SUMMARY. Ad Reinhardt: A Responsible Eye. Perception and Engagement of the Spectator in the Collages of 1946 by Margaux VERDET

Subjects: Get full text

Ad Reinhardt: Oko Odpowiedzialne. Percepcja i Zaangażowanie Widza w Kolażach z 1946 Roku by Margaux VERDET

Subjects: Get full text

Dokumenty (wybór Margaux Verdet) / Documents (selected by Margaux Verdet) by Margaux VERDET

Subjects: Get full text

« Paysages avec figures absentes » : La peinture d’Elsa Maldiney by Éliane Escoubas

“…The last stage, from the last decade of the 20th century and since 2000, is the one of a purely abstract painting, of a coloured energy, of outbursts, ruptures, and meetings – in a word: the one of a field of tensions, which is rhythm.…”
Get full text

« Une constellation dans la nuit de l'histoire, une tache lumineuse devant les ténèbres de la mort » : l'œuvre d'Ernst Wilhelm Nay vue par Werner Haftmann by Vincenza Benedettino

“…Jahrhundert, published by Haftmann in 1954, and exhibitions catalogues, this study retraces the fundamental stages of the path to the consecration of Nay’s abstract painting undertaken by the art historian in Germany and internationally. …”
Get full text

Direct perception of affective valence from vision by Saeedeh Sadeghi, Zijin Gu, Eve De Rosa, Amy Kuceyeski, Adam K. Anderson

“…The VV model predicts human valence ratings of images and transfers even more robustly to abstract paintings. In human observers, limiting conceptual analysis of images enhances VV contributions to valence experience, increasing correspondence with machine perception of valence. …”
Get full text