Le silence et le cri : Salomé, d’Oscar­­ Wilde à Richard Strauss by Pascal Aquien

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 Du même à l’autre : la problématique du portrait chez Oscar Wilde by Pascal Aquien

“…This article concerns Oscar Wilde…”
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Kathleen Riley, Alastair J. L. Blanshard, and Iarla Manny, eds. Oscar Wilde and Classical Antiquity by Xavier Giudicelli

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As Camp as a Row of Pink Tents: Stephen’s Portrait of Mr W. S. by Samuel Slote

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Lire/voir The Ballad of Reading Gaol d’Oscar Wilde à la lumière de l’expressionnisme by Xavier Giudicelli

Subjects: “…Oscar Wilde…”
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« Leprous literature » : le modèle de la transmission contesté par les théories esthétiques d’Oscar Wilde by Carole Delhorme

“…This paper examines the extent to which Oscar Wilde’s aesthetic theories, as articulated in his critical works collected in Intentions, respond to and challenge this evaluative framework. …”
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“Consummate Too Too”: On the Logic of Iconotexts Satirizing the “Aesthetic Movement” by Anne-Florence Gillard-Estrada

Subjects: “…Oscar Wilde…”
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Salomé, reine d’Angleterre : destins esthétiques de la Salomé d’Oscar Wilde (Aubrey Beardsley, Charles Bryant, Ken Russell) by Tristan Grünberg

“…En 1893, Oscar Wilde publie Salomé, sa première pièce écrite en français. …”
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Two Tombeaux to Oscar Wilde: Jean Cocteau’s Le Portrait surnaturel de Dorian Gray and Raymond Laurent’s essay on Wildean aesthetics, A bilingual presentation of the texts edited and translated by Emily Eells by Richard Hibbitt

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From Dumas fils’s Étrangère to Wilde’s Aventurière: French Theatrical Forerunners of the Wildean Female Dandy by Ignacio Ramos Gay

“…The aim of this paper is to acknowledge the influence of French dramatical stererotypes in Oscar Wilde’s creation of the female dandy. I will particularly focus on two society comedies, Lady Windermere’s Fan (1892) and An Ideal Husband (1895) so as to unearth French female forerunners of his aventurière throughout a series of plays written by boulevard authors such as Victorien Sardou, Emile Augier and Dumas fils. …”
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‘I’m grown a man no doubt, I’ve broken bounds’—Robert Browning Crossing the Limits of Poetry by Jean-Charles Perquin

“…Was it not one of the reasons why Oscar Wilde called him a ‘prose Browning’?…”
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Un opéra français d’après la Salomé de Wilde, l’appropriation d’un drame by Déborah Bonin

“…Evoked and revisited numerous times over the centuries since its origin in the Bible, the story of Salome was approached in a completely innovative way by Oscar Wilde at the end of the nineteenth century. By placing the young Judean princess at the heart of the drama and using, in keeping with other symbolist authors, language resembling a musical dialogue, Wilde’s play inspired a number of musicians including Richard Strauss, Alexandre Glazounov and the French composer, Antoine Mariotte.What were the reasons for Mariotte’s enthusiasm for his English contemporary’s play ? …”
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From Text, to Myth, to Meme: Penny Dreadful and Adaptation by Alison Lee, Frederick D. King

“…Challenging linear and genetic models of adaptation, Penny Dreadful transforms Mary Shelley’s Frankenstein (1818, 1831), Oscar Wilde’s The Picture of Dorian Gray (1890, 1891), and Bram Stoker’s Dracula (1897) into vehicles of cultural transmission: memes that have come to redefine the viewer’s relationship to Victorian literature and culture as a myth of modernity.…”
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‘Strange old Italian dresses’: Walter Pater, Victorian fashionista? by Bénédicte COSTE

“…Pater’s descriptions should therefore be contrasted to the 1870s portraits of Whistler, and to the 1880s-1890s writings of Whistler, Oscar Wilde and Max Beerbohm, along with the caricatures of Aesthetes by George du Maurier and Sir Leslie Ward. …”
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The Triptych of Dorian Gray (1890–91): Reading Wilde’s Novel as Three Print Objects by Brett Beasley

“…Oscar Wilde’s novel The Picture of Dorian Gray has the rare distinction of having not only controversial content, but a controversial textual history as well. …”
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An ‘extraordinary change’ in the Climate: The Transformative Power of Impressionism in George Moore’s Art Criticism by Fabienne Gaspari

“…Oscar Wilde’s essay ‘The Decay of Lying’ introduces the idea of the transformative power of Impressionist painting, ‘this extraordinary change that has taken place in the climate of London’. …”
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Conversions to Catholicism among Fin de Siècle Writers: A Spiritual and Literary Genealogy by Claire Masurel-Murray

“…During the last decade of the 19th century, a number of English writers converted to Roman Catholicism: the “Decadent” poets John Gray, Lionel Johnson and Ernest Dowson joined the Church in 1890 and 1891, while Oscar Wilde flirted with the Catholic faith during his college years at Oxford, and received the last sacraments on his deathbed in 1900. …”
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Myth and Biblical Imagery in De Profundis by Ignacio Ramos Gay

“…De la même façon que le théâtre de boulevard français représente la base thématique de la composition des comédies de société d’Oscar Wilde, l’imaginaire biblique doit être considéré comme une source d’inspiration essentielle pour des reformulations ultérieures dans son œuvre, caractérisées par l’influence et la subversion de textes originaux. …”
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White Magic, Black Humour: Ella D’Arcy’s Narrative Strategies by Heather Marcovitch

“…We see D’Arcy adopting this ironic pose as she tries to keep The Yellow Book on schedule in the aftermath of Oscar Wilde’s arrest, and as she copes with Harland’s regular tantrums and Lane’s indifference. …”
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Embracing and Rejecting the Ruskinian Heritage in Wilde’s Aesthetic Theories by Carole Delhorme

“…This paper aims to assess the influence of Ruskin’s ideas on Oscar Wilde’s aesthetic theories. It examines to what extent Wilde’s aesthetic stance is indebted to the teachings of the Slade Professor, but also why Wilde ultimately disavowed his Ruskinian heritage. …”
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