“Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early American Cinema by Ian Scott

“…This article argues, however, that there was an initial wave of such trans-national pioneers – writer-directors Charles Brabin, Colin Campbell, Reginald Barker and Frank Lloyd – who not only did not demonstrate such “Britishness” in their work but instead made a crucial contribution to the development of classical Hollywood filmmaking. At times, they also offered a more nuanced view of social and historical complexities of the American past than many US-born directors.…”
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Mary Harrod, Heightened Genre and Women’s Filmmaking in Hollywood: The Rise of the Cine-fille by Fruzsina Papp

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Claroscura Representation: An Audio-visual and Theoretical Exploration of the Representation of the Past Through Documentary Filmmaking by Gerrit Stollbrock Trujillo

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Ian Scott, From Pinewood to Hollywood: British Filmmakers in American Cinema, 1910-1969. by Hilaria Loyo

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“When I finished my film, I realized that people really needed me there”: the transformative power of Collaborative Filmmaking by Jessica G. Burke, Annika Agarwal, Mihaja Raonivololona, Tahiry Anjarasoa, Laura Leeson, Sara Baumann

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Reconstructing the Past and the Present: The Ethnographic Films Made by the Estonian National Museum (1961–1989) by Liivo Niglas, Eva Toulouze

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Review of Méliès to 3D: the Cinema Machine exhibition at the Cinémathèque de Paris (October 5th-January 29th, 2017) by David Lipson

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Histoire d’un film en train de se faire – les relents de la dictature argentine dans l’expérience cinématographique de Marco Bechis (1976-1999) by Marion Cairault

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Rolprent, Televisie en die Omgewing by Pieter Jacobus Fourie

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STUDENT CREATED VIDEOS IN ENGLISH LANGUAGE TEACHING by I. E. ABRAMOVA, O. M. SHEREKHOVA, E. P. SHISHMOLINA

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Investigation of the digital technologies influence on the process transformation in cinema by Yu. V. Vorontsova, D. N. Koltsov

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Transcultural transformation in cinema by Yu. V. Vorontsova

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Filmer la ville et ses acteurs ordinaires by Rouba Kaedbey

“…Based on her own experience of filmmaking, the author defends the idea that film is a perfectly appropriate tool to highlight issues of social geography. …”
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Sweet Sweetback’s Baadasssss Song de Melvin Van Peebles (1971) : exégèse d’un film militant by Delphine Letort

“…Not only did it support the emergence of black cinema by opening up filmmaking to black crews, but it also broached taboo subjects while depicting black sexuality (miscegenation) and police brutality. …”
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Metafory wizji by Stan Brakhage

“…Selected Writings on Filmmaking by Stan Brakhage (2001). Reżyser snuje poetycką, pełną gier słownych refleksję nad tytułowymi metaforami wizji. …”
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A Politics of Working-Class Culture and the Culture of Working-Class Politics: The Aesthetics and Activism of Amber Film and Photography Collective and the Berwick Street Film Coll... by Jessica Williams Boyall

“…Concomitantly, Amber’s radical filmmaking is positioned as relative to its members’ working-class solidarities, with their concern for championing working-class cultures contrasted with Berwick Street’s broader political agendas. …”
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An analysis of Masoud Kimiyaei’s novel, Jasadhaye Shishei by by Teymoor Malmir, Sarkoo Nazir Hosein

“…Masoud Kimiyaei is famous for scriptwriting and filmmaking, but he has showcased his art in literary creation by writing a novel, Jasadhaye Shishei. …”
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Polskie kino lat 1949–1955 wobec realizmu socjalistycznego. Ideologiczna mobilizacja jako kontekst dla myśli pedagogicznej by Marek Sokołowski

“…The article concerns a specific period in the history of Polish cinematography, called socialist realism (1949–1954). The new style of filmmaking (according to the ideology of the Polish Communist Party), was imposed by the filmmakers, but was not accepted by the cinema audience. …”
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Los inmigrantes en el cine argentino. Panorama general y estudio de un caso actual: Un cuento chino, 2011 by Estela Erausquin

“…It is possible to observe that there is practically no filmmaking regarding the new Asian immigration, particularly Chinese, in spite of its considerable importance. …”
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« Qu’es chabat ». Une expérience de la disparition entre présence et rémanence. Situation de l’occitan dans le nord limousin by Jean-Pierre Cavaillé

“…In this paper, we attempt to analyze the situation of Limousin Occitan, or rather what remains of it, through a series of cases encountered during a campaign of documentary filmmaking in Occitan. In this analysis, a concept has emerged, that of “remanence”, in order to describe the situation of a language considered by the very people who speak it as dead, moribund or in a state of survival. …”
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