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  1. 1741

    “Voice of anarchy”: Gender aspects of aggressive metal vocals. The example of Angela Gossow (Arch Enemy) by Florian Heesch

    Published 2019-02-01
    “…This practice, throughout the history of the genre, has been heavily gendered; while practiced both by men and women since the early 1990s it has nevertheless been associated with masculinity, due to its perceived aggressive sound, as well as corresponding notions of perceived low pitch and noise. …”
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  2. 1742

    Persuasive strategies in competitive debates: A corpus rhetoric approach by Marcin Będkowski, Kinga Rogowska

    Published 2024-12-01
    “…The case study depicts the dynamics of the selected debate; moreover, it illustrates the methodological value of linking macro and micro perspectives in the study of competitive debates as a rhetorical genre and educational activity.   …”
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  3. 1743

    A Critique of Exaggerated Libertinism in Thomas Shadwell’s The Libertine by Şafak Horzum

    Published 2023-10-01
    “…Secondly, it will set out to explore the play’s position in terms of its exemplary nature in the genre of comedy of manners. Last but not least, libertinism and its characteristics will be analysed through their illustration in the play by means of male characters, particularly Don John, the protagonist. …”
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  4. 1744

    Of Women, Wine and Salt: Revisioning the Home in Harriet Prescott Spofford’s Detective Fiction by Stéphanie Durrans

    Published 2019-11-01
    “…Although Harriet Prescott Spofford appears to have given up the genre of detective fiction in the late 1860s, she actually used it as the foundation for works in which suspense, sudden revelations and unexpected final twists serve her investigation of various social ills, especially those affecting the place and condition of women in the society of her times. …”
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  5. 1745

    Bevorworten, Befürworten. Postkoloniale Solidarität in Paratexten von Jean-Paul Sartre und Amilcar Cabral by Lisa Brunke, Christian Wimplinger

    Published 2025-02-01
    “…Ähnlich funktioniert das literarische Genre des allographen Vorworts, das nicht von den Autor*innen eines Textes selbst verfasst wird, sondern von Dritten, die durch ihre Empfehlung für den Text einstehen. …”
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  6. 1746

    After great pain a formal feeling comes. Quelques notes sur la formalisation lyrique du trauma by Antoine Cazé

    Published 2015-10-01
    “…In this article, I first analyze the primordial link between lyric poetry and trauma, existing from the Greek origins of the genre. Far from merely giving voice to a unified subject, the lyric poem relies on a foundational disjunction in its mode of address, which I propose to see as a figural trace of a wound. …”
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  7. 1747

    « Little grunts, the grins and grimaces of recognition »: Resistance and Exchange in Paul Muldoon and Norman MacBeath’s Plan B by Alexandra Tauvry

    Published 2014-06-01
    “…This work presents us with a new genre: photoetry. In fact, in a foreword to the book, Muldoon explains that the poems and photographs are “making all sorts of connections of their own, none right-in-your-face […] yet all somehow revelatory, all accompanied by little grunts, the grins and grimaces of recognition.” …”
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  8. 1748

    Comment « construire » une littérature nationale ? À propos des deux premières « Revue belge » (1830 et 1835-1843) by Lieven D’hulst

    Published 2008-10-01
    “…More specifically, it concentrates on the most important discursive procedures, that make a dominant use of French models: procedures affecting enunciation, genre and language.…”
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  9. 1749

    Cântecul lui Ioasaf şi verşul Sfântului Alexie, omul lui Dumnezeu. O abordare literară by Cristina-Ioana Dima

    Published 2013-12-01
    “…Hereby, the poem is included in the hymnographic genre.…”
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  10. 1750

    « La fille de la pêcheuse » dans le réseau des essais féministes de Le Guin by Irène Langlet

