Emmanuelle Hénin. « Ut pictura theatrum ». Théâtre et peinture de la Renaissance italienne au classicisme français by Lucie De Los Santos

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Une reconstruction progressiste du passé : Renaissance et Risorgimento dans « Old Pictures in Florence » de Robert Browning by François Crampe

Subjects: “…Renaissance…”
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Anne Garrait-Bourrier et Monique Vénuat. Les Indiens aux Etats-Unis : renaissance d’une culture. by Bernadette Rigal-Cellard

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Jean‑Paul Pittion, Le Livre à la Renaissance. Introduction à la bibliographie historique et matérielle by Jean-Pierre Bordier

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Avant-Propos by Pierre Iselin

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Introduction by Giorgio Bottini, Fiona Lejosne

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Monts d’Australie, espaces des mythes, des quêtes, des déchirements by Colette Selles

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Andrea Horz, Heinrich Glareans Dodekachordon. Zu den textuellen Bezügen des Musiktraktats (= Wiener Forum für ältere Musikgeschichte, Bd. 8), Wien: Hollitzer 2017 by Moritz Heffter

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Masques et mascarades dans Romola par George Eliot : la traversée des apparences by Stéphanie Richet

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Sophie Chiari. L’Image du labyrinthe à la Renaissance. Détours et arabesques au temps de Shakespeare by Jean-Louis CLARET

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Construire le goût pour la Renaissance française : les pérégrinations des dames de Germain Pilon au xixe siècle by Justine Gain

“…The journey of the figures, which once supported the shrine of Saint Genevieve in the Paris church of the same name, illustrates both the museum practice of an era and its growing taste for the French Renaissance. The aim of this study is to analyse the peregrinations of the group during the nineteenth century, as well as the various practices that enabled it to be exhibited in three institutions that were themselves key players in the history of collections: the Musée des Monuments Français, the Louvre and the History Galleries of Versailles.…”
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Oublier la Renaissance, désapprendre l’humanisme : Le premier Baroque entre exploitation des acquis et table rase imaginaire by Itay Sapir

“…Art history has traditionally postulated a clear break between, on the one hand, late Mannerism, still dependent on Renaissance and humanistic culture, and, on the other hand, the artistic revolution that inaugurated the Baroque. …”
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Laboratory Islands: Renaissance(s), Regression and Re-creation in H. G. Wells’s The Island of Doctor Moreau and R. L. Stevenson’s The Ebb-Tide by Julie Gay

“…If by the turn of the 19th century, starting anew and being reborn on a desert island had become increasingly difficult, the island still offered the possibility of a form of literary re-birth or ‘renaissance’, by regressing to more ancient forms of story-telling while simultaneously innovating in terms of literary form and genre. …”
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Heinrich Isaac and Polyphony for the Proper of the Mass in the Late Middle Ages and Renaissance. Red. David J. Burn, Stefan Gasch. Turnhout 2011 by Grzegorz Kos

“… Rezencja książki Heinrich Isaac and Polyphony for the Proper of the Mass in the Late Middle Ages and Renaissance red. David J. Burn, Stefan Gasch …”
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Ipotesi per una contestualizzazione dell’Hypnos del Prado by Graziella Becatti

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Ideas clash on the mountain tops : politique de la montagne et sentiment national dans l’Ecosse du vingtième siècle by Camille Manfredi

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Bradamante et Fleurdépine. L’amour impossible du Roland furieux (1532) by Valentina Irena Denzel

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