La science-fiction au prisme de l’intime : étude des séries Lupus et Aâma de Frederik Peeters (2002-2014) by Alain Boillat

“…The study of graphic and narrative recurrences leads us to hypothesize that the stories can be read as an expression of an ambition to propose an adult science-fiction comic book as a continuation of Mœbius and autobiographical comics, and which therefore reflects the subjective orientation taken by some novelists in the field of science-fiction literature since the 1970s.…”
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Le Théâtre de la mort de Tadeusz Kantor : un « gué secret » entre les vivants et les morts by Virginie Lachaise

“…It would be tempting to place the whole Tadeusz Kantor’s theater under the sign of the revenance and haunting, so everything is back : the characters, situations, objects, spaces, words and sounds, almost all returning the autobiographical sphere and the religious history and mythology of Poland, homeland of the artist. …”
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Jane Eyre fait de la résistance by Claire Bazin

“…I propose to study this emblematic scene firstly by following three axes: a double metamorphosis where Jane defeats Mrs Reed who loses her composure, in a spectacular reversal of roles, and then by analysing Jane’s ensuing inner monologue, where the narrator’s I takes over from the character’s in this splitting of the narrative voice that is common to both novelistic and fictitious autobiographical forms.…”
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Ron Peck’s Strip Jack Naked (UK, 1991): Portrait of the Artist as a Young Gay Man by Nicole Cloarec

“…Strip Jack Naked, however, encompasses the experimental and the autobiographical. Through the editing of diverse archive materials, photographs, newsreel and film excerpts, the film evokes what it meant for a young man to grow up in the 1960s and 1970s while discovering his homosexual orientation. …”
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White Women in the 1960s Freedom Movement, From Memory to History: The writing of “Shiloh Witness,” a chapter in Deep in Our Hearts (2000) by Joan Browning

“…Browning, a white female veteran of the 1960s Civil Rights Movement, reflects on the writing of an autobiographical chapter she wrote for a collective book published in 2000 (Deep in Our Hearts: Nine White Women in the Freedom Movement). …”
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De la crainte de la damnation éternelle aux prémisses de l’angoisse existentielle contemporaine : inquiétudes sotériologiques et eschatologiques chez William Hale White (« Mark Rut... by Jean-Michel Yvard

“…Such are some of the questions which are raised in this paper through a study of the autobiographical and fictional writings of William Hale White (« Mark Rutherford »).…”
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Conflicting Visions of War: Winston Churchill and Rudyard Kipling’s Evocation of the Boer War by Laïli Dor

“…Kipling also devoted several short stories to the subject, two of which (“A Sahib’s War” and “The Captive”, both published in Traffics and Discoveries in 1904) offer an interesting complement to his autobiographical account. Kipling and Churchill witnessed the war in fairly similar conditions, observing the fighting at close range and enjoying friendly contact with British soldiers. …”
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 Jack Kerouac’s Ecopoetics in The Dharma Bums and Desolation Angels : Domesticity, Wilderness and Masculine Fantasies of Animality by Pierre-Antoine Pellerin

“…Throughout his autobiographical cycle of fourteen novels, Jack Kerouac tried to present his narrator and his protagonists as archetypes of American masculinity who fought against their perceived domestication in a society which they characterized as undergoing feminization. …”
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Intertexte et réécriture du Drame de l’Homme, de la Femme et de Dieu dans 'Partage de midi' de Paul Claudel by Samuel Bidaud

“… This article examines the way in which Paul Claudel, in Partage de midi [Break of Noon], actualizes and rewrites several founding texts whose themes echo those of his play – which represents nothing more than the Drama of Man, Woman and God, based on an autobiographical source, Claudel’s love for Rosalie Vetch. …”
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« This narrative is my written memory » : transcrire la mémoire dans David Copperfield de Charles Dickens by Céline Prest

