Linguistique queer, sexualité et analyse du discours by William L. Leap

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Parler le Lubunca. Une ethnographie des pratiques langagières des travailleuses du sexe trans’ en Turquie by Gizem Bilal

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Quel est mon/ton/son pronom ? Invariabilité, autodétermination et le pronom iel by Daniel Elmiger

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Construire les hommes comme des victimes irresponsables by Étienne Lefort

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Nom d’un chien, nom d’humain ? Ces noms d’animaux qu’on utilise pour parler de nous by Daniel Elmiger

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Integration of academic and artistic work by Malene Hauxner

“…Both require research into existing knowledge, determination of theory and background and choice of analytical or artistic method as well as evaluation and conclusion. Both genres, the academic analysis and the artistic project, concern argumentation and documentation of an investigation, of a professional problem. …”
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Biography versus Fiction or the Value of Testimony in Jacobs’s and Stowe’s Narratives about Slavery by Anne Garrait-Bourrier

“…Cette étude comparée a pour projet de souligner les différences culturelles qui existent entre deux genres littéraires de la période antebellum : les récits d’esclaves et la fiction abolitionniste. …”
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Nicolas Garnier, Dynamiques du récit comique bref : le Roman de Renart et les fabliaux by Nicolas Garnier

“…While the common themes of these texts have often been described, no study has ever really analyzed the divergences that occurred in these themes, especially in the way they are used in two genres whose organization is very different, since we have a serial narrative on one hand, and independent stories on the other hand. …”
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DIE UNTERSUCHUNG DER WERTE RELIGIOSO UND „LUGUBRE“ IN DEN KLAVIERWERKEN „AUX CYPRÈS DE LA VILLA D’ESTE – THRÉNODIE I., II.” UND „SURSUM CORDA” VON FRANZ LISZT by Miklós FEKETE

“…Liszt finds for his new spiritual experiences new genres, one of which would be the funeral piece (such as the two threnodies of the cycle). …”
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Cinephemera Round Trip. Postcards for and by Anselmo Ballester by Stefania Babboni, Sara Martin

“…Comparing cine-postcards, preparatory sketches, and posters from the Ballester collection, spanning a period of fifty years, we will focus on how photographic postcards of national and international movie stars, represented the main models for the painter, aimed at creating an iconography consistent, and adaptable to multiple cinematographic genres. We aim to demonstrate how two ephemeral materials can be juxtaposed, becoming both a source and a model on which a new cinematographic paratext can be developed.…”
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The language Defamiliarization in the stories of Ale Ahmad (based on Modir Madreseh and Panj Dastan) by سمیّه صادقیان

“…A literary text is derived from “defamiliarization” techniques at different levels of form, meaning and even literary genres. Constructivists extended this topic and proposed the literary role as one of the linguistic roles, which is formed by “defamiliarization” in language. …”
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Critical and Analytical Look at the Form and Content of The Book Resistance Literature by Morteza Zare Beromi

“…The book “Resistance Literature” (1970) by Ghali Shokri is a critique of resistance in literary genres. The main subject of this book is about heroes in literary types. …”
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Transcultural transformation in cinema by Yu. V. Vorontsova

“…This creates a special definition of the musical and artistic genres, combining traces of a documentary style influencing the authenticity of the representations depicted, with a strong aesthetic impulse emphasising the organisational and artistic nature of these representations. …”
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Discours savants et virilistes de la recherche architecturale by Louis Vitalis

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VOGUE-rs by Lila Neutre

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Archives de la diplomatie linguistique : explorer les rôles des femmes pour réécrire l’histoire ? by Clémentine Rubio

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Les épicènes : une notion caméléonesque by Daniel Elmiger

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Devenir post-straight ? by Luc Schicharin

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Les féminins conjugaux en français, ou la langue fonctionnant sans entrave by Thomas Linard

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Circulation et traduction française des termes à l’international : le cas d’« intersectionnalité » by Rachele Raus

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