Captation spéculaire et mise en abyme dans le film Jane Eyre de Franco Zeffirelli by Isabelle Van Peteghem-Tréard

“…The ego experiences a perpetual rift that is modeled on the subject’s dual relations with its specular counterpart, the other woman. The mirror stage presents through dramatic exemplification a certain level of rupture between inwardly lived and external realities. …”
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