THE ROLE OF ETHICS AS A COMPONENT OF PHILOSOPHY IN HISTORY-THEMED DOCUMENTARIES by USAKU ROBINSON WAMMANDA

“… This article examines ethics and philosophical considerations in media and communication within the context of historical documentary filmmaking. The main aim is to speak to the reason for which history-themed documentaries as a form of film that deals with factual representation of history, is not without the application of ethics as a component of philosophy. …”
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Psychogeography as Social Activism in Katerina Cizek’s Digital Documentaries Highrise, The 1000th Tower and Out My Window by Siobhan O’Flynn

“…With the rapid emergence of new digital technologies and social media platforms, documentary filmmaking is undergoing significant shifts globally and the works of Canada’s NFB Interactive program are at the forefront of innovation in the international sphere. …”
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Study of the use of special effects in cinema by Yu. V. Vorontsova, E. A. Alieva

“…Special effects are both combined and complement each other, thus forming a   more efficient filmmaking, which allows you to   fully use the techniques of   impressive display of   visual elements. …”
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Peculiarities of Implementing a Director’s Idea in Contemporary Audiovisual Art by Ганна Чміль, Максим Вітошкін

“…The scientific novelty is that, for the first time, the approaches to documentary and fiction filmmaking are compared; the details of the phenomenon of the hybrid cinematic genre of mockumentary are established, and its psychological impact on the viewer is studied; the influence of the mockumentary genre on the formation of an audiovisual work through associative editing is outlined. …”
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Marketing auteurism: the vanishing industry model behind Pedro Almodóvar’s success in the US by Jennifer Green

“…Almodóvar’s typical production-distribution structure and exportable filmmaking style are outlined, as are his US distributor’s strategic use of specialised press, elite events and targeted marketing of arthouse audiences with a specific cultural capital and an established view of European cinema. …”
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Technical means as sources of evidence in cases of administrative offenses: under the prism of observing human rights and freedoms by M. A. Sambor

“…The research is carried out on the basis of strict observance of human rights and freedoms, as fundamental principles of civil society and a democratic state, which should determine the powers, their use, and therefore the behavior of subjects of public administration during the use of technical means of videography, photography and filmmaking. It is argued that no socially significant goal may be the basis for limiting or depriving a person of his or her rights and freedoms, including the right to privacy, in any form. …”
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A Room with Two Views: An Insight into the 1985 and 2007 Film Adaptations of E. M. Forster’s Novel by Elena Raicu

“…Therefore, if we are to consider that a film adaptation presents the story as seen through the lenses of the society contemporary with the filmmaking, we can justly ask ourselves what these two adaptations of A Room with a View tell us about the last part of the 20th century and about the first years of the 21st century.…”
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Unique Design of Learning Studio Spaces: A Case Study of The Department of Applied Design and Fine Art Kabale University. by Akatwijuka, Onesmus

“…It can be for the purpose of acting, architecture, painting, pottery (ceramics), sculpture, origami, woodworking, scrapbooking, photography, graphic design, filmmaking, animation, industrial design, radio or television production broadcasting or the making of music. …”
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Unique Design of Learning Studio Spaces: A Case Study of the Department of Applied Design and Fine Art Kabale University. by Akatwijuka, Onesmus

“…It can be for the purpose of acting, architecture, painting, pottery (ceramics), sculpture, origami, woodworking, scrapbooking, photography, graphic design, filmmaking, animation, industrial design, radio or television production broadcasting or the making of music. …”
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Sex, Gore and Provocation: the Influence of Exploitation in John Waters’s Early Films by Elise Pereira Nunes

“…The illicit, controversial topics addressed in his early movies, traditionally brought up by exploitation in order to attract audiences whose voyeuristic desires would not be fulfilled by Hollywood’s promotion of moral standards, have predictably put him at the margins of mainstream movie culture. Many exploitation filmmakers have had a strong impact on the filmmaker’s aesthetics and politics—among them, American filmmaker Russ Meyer, a master of sexploitation, whose strong female characters inspired the creation of Waters’s lead female heroines embodied by American drag queen Divine. …”
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Trasvasijes poéticos y literarios en el cine chileno.Entre Raúl Ruiz e Ignacio Agüero by Carolina Urrutia Neno, Felipe Blanco

“…The starting point is the book Written by filmmakers, which compiles essays by thirty Chilean filmmakers, including one written by Agüero and several others in which Ruiz emerges as an undeniable influence. …”
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Oak Tree, Gum Tree by Catherine Gough-Brady, Christine Rogers

“…How much of this becomes an expression of the filmmaker through the images? This work was selected for exhibition at the International Visual Sociology Association conference in 2022. …”
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Irse quedando en el cine y los libros by Joaquín Manzi

“…In order to explore the tensions that define the filmmaker-writer practices, this paper approaches Jorge Dana’s novel Bicho de luz (2012) by comparing film and writing. …”
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Cinemas and Spectators of International Development by Molly Geidel

“…This article tracks how mid-20th century US and Latin American documentary filmmakers created a visual and narrative repertoire that encouraged spectators worldwide to imagine a global transformation from the stagnant living death of underdevelopment to striving, productive life-in-development. …”
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Filmar para tajar: Madrid en el cine en torno al 15-M by Luis Deltell Escolar

“…An analysis is made of the productions by the artistic collectives that emerged as a response to the first demonstrations by the protesters, followed by an overview of the works of established filmmakers who approached this topic and, finally, the aesthetic and thematic evolution of the subsequent films by these creators is explored. …”
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À l’écoute des adaptations de Madame Bovary by Mary Donaldson-Evans

“…Theoretically, there is nothing easier for the filmmaker than to reproduce on the screen this sonorous mimicry of the realist text. …”
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Sankofa (Haile Gerima, 1993) : la mémoire de l’esclavage dans la conscience diasporique by Delphine Letort

“…Based on an original script, written by the filmmaker himself, Sankofa is a slave narrative which, however, has no historical value since it was developed through creative writing. …”
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Présences mémorielles et carences fictionnelles : L’espace du deuil dans le cinéma indépendant new-yorkais post-11/09 by Vincent SOULADIÉ

“…Whereas the Hollywood majors observed a careful distance in the evocation and the representation of 9/11, several filmmakers belonging to New York's independent cinema chose to rapidly direct movies set in its immediate aftermath and in the bruised landscape of New York. …”
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The War Game et Who Bombed Birmingham ?  : usage politique du mode réflexif by Georges Fournier

“…this essay will try to show how filmmakers purported to arouse the awareness of television viewers to the subjectivity inherent in the filmic material and in particular in television journalism.…”
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