L’Art contre le peuple ? Sociohistoire d’une rupture : l’exemple du théâtre public en France depuis 1945 by Marjorie Glas

“…Public intervention in theater matters has historically been based on two antiphons: the defense of artistic creation on the one hand, and the emancipatory vocation of theater. The history of public theater overlaps with that of the articulation of these two pillars, articulated in a constant tension between concern for expanding audiences and aesthetic innovation. …”
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NEW ACT ON THEATERS DE LEGE LATA AND DE LEGE FERENDA by Dragan Zlatović

“…The paper analyzes the new legislative framework regulating theater policy and theater activities in the Republic of Croatia, and presents the novelties and the most important elements of the establishment, status, organization, management and financing of theaters, as well as the new regulation of the labor-legal position of theater artists and other theater workers in theaters, especially public theaters. The aim of the paper is to point out the shortcomings in the new theater regulations that can be reflected in the theater business practice, as well as to indicate the directions of possible changes and additions to the currently valid solutions that would contribute to the clarity and completeness of the legal regulation of theater activity, legal certainty and the clear provision of optimal possibilities for the realization of theatrical art projects. …”
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