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“The man who wasn’t there”—and was “out there”: Chigurh as cinematic figure
Published 2023-01-01Subjects: Get full text
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Esthétique de la trace dans No Country for Old Men (Ethan et Joel Coen, 2007)
Published 2023-01-01Subjects: Get full text
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« It starts when you begin to overlook good manners. Any time you quit hearin Sir and Mam the end is pretty much in sight » : la jérémiade dans No Country for Old Men
Published 2023-02-01Subjects: “…No Country for Old Men…”
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