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    Les ducs, le roi et l’Orient : le rêve d’unité et de croisade de Philippe le Hardi à travers le manuscrit Paris, Bibliothèque nationale de France, fr. 12201 by Rémi Plotard

    Published 2019-01-01
    “…The Paris, Bibliothèque nationale de France, fr. 12201 manuscript was commissioned by Philip of Burgundy and completed in 1403. …”
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  5. 1365

    Cartographie prospective d’évolution du trait de côte et des risques de submersion dans le contexte du changement climatique : une méthode appliquée au littoral du nord de la France by Arnaud Héquette, Marie-Hélène Ruz, Olivier Cohen, François G. Schmitt

    Published 2022-09-01
    “…This paper presents examples of the application of a method aimed at assessing the future position of the shoreline and at mapping areas that will be at risk of flooding by 2065 with future sea-level rise at two coastal localities of northern France where properties are already threatened by erosion or flooding. …”
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  6. 1366

    Étude par absorptiométrie de la densité minérale osseuse dans une population médiévale (nécropole de Notre Dame du Bourg, Digne, Alpes de Haute-Provence France, XIe-XIIIe et XVIe-XVIIIe s.) by Jean Fulpin, Bertrand Mafart, Pierre-Yves Chouc, Gabrielle Demians d'Archimbaud

    Published 2001-11-01
    “…The femurs of 18 women under the age of 30 years at death and 40 women over the age of 60 at death were collected from the Notre Dame du Bourg Necropolis in Digne, Alpes-de-Haute-Provence, France. Measurements of the neck and Ward’s triangle regions were made by dual-energy X-ray absorptiometry after documenting the absence of radiologically detectable disease and of variations between two measurements and between right and left sides. …”
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    L’antiquaire Georges Joseph Demotte, le Louvre et les musées américains. S’approprier le discours sur le patrimoine médiéval de la France au sortir de la Première Guerre mondiale by Christine Vivet-Peclet

    Published 2017-10-01
    “…Each of these collectors, whose profiles and tastes were very different, referred in the way they chose to present their collections to France, its heritage and its museums, but less to the Louvre than to other institutions such as the Musée de Sculpture comparée and the Musée de Cluny.…”
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