Jacques Gilard y el narcocorrido colombiano by Carlos Valbuena

“…Cette perspective diachronique lui a permis de souligner les caractéristiques propres à ce genre et de mettre en évidence la charge d'actualité du matériel qu’il analysait, dans un cadre qui reste pleinement valable pour étudier la narcocorrido actuel.…”
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Représentations du temps et de l’espace en science-fiction : du roman à l’écran by Orlane Glises de la Rivière

“…We will see that this notions are essential in the genre of science-fiction.…”
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Penerapan Artificial Intelligence pada Non Player Character Menggunakan Algoritma Collision Avoidance System dan Random Number Generator pada Game 2D "Balap Egrang" by Asep Saeful Milak, Eka Wahyu Hidayat, Aldy Putra Aldya

“…Game adalah salah satu media teknologi yang populer di kalangan masyarakat baik dari anak kecil maupun orang dewasa sebagai media hiburan. game itu sendiri memiliki banyak sekali genre atau jenisnya. Penelitian ini mengembangkan game dengan menerapkan Artificial Intelligence pada game racing. …”
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ANALISIS ELEMEN GAME DALAM TAMAGOTCHI PIX SEBAGAI IMPLEMENTASI HEWAN PELIHARAAN VIRTUAL by Kessy Situmorang

“…Salah satu mainan yang memiliki genre hewan peliharaan virtual adalah Tamagotchi. …”
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Pendekatan Model ADDIE dan Framework MDA pada Gamifikasi Edukasi Pendidikan Seks Anak Usia Dini by Cynthia Hayat, Stefani Cancerita

“…Sedangkan fokus elemen pada framework  MDA yang digunakan diantaranya elemen mechanics meliputi; genre,goal, platform, rating, level, dan concept art, elemen dynamic meliputi; storyline, game controls, challenge, dan game rules, sedangkan elemen aesthetics meliputi; sensation, narrative, dan submission. …”
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Pengembangan Animasi Keterampilan Berbicara Bahasa Inggris dengan Multimedia Development Life Cycle Godfrey by Nisa'ul Hafidhoh, Liya Umaroh, Sugiyanto Sugiyanto

“…Pengembangan animasi menggunakan metode Multimedia Development Life Cycle Godfrey yang terdiri dari tahap problem definition, genre and character, location and interface, plotting, scripting, production and testing serta use. …”
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La critique d’expression française et la traduction de la poésie by Tania Collani

“…As a metaphorical and emotional genre, poetry imposes a number of constraints on its translators: an edition with the original text, a translator who is a poet or who is sensitive to poetry, and a reflection on literature and language (rhythm, metrics, versification, rhyme, verse). …”
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How Tourism Imaginary has been Updated in the New Spanish Sun-and-Beach Comedy: Fin de curso, Atasco en la nacional and Benidorm, mon amour by Salvador Martínez Puche, Antonio Martínez Puche

“…Its narrative and expressive codes can still be found in films that fall into the españolada supra-genre and use some of those clichés—now recycled and updated—in their form and content. …”
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Art et histoire : l’excès dans Demos de George Gissing by Christine Huguet

“…The artist in quest for adequate modes of representation of excess not infrequently turns his hand to the historical novel, a genre overtly legitimising the imagination. But he cannot overlook the fact that addressing a specific past and calling upon collective memory also render his task as an illusionist far more complicated. …”
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'n Eksegeties-teologiese interpretasie van Habakuk 3 by S. D. Snyman

“…After a preliminary translation serving as a working translation to clear obscurities in the Afrikaans version of  Habakkuk 3, attention is paid to the demarcation of the unit, text critical matters, a structural analysis of the text (revealing an inclusio), genre (mixture of Gattungen), setting in life, tradition material (Sinai, Exodus, Conquest and Creation) and redactional issues. …”
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AN ORIGINAL COPY: THE FILM ADAPTATION OF KAZUO ISHIGURO’S NEVER LET ME GO / ORJİNAL BİR KOPYA: KAZUO ISHIGURO’NUN NEVER LET ME GO ROMANININ FİLM UYARLAMASI by Hatice YURTTAŞ

“…Discussing the novel’s deconstructive strategies through which the categories of the human, authenticity and copy are unsettled, it is suggested that Ishiguro’s text distinguishes itself from science fiction genre where these categories are affirmed by relocating them in a hierarchical relationship. …”
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Sublime Gaps by Antoine Dechêne

“…In the “The Man of the Crowd” (1840), the father of the genre, Edgar Allan Poe, already introduced mysteries that “[did] not permit [themselves] to be read.” …”
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Wilde’s French Salomé by Emily Eells

“…Wilde’s play is untranslatable: both the illustrator Aubrey Beardsley and the composer Richard Strauss recognized the quintessential French quality of the script, and respected it in their creative translations into another artistic genre.…”
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Camille Laurens, Marie Darrieussecq : du « plagiat psychique » à la mise en questions de la démarche autobiographique by Anne Strasser

“…The study of the arguments given by each party shows that there are several things to question: it is about the genre, the subject and the enunciation. It is a very contemporary quarrel since it shows how blurred genres are, how moralizing literature has become and how suffering has been made sacred in a certain way.…”
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Ending(s), Seriality And Interdiscursivity by Elsa Lorphelin Blaise

“…Thus dismissing the hermetical qualities of the short-story, the collection becomes the place where voices interact, just as it destabilises one of the essential markers of the genre: the strength of the dénouement, and the notion of closure that follows from it.…”
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L’art du portrait du traducteur dans l’espace francographe : deux recueils et une histoire des traductions by Marzena Chrobak

“…The author studies the art of composing a translator’s portrait, a genre present in the francophone area since 1963 (E. …”
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BREVILOQUENZA COMPONISTICA - ROBERT SCHUMANN AND FRAUENLIEBE UND LEBEN (PART V) by Claudia POP

“…Driven by the success in singing these lieder by Robert Schumann I decided to behave like a true pedagogue and delimit into the entire study (which contains eight parts), three very important things necessary to approach this genre: • to present the poetic content that harmoniously combines the poetry with the precise notes entered; • to develop sensitivity, understanding of the poetic text; • to introduce some voice technical means necessary to approach these lieder. …”
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The Lukan periplus of Paul's third journey with a textual conundrum in Acts 20:15 by M. Wilson

“… This article discusses a pericope in Acts 20:6–21:8 recounting the sea portion of Paul’s third journey. Its genre resembles the periplus, and generic features are discussed as well as parallels with other periploi. …”
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« Tu n’as rien vu à Constantinople » : Thackeray au pays des harems by Laurent Bury

“…Pictures play a central part in the book, hinting at the impossible immediacy of travel writing, a genre in which the traveller’s testimony is inevitably filtered by all kinds of obstacles, as opposed to the Victorian ideal of a direct transcription of reality.…”
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Enjeux idéologiques et littéraires de la science-fiction en Corée du Nord depuis 1945 by Benoît Berthelier

“…Cependant, considérer les textes de science‐fiction comme de simples instruments de propagande ne permet pas de rendre compte des manières diverses et complexes dont ils procèdent pour tenter de concilier le monologisme du politique avec l’altérité constitutive du genre.…”
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