“…Anticipating Marcel Proust’s autobiographical masterpiece, David is in search of lost time. …”
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« D’homme à homme » : Récits de rencontres entre Yekkes et Arabes en Palestine/Israël (années 1930 et 1940) by Patrick Farges

“…This article, which is based on autobiographical accounts and oral history interviews conducted in the early 1990s, focuses on the narratives of man-to-man “close encounters” with the Arabs. …”
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Sowiecki dzikus, cuchnący dorsz i Muza – Władysława Chodasiewicza widzenie Petersburga by Jolanta Brzykcy

“…The poet presents the city in many dimensions: as a place of struggle for physical survival in an era of crisis caused by the Russian Civil War; as a space where high culture clashed with the barbarism of Bolshevism; and in an autobiographical key – as a time in which his own creative forces flourished. …”
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Les sonnets de Shakespeare revus et corrigés par le XIXe siècle français by Isabelle Schwartz-Gastine

“…Hugo’s prose aimed at a closer rendering; nevertheless he was much influenced by the Romantic spirit and believed in an autobiographical source of inspiration. But whatever their choice, verse or prose, the translators found it necessary to alter the original dramatically to suit French taste. …”
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تقنيات السير الذاتي في " تقرير إلى غريكو "لـ نيكوس كازانتزاكيس أنموذجا by Feghrour Hala

“…His work transcends traditional autobiographical frameworks by incorporating mythological and cultural elements, enriching the narrative with profound symbolism and emotional depth. …”
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Orality in War Novels: Different Aspects of Swear Words in Henri Barbusse’s and Ahmadou Kourouma’s works by Joanna Kotowska-Miziniak

“… The paper proposes to address, from a comparative perspective, the question of orality in two war novels: Henri Barbusse's autobiographical Le Feu (1916) and Ahmadou Kourouma’s fiction Allah n’est pas obligé (2000). …”
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John James Bezer (1816–1888) and his Autobiography of One of the Chartist Rebels of 1848 (1851) by Madeleine Pham-Thanh

“…Most of all, it highlights the struggles of a popular, self-educated, unrepentant radical, to regain, through autobiographical reconstruction, the agency he was denied as a social and political marginal. …”
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Soi-même comme un autre : James Agee et l’écriture documentaire de soi by Adriana HABEN

“…This paper analyzes James Agee’s only published novel, A Death in the Family. As an autobiographical novel published posthumously, it is a partially completed project in which Agee planned to insert photographs and to develop a form of writing focused on the factual and the real, with minimal resort to fiction. …”
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Giusepe Tommasi Lampedusa: History and time in Il Gattopardo by Clara Corona

“…Author of one novel, The Leopard, whose premises and whose echoes and intertextual references are also tracking down the handful of stories and especially in La Sirena and in autobiographical memory, just other titles of his limited body of literature, and in this sense in fact the author of one book significantly written in the point of death, Lampedusa reworks the story of a Sicilian aristocratic family in the twenty years 1860-80, against the background of the Italian Risorgimento, his family experiences electing Sicily Don Fabrizio Salina universal metaphor the fragile and ephemeral human story that crosses the historical time. …”
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Miejska przestrzeń pamięci (na podstawie wybranych utworów Herkusa Kunčiusa, Ričardasa Gavelisa, Grigorija Kanowicza) by Walentyna Krupowies

“…A Lithuanian in Vilnius by Herkus Kunčius and A Vilnius poker by Ričardas Gavelis, as well as the works of Grigory Kanovich, a Lithuanian-Jewish author writing in Russian, i.e. the novel The park of forgotten Jews and the autobiographical-memoir prose Dream about vanished Jerusalem. …”
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Les effets de raccommodement du récit de vie : l’exemple d’anciens appelés d’Algérie by Corinne Chaput-Le Bars

“…These « computscripts » had been given to the Association for autobiography and autobiographical heritage (one of them was even published then) or kept in the family for a smaller spread for relatives. …”
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