-
61
-
62
-
63
-
64
-
65
-
66
El Madrid de la Bestia : l’apocalypse urbaine d’Álex de la Iglesia
Published 2014-12-01Subjects: Get full text
Article -
67
Doğal Din Tasavvuru Üzerinden Hıristiyanlık Okuması: John Toland’ın Tanrı, Din ve Vahiy Anlayışı
Published 2019-11-01Subjects: Get full text
Article -
68
-
69
İLETİŞİMİN BİR BAŞKA BOYUTU: TANRI-İNSAN İLETİŞİMİ ya da METAFİZİK İLETİŞİM
Published 2010-12-01Subjects: Get full text
Article -
70
Cosmology of Saint Victorinus of Poetovio: from the Creation of Light to the Creation of Adam
Published 2022-12-01Subjects: Get full text
Article -
71
KANT'IN DİN FELSEFESİNDE DOĞRU DİNİN ÖLÇÜTÜ ÜZERİNE
Published 2008-07-01Subjects: Get full text
Article -
72
-
73
-
74
-
75
KELAMULLAH’IN LEVH-İ MAHFUZ’DAN CİBRİL’E İNTİKALİ VE HZ. PEYGAMBER’E İNZALİ
Published 2010-03-01Subjects: Get full text
Article -
76
-
77
THE RECEPTION OF THE PHILOSOPHICAL TRADITION AS A WAY OF FORMING AMERICAN PERSONALISM: THE POST-SECULAR VIEW
Published 2016-06-01Subjects: Get full text
Article -
78
Staging Sedition despite Censorship: the Representation of the People on the Shakespearean Stage in 2 Henry VI
Published 2013-11-01“…Thanks to The Book of Sir Thomas More, there is proof that the Master of the Revels did censor scenes of popular sedition, and the presence of similar and yet apparently uncensored scenes in other Elizabethan plays is somewhat puzzling, even more so when these scenes of popular rebellion appear ambivalent, which is the case of the Jack Cade rebellion in Shakespeare’s 2 Henry VI. …”
Get full text
Article -
79
Philip Massinger et le théâtre historique : trouver la bonne distance
Published 2022-01-01“…As first readers of these plays, the Masters of the Revels of James I and Charles I were anxious that the political intervention these works amounted to in the public sphere should not disturb England’s foreign policy, especially with Spain. …”
Get full text
Article -
80
Jeux de trompe-l’œil dans une cité déchue : La Nouvelle-Orléans de George Washington Cable dans Old Creole Days
Published 2016-12-01“…Far from merely focusing on the romantic character of New Orleans, on its old-fashioned charm and bygone glory, Cable’s satirical outlook probes the rusty mechanisms of a moribund society that revels in often devastating gossip, is plagued by prejudice and obsessed with a hierarchical conception of race. …”
Get full text
Article