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    Elemente de identitate românească în opera lui Constantin Virgil Gheorghiu by Gabriela Iliuţă

    Published 2012-12-01
    “…Les éléments de la spiritualité roumaine traversent le monde romanesque de Constantin Virgil Gheorghiu: le terroir, la religion orthodoxe, la liberté, les Tracs, les haïdouks, les montagnards, le château, l’oppresseur, le bidonville etc. …”
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    Theory and Practice of Heat Engines / by Faires ,Virgil Moring

    Published 1948
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    Book
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    “Literally Everything I Utter Is a Metaphor”: Thought Unhinged in The Water Cure and Percival Everett by Virgil Russell, by Percival Everett by Sylvie Bauer

    Published 2020-12-01
    “…The Water Cure and Percival Everett by Virgil Russell are two of Percival Everett’s novels that most overtly intertwine literature and the philosophical. …”
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    Mircea Popescu şi corespondenţii săi: Ştefan Baciu, N. P. Comnen, Neagu Djuvara, Mircea Eliade, Vintilă Horia, Virgil Ierunca, Petru Iroaie, Alexandrina Mititelu by Mihaela Albu

    Published 2012-12-01
    “…Comnen, Neagu Djuvara, Mircea Eliade, Vintilă Horia, Virgil Ierunca, Petru Iroaie and Alexandrina Mititelu. …”
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    Article
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    « A good place to throw ashes to the wind » : « Revenir du pays des morts » ou les soubresauts de la pensée dans Percival Everett by Virgil Russell, de Percival Everett. by Sylvie Bauer

    Published 2014-02-01
    “…The aim of this paper is to analyze the way literature and philosophy are, to use the words of Pierre Macheray, “inextricably intertwined” in Percival Everett’s latest novel, Percival Everett by Virgil Russell. In this fragmentary work, different voices collide, never reaching an agreement, be it narrative or theoretical. …”
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    Les eaux comme frontières dans les Enfers gréco-romains, d’après L’Odyssée d’Homère, la Théogonie d’Hésiode, La République de Platon et L’Énéide de Virgile by Emilia Ndiaye

    Published 2022-12-01
    “…They represent a geographical border which, in Hesiod’s vertical organization of the world, marks the limit between the earthly surface of the living and the underworld of the dead: thus, in the Odyssey, the confluence of the two rivers, at the edge of the Ocean, marks the entrance to the Underworld for Ulysses, whereas it is the lake Avernus for Aeneas, in Virgil’s Aeneid; or the Styx and its marshes that the dead cross in Charon’s boat. …”
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