Le Henri VIII de Saint-Saëns : entre affirmation idéologique et liberté théâtrale by Thierry Santurenne

“…A late example of French grand opera, Saint-Saëns’ Henri VIII (1883), a setting of the libretto by Léonce Détroyat and Armand Silvestre draws from Shakespeare’s and Fletcher’s Henry VIII as well as Calderón de la Bark’s La Cisma de Inglaterra. …”
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Tout est faux. Henry VIII de Shakespeare et Fletcher ou comment on falsifie l’histoire by Anne Teulade

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“Lived religion” in Henry's Reformation: the evidence from mass books by Aude DE MÉZERAC-ZANETTI

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Representing succession: Tudor royal portraits, 1544–1546: context, production and analysis by Susan E. James

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The End of History? by Jean-Marc Chadelat

“…Yet the apocalypse proclaimed by the archbishop of Canterbury in Henry VIII depends on a secular teleology of time highlighting its problematic ambivalence. …”
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Wkład Tomasza Cranmera w rozwój angielskiej reformacji by Wojciech Medwid

“…He was very involved in matter the annulment of the marriage of Henry VIII. Over the years, he was climbing the ladder of increasing positions and dignity. …”
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The influence of Christianity on Graeco-Roman medicine up to the Renaissance by Francois P. Retief, Louise Cilliers

“…But after the Reformation and Henry VIII of England’s break with the Vatican, the hegemony of the Church had come apart and Christianity and medicine gradually became realigned according to the realities of the Age of Enlightenment. …”
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Automatic Recognition of Authors Identity in Persian based on Systemic Functional Grammar by Fatemeh Soltanzadeh, Azadeh Mirzaei, Mohammad Bahrani, Shahram Modarres Khiabani

“…The first significant attempt to identify writing styles was Mendenhall's study of Shakespeare's plays (1887). The play Henry VIII is widely recognized as a collaborative work, not solely authored by William Shakespeare. …”
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