Italian cultural policy: conclusions for Russia by M. S. Andreykina, D. L. Morozova

“…The main similarities between Russian and Italian cultural policies have been described. These are the drive to expand the boundaries and activities associated with the cultural sector, the significant burden on local and regional authorities in the field of cultural heritage preservation, the “quantitative approach” and the application of financial performance indicators to assess cultural organisations performance.The article’s scientific novelty lies in the complex approach to the study of Italian cultural policy using the criteria proposed by D. …”
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La recepción de la cultura italiana en La Ilustración Española y Americana by Assunta Polizzi

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Art and art history in cultural publishing of the second half of the 20th century by Irene Piazzoni

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Heritage for a sustainable future – The theoretical principle of reversibility and its reflections on architecture by Roberta Fonti

“… The theme of reversibility in architecture focuses on the addition of the new to the existing and how this ‘input’ can be made reversible to preserve the pre-existing ideas budding in the Italian culture of Restoration and promoting new ideas in architectural design and the sustainable reuse of building materials, according to the different seasons of Kunstwollen. …”
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Интерсемиотические отношения в переводе культурного иного (на примере фильма „Ностальгия” Андрея Тарковского)... by Maria Mocarz-Kleindienst

“…It is activated in his contact with another culture, in this case with Italian culture. This paper attempts to provide an analysis of the mechanisms used by the director to make a projection of this emotional state and to portray it in the film. …”
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Italian Literary Representations of China by Iside Carbone

“…The texts presented reveal an interplay between cultural identities: while guiding and inspiring people’s imagery of Chinese territories, inhabitants and culture, they reflect and define Italian cultural traits. Keywords: China, Italy, Self, Other, perception and representation, experience, literature …”
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Semantic Web, ontologies and GIS for the cultural routes by Annarita Orsini, Alessio Innocenti

“…Thanks to this opportunity, the DG-Tourism could list all the Italian cultural routes and elaborate then some projects about digitalization in tourism. …”
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La performance virtuale del sé nelle arti digitali dal vivo. Prospettive millennials fra Italia e Corea by Federica Patti

“…Starting from two case studies, and following a research perspective that can be placed in the field of digital live art disciplines, this article presents and analyses productions in dialogue with each other, to outline a general international – and internet-based – contemporary trend that brings together the artistic languages of Korean and Italian cultural origins, especially among the millennial generation. …”
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Relații literare româno-italiene în perioada 1859–1964, în presa românească a epocii by Cristina Deutsch

“…The attempt to follow the way of establishing a link between the Romanian and the Italian cultural space, using as a vehicle the series of the Bibliography of Relations between Romanian literature and Foreign Literatures in the News Media is proposed not only as a simple statistic of literary facts reflected in newspapers and magazines, but also as a beginning for new potential research. …”
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L’anomalia Verdi, ovvero la resa del professore: il pensiero di Cesare Lombroso sulla musica by Pierangelo Gentile

“…Lombroso, who considered himself ignorant in matters of music, thus introduces new, previously neglected elements by “technicians” (according to Lombroso’s expression), which allow for a new interpretation of a crucial part of nineteenth-century Italian cultural scenery.…”
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Women’s presence in contemporary Italy’s environmental movements, with a case study on the Mamme No Inceneritore committee by Rachele Ledda

“…It was during the Epoca Liberale that the first associations for the protection of the environment and of the Italian cultural heritage appear, an era in which women were excluded from most public activities. …”
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