Cetaceans 4th Grade Curriculum by Maia Patterson McGuire, Ruth Francis-Floyd

“…They help teachers address science, mathematics, language arts, or visual arts objectives and could be used in place of current lesson plans for many topics. …”
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Comparison between European Protestant and Catholic Economic Development through Modern Painting by Bernadett Balassa

“…This research supposes that the mentioned capitalist approaches have their own impressions on visual arts, particularly on modern painting. It examines almost nine hundred religious paintings from the fifteenth to nineteenth centuries, investigating signs of business activities on the artworks. …”
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The Black Arts Movement Reprise: Television and Black Art in the 21st Century by Jeffrey O.G. Ogbar

“…It was represented by a rich cross section of artistic work, often forged by young urban artists in genres as diverse as music, dance, visual arts, literature and theatre. No aesthetic was unaffected by inflections of this new black consciousness. …”
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Variazioni della scrittura. Visualità della scrittura e scritture visuali by Valentina Manchia, Salvatore Zingale

“…On the one hand, it may be useful to retrace the path already taken by the history of writing systems and the linguistic, philosophical and anthropological traditions on the subject, trying to reflect on writing as a "semiotic place"; on the other hand, it is possible to draw attention to the constant short-circuits and frequent contaminations that exist between image and writing, in graphics and calligraphy, as well as in poetry and the visual arts, and to try to describe their underlying dynamics.…”
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Cetaceans 4th Grade Curriculum by Maia Patterson McGuire, Ruth Francis-Floyd

“…They help teachers address science, mathematics, language arts, or visual arts objectives and could be used in place of current lesson plans for many topics. …”
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Visions of Liberty, Rooms With Views. Squaring The Circle: Harriet Hale Woolley, Past & Present by Christopher Alexander Kostritsky Gellert

“…This article is a critical response to an exhibition held at the Fondation des États-Unis (Cité internationale Universitaire) from June 6th to July 31st 2018 entitled “Squaring The Circle: Harriet Hale Woolley, Past & Present”, which gathered together fourteen past recipients of the Harriet Hale Woolley scholarships in the visual arts. The exhibition focused on the history of the grant and its importance to American artists studying in Paris, as well as what it means to be an American artist living abroad in France. …”
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Introduction #6 by Julie Abbou, Aron Arnold, Sophie Bailly, Maria Candea, Mona Gérardin-Laverge, Magali Guaresi, Noémie Marignier

“…is a varia issue with a strong topical coherence: in the "Research" section, the articles explore forms of feminist and queer artistic and cultural resistance in different contexts (North America, Latin America, Europe, Africa) involving various means of expression (cinema, literature, visual arts). The "Creations" section, which provides two original literary works, playing in a feminist and subversive way with and about the language, echoes these scientific articles in a beautiful way. …”
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Accessibility and innovation: IEB Minecraft as a tool for collection exploration by Pedro B. de Meneses Bolle

“…ABSTRACT The Instituto de Estudos Brasileiros (IEB) has designed a video game in which playerscreate their own characters and enter the institution’s building to playfully explore the collections distributed among the Archives, the Library and the Visual Arts Collection. The aim of the launch of IEB Minecraft is to promote the Institute to a new audience - with an estimated age between 12 and 20 years old -, already accustomed to using the digital language and the world of games, becoming an innovative way to provide young people with access to the IEB collections playfully and interactively. …”
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“Depth of field” or “negative forms”: space/syntax from HDR digital photography to hypermedia navigation by Marie-Madeleine Martinet

“…The article explores the notions related to the perception of the figure/ground contrast in the visual arts. Starting from the history of the words “negative” and “depth of field” in 19th-century photography, it studies solutions such as the possible combinations of main object and background from overexposed and underexposed photos. …”
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Les Politiques de soutien à l’art en Angleterre depuis 1990 : « exception britannique », dirigisme ou modèle hybride ? by Cécile Doustaly

“…This article analyses the relationship between the State and the arts supported by Arts Council England, a NDPB responsible for distributing public funds to live and visual arts organisations in line with the Department for Culture, Media and Sport’s policy.…”
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Joseph Moiseevitch Tchaikov. De la Ruche des Makhmadim à l’idéologie soviétique (1910-1937) by Marie Vacher

“…With him, La Ruche was no longer that of Chagall and Soutine, but a laboratory for the creation of a “Jewish style in the visual arts”. The Yiddish avant-garde found its place within the Russian avant-garde, and the “super-eclecticism” of Jewish art defined by Abram Efros became the means of attaining the universal.…”
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Visual Culture and Visual Literacy by Sibel Onursoy

“…Visual literacy is an interdisciplinary concept and associated with some areas, such as graphic design, visual arts, architectural engineering, industrial product design, visual communication and media literacy. …”
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Illustrating Victorian Poetry: The Dynamics of Photographic Tableaux Vivants by Gwendoline Koudinoff

“…This essay therefore demonstrates how photographic tableaux vivants emulate traditional visual arts and how they exemplify a transformative and modern interpretation of Victorian poetry.…”
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« Little grunts, the grins and grimaces of recognition »: Resistance and Exchange in Paul Muldoon and Norman MacBeath’s Plan B by Alexandra Tauvry

“…A significant part of Paul Muldoon’s recent work has been dedicated to experimenting with the visual arts and, in particular, photography. He recently published a book with Scottish photographer Norman McBeath entitled Plan B (2009). …”
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Das artes tradicionais à economia criativa: a pintura indígena da Austrália e sua inserção no sistema das artes by Ilana Seltzer Goldstein

“…This is particularly – but not exclusively – true in sectors that comprise the so-called creative economy, as the design, visual arts, music, fashion, food etc. In contemporary societies, merchandises stand out for their uniqueness and for having both economic value and symbolic value. …”
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Eliot’s Modernist Manifesto by Viorica Patea

“…This article reconsiders Eliot’s concepts of tradition and impersonality in the light of the revolution that took place in the visual arts in the first decades of the twentieth century, whose experimental language he tried to transfer to poetic practice. …”
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Tension in Modernist Art and Lyric Poetry at the Beginning of the 20th Century in Estonian Culture: Ernst Enno and Others by Anneli Mihkelev

“…Ridala and Enno also used visual effects, and their texts have been set to music as well as becoming part of the visual arts in films and serials. The paper analyses the verbal texts of Enno and Ridala, and the interaction between visual and verbal texts. …”
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Ceci n’est pas le territoire: Transcending the Visual and Literary Frame by Dane Coult

“…By examining the work of David Foster Wallace and select works in the visual arts previously labeled as “metapainting,” the article seeks to demonstrate that this new categorization resolves critical problems that result when art simultaneously draws attention to its frame and to the authenticity of experience.…”
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Changements d’horizon : Circa, une aventure éditoriale traversant les frontières by Valérie Morisson

“…From its creation, in 1981, to the present day, Circa art magazine has played a crucial role in the evolution of the visual arts in Ireland. It has contributed to disseminating contemporary aesthetic forms as well as postmodern theories, and has widened the scope of criticism. …”
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CHURU-KOHO POTTERY OF LAM DONG PROVINCE IN RELATION TO CHAM POTTERY by Van Mon Truong

“…They are similar in name, visual arts, type, and pottery firing method. These types of pottery have been common in Central Vietnam and the Central Highlands for a long time. …”
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