El cuerpo otro y los monstruos. Imaginarios del miedo y la exclusión by Alicia Montes

“…The following article analyzes how collective fears are materialized and projected in contemporary culture, through the analysis of the ideological function that achieves the zombie genre, born in the 60s in the United States, and in which way contemporary Argentinean literature recycles the stories about the living-dead, the binarisms that manifest in zombie fictions, and the implicit race war in its epic. …”
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Krambambuli ou l’adaptation d’un classique de la littérature et du cinéma by Aurélie Le Née

“…The Mitterer/Schwarzenberger film renews this tradition, opting for a clear reference to the Western genre, while going beyond it by giving an important place to the female characters, who are generally in the background in this type of film and very secondary in Ebner-Eschenbach’s story.…”
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Un texte et sa continuation : une hypothèse à l’épreuve de quelques expériences stylistiques by Christine Ferlampin-Acher

“…After ruling out the hypothesis that this internal narrative polysyndeton is a genre style, it is shown that this characteristic is clearly marked in the first part, which is thus stylistically distinguished from the second part. …”
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Zwodnicza szczerość(?) Jana Jakuba Rousseau czyli narracja jako kreacja i doświadczanie świata by Małgorzata Dagiel

“…Each type of narration is, at the same time, a story and a creation, constructing the world portrayed on the experience of the speaker, taking into account the addressee, requirements of the genre selected and a set of ready-made schemas. The article analyses selected autobiographical works by J.J. …”
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Memory, Metatextuality and the Music of War by Devin Harner

“…Cette œuvre, qui traite des mêmes thèmes que ceux des reportages sur la guerre du Vietnam rédigés par Michael Herr pour le magazine Esquire (plus tard recueillis dans Dispatches), explore les limites du genre et montre les difficultés de présenter la guerre de façon conventionnelle. …”
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REPERTOIRE OF CINEMAS AND AUDIENCE PREFERENCES IN THE ERA OF "STAGNATION" by M. Kosinova

“…By studying such aspects as genre and thematic range, the plots, the characters, etc., the author tries to reveal the relationship between changes taking place in society at the time, and cinema as a repeater these changes. …”
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Entre Rideau de Fer et Dégel : panorama des opéras soviétiques 1945-1970 by Tetiana Zolozova-Le Menestrel

“…Opera was reborn during the brief Thaw of the early Khrushchev years as works that had been forbidden or forgotten were staged anew and musical languages that had been banned were adopted and adapted. A new genre was then born, mono-opera, which set out to depict the intense inner life of its characters.…”
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Heart to Heart: The Power of Lyrical Bonding in Romantic Nationalism by Joep Leerssen

“… In nineteenth-century nation-building, the textual genres investigated by researchers are usually long-distance, mediated ones, such as journalism and the novel. …”
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Flaubert et le récit autobiographique : Les Mémoires d’un fou by Claudine Gothot-Mersch

“…Cet article se propose d’explorer ce texte en détail, en cherchant à faire la part du réel et de la fiction, et en montrant chez le jeune auteur les ambiguïtés d’une démarche qui, sous couvert d’autobiographie, se confronte plutôt aux codes d’un genre littéraire, dans une perspective d’expérimentation.…”
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La champeta también tiene cosas que decir: microrresistencias, empoderamiento, activismos by Lise Segas, Carlos Andrés Rodríguez Anaya

“…This article focuses on the musical and cultural phenomenon of champeta (Colombian Caribbean), with an emphasis on the discourses of the genre's songs. Long considered superficial and impoverished, in the image of a culture denigrated and perceived as denigrating, the champetúo discourse, however, conceals an underestimated linguistic richness and political significance. …”
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Keine Experimente ! by Ayaal Herdam

“…The rules of the « electoral slogans » genre, and specifically the need to present complex information in a striking manner, in few words, while also taking into account prosodic aspects and visual impact, mean that these small texts are particularly rich in verbless utterances. …”
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« Je la regarde et je danse » by Elena Nesti

“…How does her training—which reinforces shared cultural representations surrounding the genre, and models her posture on stage—favour the experiences of kinaesthetic empathy actively sought by fans? …”
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Le monde Gothique de Le Fanu : cryptonymes et mots étrangers by Christine Berthin

“…In Carmilla, German cryptonyms point to secret alternative messages that remain partly untranslatable and need to be read against the grain of the narrative. More than a genre, the Gothic is a poetic subversion of the Symbolic. …”
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American Minimalism: The Western Vernacular in Norman Mailer’s The Executioner’s Song. by Andrew Wilson

“…Mailer’s minimal presence in the narrative and the original capital punishment proceedings is established, with support from early reviews, debates surrounding the genre of The Executioner’s Song and interviews given by the author since its publication in 1979.…”
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Racial Violence at the Crossroads of West and South in Rosewood (John Singleton, 1997) by Claire Dutriaux

“…This article explores the interplay between South and West and examines how Rosewood borrows from the Western genre to explore and rewrite racial history in the American South. …”
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La Saga de Camelia la Texana. La mujer en el narco y en el narcocorrido by Salvador Bernabéu Albert

“…In the second one, we study the reflection of these activities in the narcocorridos, musical genre preferred by the narcos to praise their heroes and feats. …”
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« A thrust at truth and a lie » : The Crying of Lot 49 ou le langage en quête de vérité by Jean-Yves Pellegrin

“…The relation of The Crying ofLot 49 to the detective novel may not be a simple matter of borrowing some of the characteristic patterns and features of the genre. Indeed, like detective narratives, Pynchon’s novel seems to intimate that some heuristic power is at work in its text. …”
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Saving Private Ryan (Spielberg, 1998) as a Post-Vietnam War Film in Search of Moral Legibility by Mehdi Achouche

“…Yet the film still attempts to rescue the citizen-soldiers traditionally celebrated by the genre from that wilderness by relying on the codes of melodrama and the central figure of the good leader…”
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« Une splendide anomalie ? », le Pilgrim’s Progress de Ralph Vaughan Williams by Gilles Couderc

“…While the composer was conscious of the atypicality of his “operatic morality” it is indeed surprising to see an avowed agnostic composer spend forty years of his life on a work that dismisses the conventions of traditional opera and endeavours to portray mystical experience on stage and to renew with the sense of rite and ritual, part and parcel of the genre as Wagner’s subtitle for his Parsifal, “a sacred scenic festival”, reminds us.…”
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Le personnel est encore politique by Claude Chastagner

“…Corridos, a popular musical genre among Mexican and Mexican-American populations, are part of a realistic aesthetic that for a long time made them vectors of social protest and resistance. …”
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