Presence and Absence in Margaret Atwood’s Dearly by Pilar Sánchez-Calle

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Love and Anxiety in the Early Postmodern World of Margaret Atwood’s Dancing Girls by Jennifer MURRAY

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A Shared Passion for Nonsense: Laura E. Richards and Margaret Atwood by Michaela Keck

“…This article opens up a transnational and transhistorical dialogue between the two North American women authors Laura E. Richards and Margaret Atwood regarding their shared passion for literary nonsense. …”
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Post-humanist food pedagogy in Margaret Atwood’s speculative fiction: The MaddAddam Trilogy by T. P. Anupama, Diana L. Anderleen

“…The multifaceted relationship between pedagogy, food and the human condition within Margaret Atwood’s MaddAddam trilogy, delving into themes of consumption, identity, and ethics from a post-humanist perspective provides rationale to this research paper. …”
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“¡Estás rechazando tu feminidad!”: La mujer comestible de Margaret Atwood y la relación femenina con la comida by Sofía Duarte

Subjects: “…Margaret Atwood…”
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Survivre, renverser, réparer : personnages féminins et animaux à la fin de l’Androcène by Jodie Lou Bessonnet

“…., 2021), this study analyses three contemporary fictions shifting towards female and animal characters : MaddAddam by Margaret Atwood (2004, 2010, 2013), Sirene by Laura Pugno (2007) and Les Métamorphoses by Camille Brunel (2020). …”
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Science-fiction féministe, des œuvres aux fans by Hélène Breda

“…Le Guin, Marion Zimmer Bradley and Margaret Atwood, I develop the hypothesis that such productions (fanfictions, fanarts, varions items) are both female empowerment and feminist activism tools.…”
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From Villainess to Gilead’s Nemesis: The (Un)easy Rehabilitation of Aunt Lydia by Ewelina Feldman-Kołodziejuk

“…The article takes under scrutiny the evolution of the key antagonist from Margaret Atwood’s The Handmaid’s Tale, namely, Aunt Lydia. …”
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“As Canadian as possible under the circumstances": how girls grow up canadian in Margaret Awood’s The Robber Bride by Ellen McCarthy

“…Cet article explore comment Margaret Atwood, dans La Voleuse d’hommes (The Robber Bride, 1993), élargit l’éventail des possibilités existantes pour concevoir l’identité nationale anglo-canadienne. …”
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A canadian response to the iconography of war propaganda in the British Empire: Nellie McClung’s Politeia Pax Feminina by Karin Ikas

“…Comme l’écrivait récemment Margaret Atwood dans Story of a Nation (2001), l’éthique canadienne de considération pour autrui fait aujourd’hui partie de l’identité nationale autant que le respect de la diversité et du multiculturalisme. …”
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