La propagande cachée sur les ondes de la BBC pendant la Seconde Guerre Mondiale : vers une héroïsation nationale by Cécile Vallée

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Has Education in the United Kingdom Become a Marketable Product Like Other Value-Added Services? by Louise Dalingwater

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Vladimir Nabokov, un exemple d’aliénation créatrice by Marie Bouchet

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The Transnational Construction and Maintenance of Digital Feminist Media Activism: Engagement Practices in  the Global South and North by Mariana Fagundes-Ausani

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L’abandon et l’appel, ou l’optimisme paradoxal de Graham Greene dans The Power and the Glory by René Gallet

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Gloriana de Britten et le rêve de l’opéra anglais by Gilles Couderc

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‘A Gorgon shadowed under Venus’ face’: Deceptive Beauty in Elizabethan Love Poems by Gaëlle Ginestet

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Arundhati Roy, a One-woman Dissident Force against the Instant-Mix Imperial Democracy by Geetha Ganapathy-Doré

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Cadrage, décadrage et recadrage dans Baa Baa Black Sheep : A Jungle Tale de David Malouf et Michael Berkeley by Jean-Philippe Heberlé

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L’Italie selon Shakespeare et Ben Jonson : l’altérité dans un théâtre sans décor by Christophe Camard

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“I think it was in poor taste that you were doing Murtaugh in whiteface” – Blackface goes West (and White) in It’s Always Sunny in Philadelphia (FX, 2005-) by Sébastien Lefait

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Le touriste malgré lui : John Edgar Wideman et la Martinique by Michel Feith

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Canada in the Looking-Glass: Days and Nights in Calcutta (1977), by Clark Blaise and Bharati Mukherjee by Christine Lorre

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The Mystery of the Past Haunts Again: Jane Eyre and Eugenie Marlitt’s Die zweite Frau by Ivonne Defant

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“I hate him. No, I don’t… I hate myself”: Wilkie Collins and the Anatomy of Hatred by Mariaconcetta Costantini

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Narrative Strategies and Intermedial Devices in Gabriel Josipovici’s In the fertile Land by Mário Semião

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Connections and Disconnections in the Armenian Transnation: the Case of Armenian Americans and Armenia by Anouche Der Sarkissian

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Cine Qua Non: The Political Import and Impact of The Battle of Algiers by Stephen J. Whitfield

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OK Computer: Analogue Death, Digital Rebirth, and Radiohead’s Electronic Turn by Kwasu David Tembo

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Elizabeth Gaskell’s and George Eliot’s Common Interest in Two Literary Women of 17th-Century France: Madame de Sablé and Madame de Sévigné by Alain Jumeau

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