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    Paz perpetua y federación europea: la crítica de Leibniz a Saint-Pierre by Concha Roldán

    Published 2014-01-01
    “…En las últimas décadas ha sido creciente el protagonismo del opúsculo de Kant, Hacia la paz perpetua (1795), inspirado en las reflexiones del Abbé de Saint-Pierre. Leibniz, sin embargo, no suele ser considerado entre los antecedentes políticos de las reflexiones kantianas sobre la paz perpetua. …”
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  3. 263

    Analytic Normalized Solutions of 2D Fractional Saint-Venant Equations of a Complex Variable by Najla M. Alarifi, Rabha W. Ibrahim

    Published 2021-01-01
    “…Saint-Venant equations describe the flow below a pressure surface in a fluid. …”
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    Parcours-travail et cancers professionnels. Recherche-action en Seine Saint Denis (France) by Annie Thébaud-Mony, Laura Boujasson, Michael Levy, Catherine Lepetit, Parvine Goulimaly, Hélène Carteron, Michèle Vincenti

    Published 2003-05-01
    “…Our goal was to collect qualitative data on occupational exposure to carcinogenic agents in the job histories of new patients living in Seine Saint Denis.In this paper, we present out theoretical and methodological approach, along with some results. …”
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    Découverte d’un nouveau site de hauteur fortifié du Bronze final 3 et du Premier Fer 3 : le Puy Saint-Romain à Saint-Maurice-ès-Allier (Puy-de-Dôme) by Florian Couderc

    Published 2017-02-01
    “…During the excavation on Puy Saint-Romain site at Saint-Maurice-ès-Allier (Puy-de-Dôme, France) in 2015, many artefacts of Late Bronze Age and beginning of Iron Age 3 have been discovered, as well as a rampart built with stones. …”
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    La Tentation de Saint-Antoine au Chat Noir : un exemple de collaboration multidisciplinaire by Michela Niccolai

    Published 2019-06-01
    “…Among the adaptations of La Tentation de saint Antoine de Flaubert, the one made by Henri Rivière deserves special attention. « Féerie à grand spectacle en 2 actes et 40 tableaux », La Tentation for the shadow theatre (1887) is a composite show that blended the visual component with the music (original and arranged by Albert Tinchant and Georges Fragerolle) inside a fixed device where the evocative appearance of the paintings carried the viewer into a mystical universe. …”
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