Schuberts frühe Sonatenform und die Tonfeldtheorie by Stefan Nowak

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Jeux – eine Werkanalyse by Andreas Winkler

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Transcendentality of ABJM two-point functions by Marco S. Bianchi

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Three-point functions in Aharony-Bergman-Jafferis-Maldacena theory and integrable boundary states by Jun-Bao Wu, Peihe Yang

Subjects: “…Chern-Simons Theories…”
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›Tonfelder‹ und traditionelle Tonalität. Beobachtungen zu Schuberts Lied Der Atlas by Markus Sotirianos

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Zu Johannes Brahms’ Intermezzo h-Moll op. 119/1 by Stefan Rohringer

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Attending to adolescent experience: Tragic drama as a stimulus and a model by Lucy Elvis, Michela Dianetti

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Entanglement in BF theory. Part I. Essential topological entanglement by Jackson R. Fliss, Stathis Vitouladitis

Subjects: “…Chern-Simons Theories…”
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The three-dimensional N $$ \mathcal{N} $$ = 2 superfishnet theory by Moritz Kade

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Zu Dahlhaus’ Historiographie der Musiktheorie im 19. Jahrhundert by Jan Philipp Sprick

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Die Idee des stummen Fundamentes bei Rameau, Kirnberger und Sechter by Sören Sönksen

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N $$ \mathcal{N} $$ -extended D = 4 supergravity, unconventional SUSY and graphene by L. Andrianopoli, B.L. Cerchiai, R. D’Auria, A. Gallerati, R. Noris, M. Trigiante, J. Zanelli

Subjects: “…Chern-Simons Theories…”
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Les Montand-Signoret jouent Arthur Miller. La première française des Sorcières de Salem by Julie Vatain-Corfdir

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Quantum-Ordering Ambiguities in Weak Chern—Simons 4D Gravity and Metastability of the Condensate-Induced Inflation by Panagiotis Dorlis, Nick E. Mavromatos, Sotirios-Neilos Vlachos

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SIMONE DE BEAUVOIR, LEITORA DE NIETZSCHE: A VONTADE DE PODER DESDE A PERSPECTIVA DA MORAL EXISTENCIALISTA by Josiana Barbosa Andrade

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Normalized ground state solutions for the Chern–Simons–Schrödinger equations with mixed Choquard-type nonlinearities by Yipeng Qiu, Yingying Xiao, Yan Zhao, Shengyue Xu

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Adieu, Paris ! de Simone Routier à la croisée de l’intime et du médiatique  by Mylène Bédard

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Albert Simon – ein ungarischer Autor by Konstantin Bodamer

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Tonalität in Franz Schuberts späten Sonatenformen. Überlegungen zum Kopfsatz des Klaviertrios B-Dur D 898 by Stefan Rohringer

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Zur Artikulation von Tonfeldern bei Brahms, Debussy und Stockhausen by Michael Polth

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