Published 2017-09-01
“…This article recalls some of the works to which the notion of kitsch gave rise in the fields of art history and cultural industries; it then addresses the questions raised by kitsch in cinema through the example of The
Grand Budapest Hotel (Wes Anderson, 2014). Characteristic of a kitsch rhetoric, this example also makes it possible to question the criteria of judgment of taste employed by today’s spectators and to propose a typology of reception of more general scope.…”
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