Les ordres du spectre : la science-fiction numérique et le présent corrigé by Rebekah Sheldon

“…This article examines the aesthetics of what Anthony Dunne calls “Hertzian space” or the electromagnetic flows that enable wireless communication devices through comparative attention to three contemporary transmedia universes: the BBC’s Sherlock, SyFy’s Alphas, and Fox’s Touch. I argue that each of these shows uses the emerging conventions of neuro-atypicality in order to make visible and render as story the data streams whose omnipresence cannot be experienced as such by the human sensorium without first becoming meaningful. …”
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