An ‘extraordinary change’ in the Climate: The Transformative Power of Impressionism in George Moore’s Art Criticism by Fabienne Gaspari

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Changements d’horizon : Circa, une aventure éditoriale traversant les frontières by Valérie Morisson

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Tilghman B. Crossing boundaries / trans. from Engl. I. N. Nekhaeva by I. N. Nekhaeva

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Voir l’espace et dire le temps : le grand écart du discours esthétique victorien by Laurent Bury

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Phenomenographies: describing the plurality of atmospheric worlds by Federico De Matteis, Mikkel Bille, Tonino Griffero, Andrea Jelić

“…Diverse scholarly fields such as anthropology and architecture, musicology and art criticism now include the notion of atmospheric space in their methodological toolkits. …”
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La critique de paysage peut-elle être scientifique ? by Catherine Chomarat-Ruiz

“…Focusing on the scientific character of the landscape criticism, this article distinguishes this practice from the landscaping hermeneutics and expertise : it compares it to art criticism and brings it back to the critical interpretation of a project. …”
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Landscapes as Narrative Commentary in Cormac McCarthy’s Blood Meridian or the Evening Redness in the West by Dianne C. Luce

“…Evoking in the reader the perceptual and interpretive modes of a pensive viewer of a painted landscape, these scenes invite us to apply techniques drawn from art criticism to comprehend them as the narrator’s sober meditations on the Glanton gang’s violent enterprise.…”
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What is a doctorate concerning landscape ?  by Catherine Chomarat-Ruiz

“…Lastly, it exposes assumptions concerning the scope of a Doctorate with majors in landscape design, in landscape art criticism and in landscape sciences. It then suggests that by attempting to go beyond these oppositions, which boil down to the nature/culture dichotomy, only a last major concerning a theoretical landscape science would be appropriate. …”
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Images ‘in the air’ in George Moore’s Lewis Seymour and Some Women and Modern Painting by Fabienne Gaspari

“…This paper aims to examine the relationships between text and image in George Moore’s fiction and art criticism. After his failure to become a painter in Paris, Moore started to write novels in the 1880s. …”
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A Critique on the Book "The Meaning of Icons" by Nahid Abdi

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Psychiatric poetics: mental healthcare and Giovanni Stanghellini's ‘Logics of Discovery’ by George Ikkos, Alastair Morgan

“…However, literary and art criticism remain at the margins. By contrast, in his two ‘Logics of Discovery’ papers, psychiatrist, psychopathologist and psychotherapist Giovanni Stanghellini brings to bear on clinical discovery and the healing alliance cultural historian Aby Warburg's approach to images (specifically, his Atlas of Mnemosyne) and philosopher Giorgio Agamben's analysis of the linguistic phenomenon of parataxis in Friedrich Hölderlin's poetry. …”
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Constructing Modernism Periodically: T. E. Hulme’s Essays on Art in The New Age by Dominika BUCHOWSKA

“…Referring to aesthetic theories by Bergson, Berenson, Riegl, Worringer and Lipps, Hulme positions himself within the context of formalist art criticism. Their ideas, including the intensity of reception, subjective approach and direct communication to a work of art, as well as the need for abstraction, were of great importance in the formation of modernist thought in art and literature. …”
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Assessing the Goals of Art Education in the Content of the Eighth Grade Culture and Art Book (Case Study: The Views of Specialized Teachers of Culture and Art in Shiraz in the Aca... by Maryam Fathi, Ashkan Rahmani

“…The goals of art education include art production, aesthetics, art criticism and art history. The use of these goals and their types are specified in different parts of the book. …”
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Essence and prospects of media criticism research in contemporary Russia by R.P. Bakanov

“…The authors of such texts are mainly critics, professionals who have many years of experience in journalism, art criticism, and other types of criticism (for example, theatrical, film criticism). …”
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THE CONCEPT OF THE NATIONAL HERO «QUONAKH» IN PAINTING AND GRAPHICS DURING THE CHECHEN CRISIS (90S OF THE TWENTIETH CENTURY) by Zarema R. Khamzatova

“…The methodology is based on art criticism, comparative and system-constructive analysis. …”
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Regard rapproché, regard éloigné dans la critique d’art, de Diderot à Huysmans by Michel Delon

“…And it perhaps allows one to judge the greatest creators as those capable of being viewed from both near and far. Diderot’s art criticism was increasingly known through the nineteenth century, nourishing the period’s thought. …”
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Denying the Dichotomy: Word Images in The Waves by Bernadette McCarthy

“…I propose to examine these passages with a visual art critical lens and to consider them as one would a series of paintings.…”
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Vicissitudes do intelectual público: um estudo de caso sobre Mário Pedrosa (1944-1968) by Josnei Di Carlo

“…Concomitantly with his professionalization as an art critic, he became a public intellectual, because of political intervention in the disputes through the big press. …”
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Walter Pater et la vieillesse : humanité et esthétique de la culture by Martine Lambert-Charbonnier

“…Old worn stones, old aesthetic forms are for future generations witnesses of immemorial times, allowing Pater's nineteenth-century arts critic to spiritually restore the past and contribute to the development of culture thoughout the ages.…”
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The Antinomy of Kitsch: Kitsch as an Aesthetic Category and an Aesthetic / Art-Crititical Property by Lisa Katharin Schmalzried

“…The key to solving this contradiction is distinguishing between kitsch as an aesthetic category and an aesthetic, art-critical property. As an aesthetic category, kitsch is an artifact, performance, or practice whose dominant function is to enable self-enjoyment by effortlessly evoking emotional reactions of the “soft” emotional spectrum with a “sweet” phenomenological quality in a large group of people. …”
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