Espaço vivido e espaço mental: Dalton Trevisan e a dicotomia social do urbanismo curitibano by Nelson H. Vieira

“…Besides illustrating how Trevisan’s short stories tend toward the universal, due to their highly conscious dialog with the reader and in spite of its regional focus, we underscore how the contradiction between the sardonic and the affective uncovers the sentimental yet disturbing side of this Human Comedy. With allusions to his stories and haikus as “thinking images” (coined by Walter Benjamin), this reading also emphasizes the performative aspect of his work that serves to unmask the hidden hypocrisy within the urban consciences of his protagonists and those of his readers. …”
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A Critique of Dante's Influence on Sanā’ī in the Research of Orientalists by Iman Mansub Basiri, Mahzad Sheikholislami, Hossein Hasani Dargah

“…When Reynold Alleyne Nicholson mentioned some similarities between Dante's Divine Comedy and Sanā’ī’s Seyr al-‘ebād in his article "A Persian forerunner of Dante", the belief that Dante has been influenced, in the creation of his eternal work, by the Sanai’s opus came into some minds. …”
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"Magic Dirt": Transcending Great Divides in Scott McClanahan's Crapalachia by Eva-Maria Müller

“…Crapalachia is a threnody for a wounded region that complicates imagined hierarchies of center and periphery and blends the worlds of fact and fiction as well as tragedy and comedy. The semi-autobiography mines so deeply for privation that, at its close, it lays bare some of the most hopeful principles of American transcendentalism. …”
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Real Person Fanfiction and the Construction of the (Un)Ethical Fan by Lauren Balser

“…This article uses the Taskmaster fandom as a case study, as the British comedy panel show—whose presenters enact a dominant/submissive dynamic via their Taskmaster personas—blurs the boundary between fiction and reality both on and off the show, making its fannish spaces ripe with discussion of fan ethicality, the construction of (un)ethical celebrity, and fan persona. …”
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La représentation de la censure dans la série romanesque japonaise Library Wars : une lecture à la lueur de Fahrenheit 451 by Maxime Danesin

“…Multi-genre (dystopian, uchronian, love-comedy), written in a local media form – light novel –, it has been widely successful, earning the author the Seiun Award 2008 – the Japanese equivalent of the Hugo Award. …”
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‘Woman Suffrage Precipice’: The Gender Politics of Laughter in Elizabeth Robins’s The Convert (1907) by Nathalie Saudo-Welby

“…Yet, when the play was transformed into a novel, The Convert, comedy became a central element in the representation of female suffrage. …”
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What lies beyond and within humour: A relevance-theoretic approach to propositional meanings in the sitcom Modern Family by Magdalena Wieczorek

“…The corpus is drawn from the American situation comedy Modern Family (2009-2020), created by Steven Levitan and Christopher Lloyd. …”
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Adaptation of Bakhtin's carnival characteristics in Persian "parody" based on the principles of contemporary criticism by Ahmad Goli, Yadollah Nasrollahi, Fereshteh Ahikhteh

“…Content for laughter and sarcasm, whether in the frame of comedy or in the context of ridiculous works, has a long history. …”
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Poetic and theatrical occasionalisms: Creation of new morphologically complex words by Joseph von Eichendorff, Johann Nepomuk Nestroy, Peter Handke and Arno Schmidt by Wolfgang U. Dressler, Barbara Tumfart, Dietmar Kunisch, Vanessa Hannesschläger

“… This contribution characterises and differentiates the poetic occasionalisms in the form of new morphologically complex words created by the early romantic German lyrical poet Joseph von Eichendorff, by the Austrian Nobel Prize winner for literature Peter Handke and by the extravagant German prosaic author Arno Schmidt and the occasionalisms created by the most famous Austrian comedy writer Johann Nepomuk Nestroy.The concept and term occasionalism has been founded by the Russian pioneer of stylistics Erik J. …”
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Film watching habits of journalism students from the perspective of the theory of utilities and satisfaction by Vujović Marija, Obradović Neven

