V. Van Saaze, Installation Art and the Museum, Presentation and Conservation of Changing Artworks, by Manon D'haenens

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Pyramide de Joël Hubaut, restauration d’une œuvre mixte by Aurélie Martin

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Faouzi Laatiris : fugues chimériques dans la mondialisation by Morad Montazami

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La traversée médiatique du simple soldat. À partir de l’œuvre de Bertrand Carrière by Johanne Villeneuve

“…This article deals with the intermediality of the soldier’s experience of war in Normandy, particularly through artistic and non-artistic forms of transmission: from the private gesture of writing embodied in a book, or a Website, to installation art and photography. The starting point for our study is Bertrand Carrière’s installations Jubilee and Caux, both devoted to the death of 1,400 men on the beaches of Dieppe in 1942. …”
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Les installations immersives muséalisées : un défi muséographique. Connaître l’expérience des visiteurs pour adapter l’accompagnement muséal. by Elizabeth Desbans

“…Case study: the Musée National d’Art Moderne et Contemporain, Centre Georges-Pompidou. Installation art emerged in a climate of protest against the institution of the museum in the 1950s and 1960s. …”
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The Value of Rubbish in Francophone Chinese Art Installations by Rosalind Silvester

“…This article investigates the presentation and function of rubbish in transcultural installation art and rethinks the aesthetic value of waste in the broad context of two contemporary theories of cultural production – the anthropology of waste and the cultural history of waste. …”
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