« Criticoscopie » : trois lectures de The Scarlet Letter de Nathaniel Hawthorne by Hélène Aji, Brigitte Félix

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“Only a Light Wreath of The New-Fallen Snow”?: Ecogothic Tropes and the Diffractive Gaze in Nathaniel Hawthorne’s “The Snow-Image” by Paulina Ambroży

“…In the article I discuss Nathaniel Hawthorne’s ecological imagination as problematized in his lesser-known short story “The Snow-Image: A Childish Miracle” (1849). …”
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Le faune et la sirène : la situation de Cuvier dans l’économie de The Marble Faun, de Nathaniel Hawthorne by Antoine Traisnel

“…Nathaniel Hawthorne’s The Marble Faun ends with one character’s polite refusal to satisfy the narrator’s curiosity concerning young Donatello’s possible animality. …”
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[In]toxic[ating] Bodies: Spirits and Spectral Biopolitics in The House of the Seven Gables by Emelia Abbé Robertson

Subjects: “…Nathaniel Hawthorne…”
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Breaking the Spell of Past Misdeeds: A Hauntological Reading of The House of the Seven Gables by Justyna Fruzińska

Subjects: “…Nathaniel Hawthorne…”
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Were It a New-Made World: Hawthorne, Melville and the Unmasking of America by Michael Broek

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“Great Flood-Gates of the Wonder World”: Baptisms of Water and Fire in Melville and Hawthorne by Ariel Clark Silver

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Taming the Sculptress: Roman Beauty and Marble Love in Alcott’s Art Tales by Daniela Daniele

Subjects: “…Nathaniel Hawthorne…”
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The School of Hawthorne: New England Women Writers after the Civil War by Marek Wilczyński

“…Wilkins Freeman, Alice Brown, Rose Terry Cooke, Annie Trumbull Slosson, and Sarah Orne Jewett, known as post-bellum regional realists, were actually continuing certain elements of Nathaniel Hawthorne’s poetics of fiction. Describing in their short stories and novels New England’s demographic, economic, and cultural decadence, they often used allegory and introduced fantastic elements, which arguably allows to read their works in a way proposed by Walter Benjamin in The Origin of German Tragic Drama.…”
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Where heroes have to tread: spatialization in american fiction by Salwa Karoui-Elounelli

“…A travers une analyse de l’articulation d’une vision de l’expérience américaine, en particulier de l’écriture elle-même dans The Scarlet Letter de Nathaniel Hawthorne, nous avons essayé, dans un premier temps, de circonscrire la manière dont l’imagerie spatiale ainsi que la représentation de l’espace traduisent l’expérience éthique et esthétique de la conquête de la Frontière, tout en annonçant la saturation à venir de l’idée de Frontière. …”
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