“…The results o f the research show that watching movies is a frequent activity for journalism students, that they most often watch movies online, on a computer and/or mobile phone, that most journalism students go to the cinema with friends, and that journalism students cite entertainment and socializing with friends, partners or family as the most common reason for going to the cinema. Comedy is the most common film genre that students watch in the cinema, and the opinion o f friends and acquaintances is the most common reason for choosing a film to watch. …”
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ECHOES OF PARADISE: ANALYSING 21ST CENTURY RENDERINGS OF SOUND IN PARADISO 30 by Amy Harris, Joshua Brown, Anna Gadd

“…The article compares the outcomes of 21st century English translations of Dante’s Divine Comedy, specifically in terms of sound, by analysing the interplay of macro and micro choices made by translators. …”
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Penggunaan Internet Dikalangan Siswa SD di Kota Ternate: Suatu Survey, Penerapan Algoritma Clustering dan Validasi DBI by Firman Tempola, Miftah Muhammad, Abdul Mubarak

“…For activities when opening YouTube there are 61.60% often watching videos on YouTube with 61.60% cardboard videos, comedy 49.80% and educational content 28.40%. As for online games, those active in playing online games are 49.41%. …”
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Subjectivity and the progressive form in early eighteenth-century spoken discourse by Sylvie Hancil

“…Le Corpus des Dialogues Anglais permet de mener à bien cette entreprise pour le début du dix-huitième siècle et offre au chercheur la possibilité de travailler dans cinq genres différents (comédie, fiction, manuels, procès et dépositions de témoins). …”
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TEACHER-PUPIL COMMUNICATION IN THE CONTEXT OF BELLES-LETTRES. II YEAR STUDENT'S REFLECTION by Maria Stępniak

“…Shakespeare's genius gives a broad perspective on the subject of communication, because in both comedies and dramas we observe the importance of the communication aspect, which may be transferred to the relationship between students and the teacher. …”
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De la désaffiliation dans My Son the Fanatic (Udayan Prasad, 1997) by Anne-Lise MARIN-LAMELLET

“…In hindsight, My Son the Fanatic turned out to be a prophetic tale going against many mainstream comedies promoting integration and celebrating the joys of multiculturalism. …”
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From Dumas fils’s Étrangère to Wilde’s Aventurière: French Theatrical Forerunners of the Wildean Female Dandy by Ignacio Ramos Gay

“…I will particularly focus on two society comedies, Lady Windermere’s Fan (1892) and An Ideal Husband (1895) so as to unearth French female forerunners of his aventurière throughout a series of plays written by boulevard authors such as Victorien Sardou, Emile Augier and Dumas fils. …”
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Charles Humbert « enlumine » l’Enfer de Dante vers 1920 by Philippe Kaenel

“…A l’occasion du sixième centenaire de la naissance de Dante, Charles Humbert (1891-1958), peintre neuchâtelois, calligraphie et enlumine le texte de La Divine comédie dans un volume monumental conservé dans le fonds qu’il a déposé à la bibliothèque de La Chaux-de-Fonds (55 sur 35 centimètres et comptant 445 pages). …”
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The use of authentic video in Russian as foreign language teaching on A1 level by Natalija A. Gridneva, Svetlana M. Vladimirova

“…Some possibilities of authentic videos usage at the initial training stage are exemplified by short films from popular Russian sketch comedies (particularly “Yeralash” and “Fitil”), which, as the authors show, have a variety of advantages over other kinds of materials. …”
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Iz gledališke zgodovine: Liebe kann alles oziroma sezona 1833/34 na ljubljanskem stanovskem odru by Tone Smolej, Tanja Žigon

“…Iz prispevka je razvidno, da ljubljanski repertoar, v katerem so bile romantične igre reševanja, klasične komedije, vodvilske komedije (comédie-vaudeville) in čarobne pravljice, ni zelo zaostajal za dunajskimi in celo za pariškimi uprizoritvami v prvi polovici 19. stoletja ter da si je občinstvo v Ljubljani predstave velikokrat lahko ogledalo samo nekaj let po praizvedbah. …”
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Les rôles non institutionnels de représentation et de protection dans la Grèce antique by Gianluca Cuniberti

“…In particular, the tragedy of the \emph{Supplices} by Æschylus and the comedies of Aristophanes allow us to explore the roles of representative and guardian in both political-assembly and judicial contexts. …”
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