The End of The Road by Sean Hermanson

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En la frontera de Cormac McCarthy by Galo Cevallos

Subjects: “…McCarthy…”
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On Being Between: Apocalypse, Adaptation, McCarthy by Stacey Peebles

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Affect and Gender in Cormac McCarthy’s Outer Dark by Julia Tulloh Harper

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„Na nabrzeżach” Elii Kazana w meandrach historii kina by Marcin Pieńkowski

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Christ-Haunted: Theology on The Road by Christina Bieber Lake

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The Dialectics of Mobility: Capitalism and Apocalypse in Cormac McCarthy’s The Road by Simon Schleusener

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Cormac McCarthy´s The Stonemason and the Ethic of Craftsmanship by Federico Bellini

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“Some Unholy Alloy”: Neoliberalism, Digital Modernity, and the Mechanics of Globalized Capital in Cormac McCarthy’s The Counselor by David Deacon

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Cannibalism and Other Transgressions of the Human in The Road by Andrew Estes

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« A single gray flake, like the last host of christendom » : The Road ou l’apocalypse selon St McCarthy by Yves Davo

Subjects: “…Cormac McCArthy…”
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“But lo the thing’s inside and can you guess his shape?”: the semiotic elaboration of Cormac McCarthy’s autotextual creature in his early novels and No Country for Old Men by Yvonne-Marie Rogez

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Cormac McCarthy’s Aesthet(h)ics of the “Canal-Rhizome” in Suttree by Marie-Agnès Gay

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Cormac McCarthy and the Genre Turn in Contemporary Literary Fiction by James Dorson

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Entre humour noir et réflexivité : écouter la voix de Moss dans No Country for Old Men by Françoise Sammarcelli

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« Shots in mirrors » : Les jeux de miroir dans No Country For Old Men (Coen 2007) by Julie Assouly

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Rugged Resonances: From Music in McCarthy to McCarthian Music by Julius Greve, Markus Wierschem

Subjects: “…Cormac McCarthy…”
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« Ever step you take is forever » : fin de l’héroïsme et vacuité spirituelle dans No Country for Old Men by Martin Berny

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The Wandering Character in the Coen Brothers’ Films: When the Southern Gothic Meets the Western by Julie Assouly

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“The man who wasn’t there”—and was “out there”: Chigurh as cinematic figure by Nicole Cloarec

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