Exploring the Comprehensibility of Ten Different Musical Notation Systems and Underlying Factors by Siyao Cheng, Andrew J. Milne, Roger T. Dean, José Hanham, Jennifer MacRitchie

“…Numerous systems of musical notation have been developed to address some of the complexities associated with conventional Staff notation, such as translating it into physical movements and memorizing the meaning of its symbols. …”
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Parameterizing Method of Music Notation for Motion Timing and Control in a Piano-Playing Robot by Hyojae Kang, Yongjae Lee, Daehee Han, Seongtaek Im, Dongil Park, Kangsan Lee, Min-Sung Kang

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INNOVATIVE SOUND EFFECTS AND ELEMENTS OF MUSIC NOTATION IN GEORGE CRUMB’S “BLACK ANGELS” FOR ELECTRIC STRING QUARTET by Tudor FERARU

“… The article discusses the revolutionary compositional ideas and the extremely innovative music notation elements employed by George Crumb in his unique string quartet. …”
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Jazz Between the Lines: Sound Notation, Dances, and Stereotypes in Hergé’s Early Tintin Comics by Lukas Etter

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Partituren zum Lesen und Schauen . Bildlichkeit als Merkmal graphischer Notation by Gesa Finke

“…Graphic notation stresses the visual qualities of musical notation, i.e. the image as an item to be deciphered. …”
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Technology-Enhanced Thinking Scaffolding in Musical Education by Marius Banut, Ion Albulescu

“…The study results describe the acquisition of knowledge, in terms of recognition of musical notation elements, achieved under the influence of cognitive capacities scaffolded by digital technologies. …”
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THE MUSICAL SCORE: FROM PAPER TO THE ELECTRONIC MEDIUM by Ciprian Gabriel POP

“…It touches upon a series of aspects of the development of musical notation support in consistency with technological evolution. …”
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Wilde’s French Salomé by Emily Eells

“…He uses the French language as if it were a system of signs divorced from their semantic meaning, creating as pure a musical notation as verbal language can allow. A study of the manuscript versions of his play reveals his limited knowledge of French, though this paper interprets the mistakes as key to his poetic achievement. …”
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Letters and Musical Sketches. Toward a Proper Integration of Bellini’s Writings. by Laura Mazzagufo, Pietro Sichera, Daria Spampinato, Angelo Mario Del Grosso

“…An experimental approach using the Music Encoding Initiative (MEI) vocabulary was adopted for these sketches: this encoding process required custom solutions to address the texts’ unique features, such as authorial interventions, the sketches’ embryonic nature, the copresence of musical notation and textual annotations, and the interrelations of different studies. …”
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Guido d’Arezzo e il dirozzamento degli «stupidi cantori» by Cesarino Ruini

“…The development and flourishing of European art music was made possible above all by the “invention” of musical notation. This invention, in turn, served a political-cultural purpose: to ensure the standardisation of the liturgical chant of the Latin Church (the so-called Gregorian chant) throughout the territory of the Carolingian Empire. …”
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›Lead Sheet‹-Notation vom Vaudeville bis zum iReal Pro. Zur Geschichte der Notationsformen des Jazz und ihren musiktheoretischen Implikationen by Philipp Teriete

“…The lead sheet has been one of the most important forms of musical notation in the twentieth and twenty-first centuries. …”
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Zwischen Sprechen und Singen. ›Performative Formgebung‹ in den Chansons von Edmund Nick und Erich Kästner aus der Münchner Schaubude by Daniel Ernst

“…The performances themselves mediate a differentiated view of the written code of musical notation.…”
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Piano Works by Dora Pejačević – A Personal Perspective of an Interpreter by Kyra Steckeweh

“…The article highlights Pejačević’s precision in musical notation and her ability to clearly communicate her musical ideas. …”
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Music literacy shapes the specialization of a right hemispheric word reading area by Alice Mado Proverbio, Elham Sanoubari

“…Specifically, we investigated whether the ability to read complex musical notation might be linked to neurofunctional adaptations that could influence word reading mechanisms. …”
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PipaSet and TEAS: A Multimodal Dataset and Annotation Platform for Automatic Music Transcription and Expressive Analysis Dedicated to Chinese Traditional Plucked String Instrument... by Yuancheng Wang, Yuyang Jing, Wei Wei, Dorian Cazau, Olivier Adam, Qiao Wang

“…Our work aims to systematically clarify a complete creation procedure of a pipa solo dataset with audio, musical notation and multiview video modalities. The use of 4-track string vibration signals captured by optical sensors paves a path to the high quality annotations. …”
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EVALUATION OF AN INDUCTIVE STRATEGY OF TEACHING MUSIC AND PROGRAMMING TO PRIMARY SCHOOL STUDENTS by Marius Bănuț, Ion Albulescu

“…In this framework, the students assimilated notions of music notation and formed concepts specific to music education starting from practical exercise, generating sounds electronically using programming languages and the Sonic Pi application, improvising melodies to learn through discovery the variability of sound parameters and reproducing songs from the children's universe, starting from their musical sheets and solving problems of fitting the qualities of sounds into a series of musical notation elements, based on the audio feedback obtained. …”
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Udmurdi hällilaul: veel kord esmaallika probleemist by Irina Nurieva

“…The music was considered folk or attributed to Vereshchagin. The first musical notation of the lullaby with Vereshchagin’s lyrics was published in 1925, in a collection of Udmurt songs by Mikhail Romanov, who was a teacher at the Glazov Pedagogical Technical School. …”
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»Das Geschriebene darf nicht ernst genommen werden – das Geschriebene muß todernst genommen werden«. Zur Notation und Interpretation musikalischer Gesten im Schaffen György Kurtágs... by Tobias Bleek

“…The study focusses on the development of Kurtág’s musical notation, from traditional notation in his String Quartet op. 1 (1959), to an approximate durational notation in the Acht Duos for violin and cimbalom op. 4 (1960/61), up to his expansion of notation in the piano cycle Játékok (1973ff.). …”
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Notation publications in the context of musical life in Lithuania in the XVI-XVII centuries by Jūratė Trilupaitienė

“… In the 16th and 17th centuries, musical notation was only a modest part of the published output in Lithuania. …”
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The library of the genius: The manuscript collection of Rasmus Christian Rask by Silvia Hufnagel

“…Three of them are discussed in greater detail in this article: Rask 16 (nineteenth century) contains the lexicon of Jón Ólafsson from Svefneyjar with Rask’s notes, Rask 32 (eighteenth century) containing Old Norse-Icelandic romances, and Rask 98 (seventeenth century) containing 223 Icelandic songs with musical notations.…”
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