Katy Barasc. 2021. Passions polygraphes by Marie-Dominique Garnier

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« In the name of women’s »… mouvement en Iran. Objectifs, enjeux et difficultés de la traduction en action by Mahdis Sadeghipouya

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The Expression of Epistemicity in British Internet Discussion Forums in Contrast with Newspaper Opinion Articles and Political Speeches by Marta Carretero

“…The analysis uncovers significant differences in the expression of epistemicity in the three genres, in terms of both frequency and distribution across categories, the subcategory ‘cognitive attitude’ being a case in point. …”
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« Nurseries of Vice and Folly » : Satires graphiques de l’opéra italien en Angleterre dans la première moitié du XVIIIe siècle by Xavier Cervantes

“…They often targeted other imported dramatic genres or non-dramatic types of entertainment, such as pantomime and masquerades; these were connected to Italian opera because of their immorality and the threat they posed to patriotism and national ethics. …”
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Brief history of distance education in Cuba and the world by Raúl López Fernández, Míriam Gutiérrez Escobar, Silvia Vázquez Cedeño, Mikhail Benet Rodríguez, Rachel Seijo Yanes, Alexander Cándido Hernández Petitón

“…Distance education has recently become a very useful educational practice due to the dynamics of today's world, the advances in the Information and Communication Technologies, as well as the need to achieve quality education overcoming distances and promoting personal growth and intellectual maturity of a growing number of people of all genres and latitudes. This paper aims to conduct a historical review of this type of education in Cuba and the world, from its origins to present times, for which a literature review was conducted covering different countries in Europe, Asia, Africa, America and Cuba, so that it can help all those who study this subject.…”
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Aussi vite que possible… by Antoine Hennion

“…Drawing on a comparison between different genres, I would like to suggest that beyond the classical opposition between body, entertainment, collective trance music, on a side, and written music that focuses on the composition of a work and is largely developed by opposing virtuoso seduction, on the other, it is possible to give virtuosity its ability to express a musical truth by turning it into an aesthetic of performance: less a technical feat than a necessary positioning of the work in the fragility of a present that is always to be recovered.…”
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Écriture des personnages non binaires dans la fiction jeunesse française 2019-2023 by Alias Alouette

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Le sujet lesbien dans deux œuvres romanesques de Monique Wittig. Stratégies formelles dans L’Opoponax (1964) et Virgile, non (1985) by Marie Frédérick

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L’emprunt linguistique dans le lexique des homosexualités. Étude historique et comparative des internationalismes en français, italien, espagnol, anglais et allemand by Nicholas LoVecchio

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Ce qu’iels font au neutre : analyse sémiotique des guides de communication inclusive au Québec francophone actuel by Loïs Crémier

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Étude ethnographique et argumentative d’un mouvement contestataire à la « PMA pour toutes » : entre revendication et dissimulation by Claire Hugonnier

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Isabelle Alfonsi. 2019. Pour une esthétique de l’émancipation / Renate Lorenz. 2018. Art queer. Une théorie Freak by Anna Levy

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Jan Clausen & Collectif. 2019. Je transporte des explosifs, on les appelle des mots. Poésie & féminismes aux États-Unis by Héloïse Humbert

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Introduction #2 by Julie Abbou, Maria Candea, Alice Coutant, Mona Gérardin-Laverge, Stavroula Katsiki, Noémie Marignier, Lucy Michel, Charlotte Thevenet

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Das Rote Buch im Kontext europäischer spiritualitätsgeschichte by Karl Baier

“…Pour mettre en évidence le statut du Livre Rouge dans l’histoire européenne de la spiritualité, cette étude prend comme point de départ une comparaison avec divers genres de la littérature médiévale. Le Livre Rouge est ici considéré comme un livre chrétien, mais transgressif, rapportant des visions, et qui présente également des similitudes avec d’autres genres de la littérature spirituelle médiévale. …”
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Ovidian intertextuality and metamorphosis in Prudentius by Philip Hardie

“…The personal Praefatio and Epilogus allude mostly to Horace, and hardly at all to Virgil (not surprising, given Horace’s use of first-person genres in autobiographical mode). In this paper I focus on allusion to a poet arguably almost as important for Prudentius as Virgil and Horace, Ovid. …”
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The Black Arts Movement Reprise: Television and Black Art in the 21st Century by Jeffrey O.G. Ogbar

“…It was represented by a rich cross section of artistic work, often forged by young urban artists in genres as diverse as music, dance, visual arts, literature and theatre. …”
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Appropriating the closure of Jesuit missions: Fritz Hochwälder's Das heilige Experiment by F. Hale

“… Since the eighteenth century the history of the Jesuit missionary endeavours in South America, especially their forced closure in 1760s, has been used rhetorically by writers in several genres, providing them with historical evidence to support a variety of latter-day causes. …”
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Mel et sal. Suavité et sévérité de la voix dans Twelfth Night by François Laroque

“…Shakespeare’s comedy thus presents itself like an acoustic maze where identities and genres get blurred. Letter games such as the M.O.A.I. riddle in the letter supposedly written by Olivia are playing on sounds as well as with existential issues and they raise laughter at the expense of the Puritan steward Malvolio. …”
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Kinesis, Kenosis, and the Weakness of Poetry by Jennifer Kilgore-Caradec

“…Cet article essaie d’éclairer l’utilisation des mots « kinêsis » et « kénose » dans The Triumph of Love (1998) et aborde le rôle théologique que Geoffrey Hill donne à la poésie, ainsi que les limites que les genres humains et poétiques imposent. De nombreuses personnes nommées dans la poésie de Hill sont concernées par la christologie et la kénose, notamment Dietrich Bonhoeffer, Simone Weil et Charles Péguy. …”
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