    Published 2019-06-01
    “…The Woolfian heritage leads to a re-reading of the novel The Left Hand of Darkness as marked by an "ambiguous feminism", and to reconsider the feminist inscription in the light of the feminine one, whose articulation with the literature of genre has much more complexity than some simplifying speech claims. …”
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  11. 1751

    School of French by M. K. Ogorodov

    Published 2014-10-01
    “…At the Department of French № 1 was successfully completed the task of developing a set of textbooks for the initial stage of training French language and created books that have become "classics of the genre".…”
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  12. 1752

    “Challenging Borders: Susanna Kaysen’s Girl, Interrupted as a Subversive Disability Memoir” by Pascale Antolin

    Published 2020-06-01
    “…Thereby, Kaysen questions not only her own diagnosis and preconceived ideas about madness—women’s madness in particular—and mental patients, but she also challenges her recovery and the conventional genre of the disability memoir.…”
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  13. 1753

    « Je ne suis pas homme de lettres ni littérateur de profession » : la question de l’auteur.e dans les autobiographies de courtisanes du XIXe siècle by Lola Gonzalez-Quijano

    Published 2018-12-01
    “…Based on a collection of autobiographies by courtesans, this article shows how this literary sub-genre, by its necessary collaboration between these women and men of letters, blurs the boundaries between masculine and feminine writing, autobiography and novel, literature and advertising. …”
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  14. 1754

    Autoři výročních zpráv jezuitské koleje v Telči v 17. století by Michaela Marešová, Štěpán Valecký

    Published 2020-12-01
    “… The paper focuses on the annual reports (literae annuae) as a specific genre of Jesuit writing in an attempt to better understand the process of their creation. …”
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  15. 1755

    Représenter volailles et volaillères dans la peinture italienne du Cinquecento by Valérie Boudier

    Published 2017-12-01
    “…They seem to embody the modalities of the viewer's gaze in the pictorial organization of genre scenes by these two North Italian artists of the Sixteenth Century.…”
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  16. 1756

    Fausse extase et vrai fou : l'artifice revendiqué dans quelques poèmes de John Donne by Guillaume Fourcade

    Published 2009-12-01
    “…By self-consciously sapping their quest for unity and by substituting instead the fragmentation of meaning and genre, these texts stage themselves as lies and thus point out their artificial quality.…”
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  17. 1757

    « Nothing can retain the spirit, and why should we preserve the shadow of the form ? » : imitation et recréation dans A Laodicean, la perpétuation de la tradition générique en ques... by Peggy Blin-Cordon

    Published 2007-03-01
    “…As soon as 1881, Hardy in A Laodicean broaches the question of originality through the use of genres: is it possible for a novelist to write an original novel belonging to traditional literary genres (the « Gothic », « Romance », the « Sensation Novel »), haunted by other famous works and authors as it may be ? …”
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  18. 1758

    Clause complexing in research-article abstracts: Comparing human- and AI-generated texts by Leong Alvin Ping

    Published 2023-12-01
    “…Incorporating distinct grammatical features in the algorithms of AI-detection tools is crucially needed to enhance the reliability of their results. A genre-based approach to detecting AI-generated content is recommended.…”
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  19. 1759

    Langage et pouvoir : effets du positionnement des idéologies étatiques dans la publicité cosmétique en Iran. Analyse discursive de la représentation de la femme dans les publicités... by Banafsheh Karamifar

    Published 2015-10-01
    “…Based on samples of cosmetic advertisements printed during the last years of the first period and those of the second period, the study attempts to illustrate the fluctuation in linguistic strategies used in this genre for representing the Iranian women, who were forced to follow the governmental policies of their time. …”
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  20. 1760

    Édition et nicodémisme dans l’Italie du xvie siècle by Dominique Fratani

    Published 2020-06-01
    “…The Waldensians, the « Spirituels », plus Evangelists and Catholic Reformers could make their views known through the emergence of epistolary compilations. This new genre rapidly took root, as it allowed the publication of ideas close to those of openly heterodox movements. …”
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