Gold and Apes. Des usages du scepticisme dans la philosophie de Robert Boyle by Jean-Pierre Grima-Morales

“…But today it seems necessary to incorporate this rhetorical scepticism into the evolution of the Ciceronian rhetoric of the Renaissance as well as into the dynamic propagation of mechanist ideas in Europe. …”
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Sièm Occitans en prumièr o […] sièm pas ren du tot : une allocution d’Yves Rouquette (2009). Édition d’extraits, avec une introduction, des notes et une étude des diatopismes remar... by Jean-Pierre Chambon, Marjolaine Raguin-Barthelmebs, Jean Thomas

“…This contribution aims to give a philologically correct edition of extracts from an Occitan contemporary oral text which makes sense for the history of Occitan literature and the Renaissance movement. The speaker is the great Occitan writer Yves Rouquette (1936-2015). …”
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Idololatria Vilnensis: The Confessional Debates of Jesuits and Protestants on Sacred Images in the 16th Century Lithuania by Tomas Riklius

“…Wolan’s critique, while rooted in theology, also touched on the Renaissance humanist perspective on aesthetics to question the sensual appeal of Catholic sacred art. …”
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Antiquitized emblems of Andrea Alciato by E.S. Danilov

“…In this paper, the “Emblemata” created by Andrea Alciato (1492–1550), a Late Renaissance writer and erudite, was analyzed. Particular attention was drawn to certain groups of mythological characters and historical personalities of the classical antiquity. …”
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L’Art du détour selon Shakespeare : les déviations de Troilus and Cressida, d’Othello et de The Tempest by Sophie Alatorre

“…If Shakespeare’s Renaissance contemporaries were keen on efficiency and “progress” (in the sense of “onward movement in space”), they also particularly enjoyed labyrinthine ways which distracted them from their primary purposes. …”
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The Points of Concurrence Theory in Guidobaldo del Monte’s Scenography by Leonardo Baglioni, Marta Salvatore

“… Theatrical scenography was one of the privileged applications of perspective in the Renaissance. The court theater, characteristic of those years, is structured around a frontal perspective installation developed in depth. …”
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La Revelatio ecclesiae sancti Michaelis et son auteur by Pierre Bouet

“…This document reveals the culture of a canon during the Carolingian Renaissance, who was stronglyinfluenced by constant readings of the Bible, the sermons of the Holy Fathers and the works of Gregory the Great. …”
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Ideological objectives underpinning imbizo as a model of communication and governance by Jeffrey Mabelebele

“…. • It is used as an expression of the African Renaissance paradigm. • Imbizo expresses the ideology of African unity. • It is used as a manifestation of participatory democracy …”
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<i>Armastus, Andestus, Alandlikkus</i>: The Rediscovery of the Orthodox Christianity in Post-Soviet Estonia by Milena Benovska-Sabkova

“…The aim of the present article is to outline some of the basic characteristics of the post-Soviet ‘renaissance’ of the Estonian Apostolic Orthodox Church (under jurisdiction of the Ecumenical Patriarchate of Constantinople), for example the conversion from Lutheranism to Orthodox Christianity and the processes of rediscovery, reinvention and ‘Estonianisation’ of Orthodox Christianity. …”
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Shakespeare revisité, entre fidélité et parodie : de La Nuit des Rois à Shake de Dan Jemmett by Isabelle Schwartz-Gastine

“…William Shakespeare himself was a master of re-writing older material as he abundantly used this technique, which was totally justified at the Renaissance, to compose his poems or plays, from various sources whether literary (prose or verse), historical, or any other—and sometimes most unusual—background.The play I am considering in this paper is a very recent re-writing in English by Dan Jemmett (Peter Brook’s son-in-law), but performed in Marie-Paul Remo’s French translation at the Vidy Theatre in Lausanne during the 2001 season. …”
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De Masaccio à Stalker: pour une esthétique du seuil et de son franchissement  by Sylvie Castets

“…The intellectual realism of the Middle Ages is replaced by a new mode of figuration. The Renaissance artist leaves one artistic territory in order to explore and define the foundations of a novel art form. …”
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Quand la photographie cesse d’en être by André Rouillé

