy Clarke hates limits and cannot conceive being restricted to only one form of art; for painting, poetry or dance are all only the vectors of messages from the spirits. …”
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Le corps entre sacré et profane : la réforme des pratiques pèlerines en Égypte (xixe-xxe siècles) by Catherine Mayeur-Jaouen

“…What disturbs the reformers and travellers is that the pilgrims associate devotion with dance, prayer with the merry-go-rounds, the Divine with the obscene pantomime, and miracles with prostitution.Since the end of the nineteenth century, the Egyptian state and the muslim clerks have joined their efforts to spiritualize the muslim pilgrimages. …”
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