Venue Stories: Narratives, Memories, and Histories from Britain’s Independent Music Spaces (Fraser Mann, Robert Edgar and Helen Pleasance. eds) by Max Gibson

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CONCERT MUSIC VERSUS THE MUSIC OF THE SOUND FILMS by Aaron FAZAKAS

“… Concert (independent) music, mostly classical, has largely and decisively influenced the emergence and development of cinematography, but, just like all the other independent arts, mostly remodelled to fit the requirements imposed by the sound film, independent music has also undergone major changes which influenced its structure, form and independence, but which became part of a superior synthetic structure from a psychological, artistic and expressive points of view. …”
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Apropriações tecnológicas em segmentos musicais periféricos: o caso do rock independente de Teresina by Thiago Meneses Alves

“…The general goal of this article is to analyze the implications of recent changes in the music culture for the independent musical contexts based far from the main political, economic, and media centers, from a research about the independent rock in Teresina, capital of the Brazilian state of Piauí. …”
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Música y programa de danza creativa como herramienta expresión de emociones (Music and creative dancing programme as a tool to transmit emotions) by Belén de Rueda Villén, Carlos Eloy López Aragón

“…A motor intervention (PIM) program design, using as variable independent musical patterns and dance sequences, is to note the impact physical activity vs. expressive, and sound patterns is on emotional variables, and the importance of identifying, regulating, control and facilitate your own emotional state, enabling the adaptation and emotional understanding at group level. …”
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