Shakespeare revisité, entre fidélité et parodie : de La Nuit des Rois à Shake de Dan Jemmett by Isabelle Schwartz-Gastine

“…William Shakespeare himself was a master of re-writing older material as he abundantly used this technique, which was totally justified at the Renaissance, to compose his poems or plays, from various sources whether literary (prose or verse), historical, or any other—and sometimes most unusual—background.The play I am considering in this paper is a very recent re-writing in English by Dan Jemmett (Peter Brook’s son-in-law), but performed in Marie-Paul Remo’s French translation at the Vidy Theatre in Lausanne during the 2001 season. …”
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L’Amleto d’Arrigo Boito : deux versions énigmatiques avec Ducis et Dumas en dialogue by Costantino Maeder

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“Past fearing death”: Epicurean ethics in Measure for Measure by Jonathan Pollock

Subjects: “…Shakespeare…”
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“How green!”: The Meanings of Green in Early Modern England and in The Tempest by Ayami OKI-SIEKIERCZAK

Subjects: “…Shakespeare…”
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TEACHER-PUPIL COMMUNICATION IN THE CONTEXT OF BELLES-LETTRES. II YEAR STUDENT'S REFLECTION by Maria Stępniak

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Introduction by Gilles Couderc

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“I am air and fire...”: On the Interpretation of Anna Akhmatova’s Poem Cleopatra by Galina Mikhailova

Subjects: “…Shakespeare…”
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Reproductive Politics and Parental Economies in Titus Andronicus by Burzyńska Katarzyna

Subjects: “…maternal authority in shakespeare…”
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Staging Sedition despite Censorship: the Representation of the People on the Shakespearean Stage in 2 Henry VI by Delphine Lemonnier-Texier

Subjects: “…Shakespeare…”
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“Millions of false eyes / Are stuck upon thee.” The scope of surveillance in Measure for Measure by Sébastien Lefait

Subjects: “…Shakespeare…”
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Substitution for Substitution in Measure for Measure by Anton Schütz, Chantal Schütz

Subjects: “…Shakespeare…”
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The End of History? by Jean-Marc Chadelat

Subjects: “…Shakespeare…”
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City Anamorphoses in Measure for Measure by Sophie CHIARI

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La retraduction shakespearienne : espace d’accomplissement ou captation contemporaine ? by Julie Vatain-Corfdir

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“Nowadays the house would be called a stately home”: Pastoral Relocations in Tom Stoppard’s Arcadia by John Bull

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A Division of Character: From Fernando de Rojas’s Celestina to Shakespearean Protagonists by Bogdan Groza

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Studied Speech and The Duchess of Malfi: The Lost Arts of Rhetoric, Memory, and Death by Rory Loughnane

Subjects: “…William Shakespeare…”
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Le film de tournage shakespearien : fiction documentarisée ou documentaire fictionnalisé ? by Sarah Hatchuel

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Aesthetics and Ethics in Anna Jameson’s Characteristics of Women by Alison Stone

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