“…En fait, c’est le classicisme de cette esthétique, hérité de la Renaissance albertienne, qui succombe du fait de l’écriture numérique qui est totalement soumise à la communication. …”
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John Ruskin, William Morris and Walter Pater: From Nature to Musical Harmony in the Decorative Arts by Martine Lambert-Charbonnier

“…Pater’s celebration of music in The Renaissance as the ideal towards which all arts aspire, fostered the idea of interior design as a musical composition enhancing pure perception for the aesthetic mind. …”
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"CYCLIST ON THE MARSH": LESSONS AND PROSPECTS OF THE LAST EU ENLARGEMENT by A. I. Tevdoy-Bourmouli

“…This constellation resulted particularly in the renaissance on the level of European establishment of the nationalist phobia and memories deeply buried decades ago. …”
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« Retail the coda » : le retour au sonnet dans l’œuvre récente de Geoffrey Hill by Carole Birkan-Berz

“…Relying on a slightly modernised form harking back to the Renaissance, Hill used it as a vehicle for metaphysical questioning on the nature of poetry, violence or religion. …”
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Modernism’s Zoo (Pet and Pen in Virginia Woolf’s Flush) by Frédéric Regard

“…This article plays on the two possible senses of the word “renaissance,” which suggests both the fact of being born again, and that period in European history of an artistic revival, achieved under the influence of classical models. …”
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Western Medical Rehabilitation through Time: A Historical and Epistemological Review by Andrea A. Conti

“…In ancient Greece disability was surmounted only by means of its complete removal, and given that disease was considered a punishment attributed by divinities to human beings because of their faults and sins, only a full physical, mental, and moral recovery could reinsert disabled subjects back in the society of “normal” people. In the Renaissance period, instead, general ideas functional for the prevention of diseases and the maintaining of health became increasingly technical notions, specifically targeted to rehabilitate disabled individuals. …”
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Reviving/Revising “Lycidas”: Virginia Woolf’s Elegy to Unborn Poets in A Room of One’s Own by Marie Laniel

“…The epitome of late Renaissance pastoral elegy, “Lycidas” haunts many a Modernist poem or novel, from The Waste Land to Ulysses, as a contested subtext, the expression of a poetics of grief that could no longer hold after the First World War, and yet whose grip on the Modernist imagination remained strong. …”
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الکتب التى صادرتها محاکم التفتیش فى اوربا 1834 – 385 میلادیة : دراسة تاریخیة ببلیومتریة by د. محمد خمیس الحباطى

“…A study aimed at dealing with books confiscated by the Inquisition inEurope, This is by drawing on the historical method, to determine the impact ofthe intellectual renaissance on the Church in Europe, In addition, the Inquisitionwas dealt with in terms of its concept, origin, composition, and Places of itsspread, As well as using the method of bibliographic research to determine thegeneral features of books confiscated by the Inquisition in Europe, In addition todefining the role of the Inquisition in controlling intellectual production, As well aslearn about lists of prohibited books, The fate of the Inquisition, The resultsindicated that the Inquisition paralyzed the scientific movement of the entirenation, Also, the books confiscated by the Inquisition amounted to 209 books for(137) authors during the period from the twelfth century until the twentieth centuryA.D. in various subjects, including: Religious writings and books that offend publicmodesty, and political writings focused on freedoms, Philosophical writings,literary and artistic writings in poetry, music, novels and plays, In addition to theproliferation of the Inquisition in various places in Europe, such as: Spain 1478,France 1329, Portugal 1547, and in Italy in the late sixteenth century CE inAquileia, Naples and Venice, Also in Andalusia, beginning in 1501 CE, when thedecree issued to burn all Islamic books was issued.…”
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The History of Urinary Stones: In Parallel with Civilization by Ahmet Tefekli, Fatin Cezayirli

“…Interestingly, the Fourth Lateran Council in 1215 forbade physicians from performing surgical procedures, as contact with blood or body fluids was viewed as contaminating to men. With Renaissance new procedures could be tried on criminals. …”
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